| # | Title | Artist | Length |
|---|
| 1 | Simply Irresistible | Robert Palmer | 4:12 |
| 2 | Come Said the Boy | Mondo Rock | 4:38 |
| 3 | Africa- recording engineer:
- Al Schmitt
- producer:
- Toto
- mixer:
- Greg Ladanyi
- acoustic guitar:
- Timothy B. Schmit
- bass guitar:
- David Hungate
- congas:
- Lenny Castro
- drums (drum set) and gong:
- Jeff Porcaro
- electric guitar and guitar:
- Steve Lukather
- keyboard and piano:
- David Paich
- marimba:
- Joe Porcaro
- percussion:
- Lenny Castro and Joe Porcaro
- recorder:
- Jim Horn
- synthesizer:
- Steve Porcaro
- background vocals:
- Bobby Kimball, Steve Lukather, David Paich and Timothy B. Schmit
- lead vocals:
- Bobby Kimball and David Paich
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony Music Entertainment (in 1982) and Sony Music Entertainment Inc. (in 1982, in 1983)
- music videos:
- Africa by Toto
- part of:
- Billboard: The 500 Best Pop Songs (number: 105) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 452)
- recording of:
- Africa
- writer:
- Jeffrey Porcaro and David Paich
- publisher:
- Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd., Rising Storm Music, Sony Music Publishing, Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC and Spirit Two Music
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Toto | 4:54 |
| 4 | Rapture | Blondie | 5:35 |
| 5 | Maneater- assistant engineer:
- Bruce Buckhalter, Barry Harris and Michael Somer-Abbott
- engineer:
- Neil Kernon
- co-producer:
- Neil Kernon
- producer:
- Daryl Hall and John Oates
- mixer:
- Hugh Padgham
- phonographic copyright (℗) by:
- BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (in 1982), Sony BMG Music Entertainment (in 1982) and Sony Music Entertainment (in 1982)
- recording of:
- Maneater (in 1981-12)
- lyricist:
- Sara Allen, Daryl Hall and John Oates
- composer:
- Daryl Hall and John Oates
- publisher:
- BMG Rights Management (UK) Ltd., Copyright Control, Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music and Warner/Chappell Music Ltd.
| Daryl Hall & John Oates | 4:28 |
| 6 | Pleasure and Pain | Divinyls | 3:46 |
| 7 | Karma Chameleon- engineer:
- Simon Frith, Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- guest harmonica:
- Judd Lander (in 1983)
- guest keyboard:
- Phil Pickett (in 1983)
- background vocals:
- Helen Terry (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2002, in 2003)
- recorded at:
- CBS Studios in London, England, United Kingdom (in 1983) and Red Bus Studios in London, England, United Kingdom (in 1983)
- music videos:
- Karma Chameleon by Culture Club
- recording of:
- Karma Chameleon (in 1983)
- writer:
- Mikey Craig, George O’Dowd, Roy Hay, Jon Moss and Phil Pickett
- publisher:
- BMG Music Publishing Ltd., Copyright Control, EMI Virgin Music Ltd., EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd., Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. and BMG VM Music Ltd. (from 2013-05 to present)
| Culture Club | 4:09 |
| 8 | Ain’t No Mountain High Enough | Jimmy Barnes | 2:21 |
| 9 | Come On Eileen | Dexys Midnight Runners | 4:03 |
| 10 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 2:21 |
| 11 | Reminiscing- recorded in:
- Australia (in 1978-03)
- produced in:
- Australia
- producer:
- John Boylan and Little River Band
- bass:
- George McArdle (in 1978-03)
- drums (drum set):
- Derek Pellicci (in 1978-03)
- electric guitar:
- Beeb Birtles (in 1978-03), David Briggs (in 1978-03) and Graham Goble (in 1978-03)
- guest electric piano:
- Peter Jones (in 1978-03)
- solo flugelhorn:
- Bob Venier (in 1978-03)
- solo trumpet:
- Bill Harrower (in 1978-03)
- strings:
- Rick Formosa (in 1978-03)
- vocals:
- Beeb Birtles (in 1978-03), Graham Goble (in 1978-03) and Glenn Shorrock (in 1978-03)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1978), Capitol Records, LLC (in 1978), EMI (Australia) Limited (in 1978), EMI Music Australia Pty. Limited (in 1978, in 2002), EMI Recorded Music Australia Pty Ltd. (in 1978) and EMI Music Australia (in 2002)
- produced for:
- Tumbleweed Productions
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 17) and Billboard Year-End Hot 100 singles of 1978 (number: 65)
- recording of:
- Reminiscing (in 1978-03)
- lyricist and composer:
- Graeham Goble
- publisher:
- American Tumbleweed Music, Copyright Control, Screen Gems–EMI Music, Inc., Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd., Warner/Chappell Pty. Ltd., WB Music Corp., Wheatley Music Pty Ltd., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Little River Band | 4:07 |
| 12 | You Wear It Well | Rod Stewart | 4:53 |
| 13 | Rikki Don’t Lose That Number- engineer:
- Roger Nichols
- producer:
- Gary Katz
- acoustic guitar:
- Dean Parks
- bass:
- Walter Becker
- drums (drum set):
- Jim Gordon
- percussion:
- Victor Feldman
- piano:
- Michael Omartian
- solo guitar:
- Jeff “Skunk” Baxter
- background vocals:
- Timothy B. Schmit
- background vocals and lead vocals:
- Donald Fagen
- phonographic copyright (℗) by:
- Geffen Records (in 1974) and MCA Records, Inc. (in 1974)
- mixed at:
- Cherokee Sound in Chatsworth, California, United States
- engineered at:
- Village Recorder in Los Angeles, California, United States
- recording of:
- Rikki Don’t Lose That Number
- lyricist and composer:
- Walter Becker and Donald Fagen
- publisher:
- American Broadcasting Music, Inc., MCA Music, MCA Music Ltd., Universal Music Corp., Universal Music Publishing Group, Universal/MCA Music Ltd. and MCA Music Publishing (in 1974)
| Steely Dan | 4:30 |
| 14 | I Got You Babe | UB40 | 3:07 |
| 15 | Against All Odds (Take a Look at Me Now)- engineer:
- Jeremy Smith and Lewis Hahn
- producer:
- Arif Mardin
- drums (drum set) and lead vocals:
- Phil Collins
- keyboard:
- Rob Mounsey
- conductor:
- Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1999)
- recording of:
- Against All Odds (Take a Look at Me Now)
- lyricist and composer:
- Phil Collins
- publisher:
- Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing, EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (in 1984), EMI Music Publishing Ltd. (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
- sub-publisher:
- EMI Music Publishing Germany GmbH, Imagem Music GmbH, Sony Music Publishing (Japan) Inc., ヤマハミュージックエンタテインメントホールディングス, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 57th Academy Award for Best Original Song (number: 2)
| Phil Collins | 3:23 |
| 16 | Smooth Operator | Sade | 4:16 |
| 17 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London, England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek (in 1983)
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 3:53 |
| 18 | The Living Years | Mike & the Mechanics | 5:23 |
| 19 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander, Jason Corsaro, Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen, Tim Crich and Scott "Abada" Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984, in 2018) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd., Somerset Songs Publishing Inc., Warner Brothers Music Ltd., Warner Chappell Music, Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 4:59 |
