NEON GENESIS EVANGELION: S² WORKS (Expanded & Romanized)

~ Release by 鷺巣詩郎 (see all versions of this release, 5 available)

Tracklist

1▶Medium
2▶Medium
3▶Medium
4▶Medium
5▶Medium
6▶Medium
7▼Medium
#TitleArtistLength
1Cello Tuning
recording engineer:
KOH-ICHI SUZUKI and 辻裕行
assistant engineer:
NOBUYUKI MICHIZOE
mixer:
KOH-ICHI SUZUKI
arranger:
SHIROH SAGISU
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1997, in 1998, in 2020)
鷺巣詩郎0:27
2Suite for Solo Violin no. 1 in G major, BWV 1007: 1. Prelude
recording engineer:
KOH-ICHI SUZUKI and 辻裕行
assistant engineer:
NOBUYUKI MICHIZOE
mixer:
KOH-ICHI SUZUKI
arranger:
SHIROH SAGISU
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1997, in 1998, in 2003, in 2020)
partial recording of:
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements)
composer:
Johann Sebastian Bach
arrangement of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
part of:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
鷺巣詩郎0:44
3Dvořák: Original Complete Version
recording engineer:
KOH-ICHI SUZUKI and 辻裕行
assistant engineer:
NOBUYUKI MICHIZOE
mixer:
KOH-ICHI SUZUKI
arranger:
SHIROH SAGISU
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1997, in 1998, in 2020)
partial cover recording of:
Cello Concerto in B minor, op. 104: I. Allegro
composer:
Antonín Dvořák (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
鷺巣詩郎0:34
4Violin Tuning
recording engineer:
KOH-ICHI SUZUKI and 辻裕行
assistant engineer:
NOBUYUKI MICHIZOE
mixer:
KOH-ICHI SUZUKI
arranger:
SHIROH SAGISU
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1997, in 1998, in 2020)
鷺巣詩郎0:23
5Partita for Solo Violin no. 3 in E major, BWV 1006: 3. Gavotte en Rondeau
recording engineer:
KOH-ICHI SUZUKI and 辻裕行
assistant engineer:
NOBUYUKI MICHIZOE
mixer:
KOH-ICHI SUZUKI
arranger:
SHIROH SAGISU
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1997, in 1998, in 2020)
partial cover recording of:
Violin Partita no. 3 in E major, BWV 1006: III. Gavotte en rondeau (catch-all for arrangements)
composer:
Johann Sebastian Bach
arrangement of:
Violin Partita no. 3 in E major, BWV 1006.1: III. Gavotte en rondeau (former BWV 1006)
part of:
Violin Partita no. 3 in E major, BWV 1006 (catch-all for arrangements)
鷺巣詩郎0:23
6Viola Tuning
recording engineer:
KOH-ICHI SUZUKI and 辻裕行
assistant engineer:
NOBUYUKI MICHIZOE
mixer:
KOH-ICHI SUZUKI
arranger:
SHIROH SAGISU
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1997, in 1998, in 2020)
鷺巣詩郎1:10
77-07 Tuning Scenery
recording engineer:
KOH-ICHI SUZUKI and 辻裕行
assistant engineer:
NOBUYUKI MICHIZOE
mixer:
KOH-ICHI SUZUKI
arranger:
SHIROH SAGISU
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1997, in 1998, in 2020)
鷺巣詩郎0:18
8Kanon D major (normal, string orchestra)
recording engineer:
KOH-ICHI SUZUKI and 辻裕行
assistant engineer:
NOBUYUKI MICHIZOE
mixer:
KOH-ICHI SUZUKI
arranger:
SHIROH SAGISU
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1997, in 1998, in 2003, in 2020)
cover recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel
part of:
Canon and Gigue in D major, P. 37, T. 337
鷺巣詩郎5:08
9Kanon D major (double quintet)
recording engineer:
鈴木孝一 and 辻裕行
mixer:
鈴木孝一
arranger:
鷺巣詩郎
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1998)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements)
composer:
Johann Pachelbel
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
鷺巣詩郎5:07
10Kanon D major (quintet)
recording engineer:
鈴木孝一 and 辻裕行
mixer:
鈴木孝一
arranger:
鷺巣詩郎
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1998)
cover recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements)
composer:
Johann Pachelbel
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
鷺巣詩郎5:00
11Kanon D major (quintet without harpsichord)
recording engineer:
KOH-ICHI SUZUKI and 辻裕行
assistant engineer:
NOBUYUKI MICHIZOE
mixer:
KOH-ICHI SUZUKI
arranger:
SHIROH SAGISU
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1997, in 1998, in 2020)
cover recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements)
composer:
Johann Pachelbel
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
鷺巣詩郎5:02
12II Air [Orchestral Suite no. 3 in D major, BWV 1068] (slow tempo)
recording engineer:
鈴木孝一 and 辻裕行
mixer:
鈴木孝一
arranger:
鷺巣詩郎
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1998)
recording of:
II Air [ORCHESTRAL SUITE No. 3 in D Major, BWV. 1068] (arr. Shiro Sagisu)
composer:
Johann Sebastian Bach
instruments arranger:
鷺巣詩郎
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
part of:
THE END OF EVANGELION (1997 animated film soundtrack)
鷺巣詩郎3:57
13II Air [Orchestral Suite no. 3 in D major, BWV 1068]
recording engineer:
KOH-ICHI SUZUKI and 辻裕行
mixer:
KOH-ICHI SUZUKI
arranger:
Shiro SAGISU
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1997, in 1998, in 2020)
recording of:
II Air [ORCHESTRAL SUITE No. 3 in D Major, BWV. 1068] (arr. Shiro Sagisu)
composer:
Johann Sebastian Bach
instruments arranger:
鷺巣詩郎
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
part of:
THE END OF EVANGELION (1997 animated film soundtrack)
鷺巣詩郎3:23
14Jesus bleibet meine Freude [Herz und Mund und Tat und Leben BWV 147] (strings, fast tempo)
recording engineer:
鈴木孝一 and 辻裕行
mixer:
鈴木孝一
arranger:
鷺巣詩郎
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1998)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
鷺巣詩郎3:10
15Jesus bleibet meine Freude [Herz und Mund und Tat und Leben BWV 147] (strings)
recording engineer:
鈴木孝一 and 辻裕行
mixer:
鈴木孝一
arranger:
鷺巣詩郎
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1998)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
鷺巣詩郎3:47
16M-10 (without intro, type A)
recording engineer:
鈴木孝一 and 辻裕行
mixer:
鈴木孝一
arranger:
鷺巣詩郎
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1998)
recording of:
Komm, süsser Tod (Come, Sweet Death, The End of Evangelion)
lyricist:
庵野秀明
composer:
鷺巣詩郎
translator:
Mike Wyzgowski
is based on:
Geistliches Lied, BWV 478 "Komm, süßer Tod"
鷺巣詩郎7:05
17M-10 (without intro, type B)
recording engineer:
鈴木孝一 and 辻裕行
mixer:
鈴木孝一
arranger:
鷺巣詩郎
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1998)
recording of:
Komm, süsser Tod (Come, Sweet Death, The End of Evangelion)
lyricist:
庵野秀明
composer:
鷺巣詩郎
translator:
Mike Wyzgowski
is based on:
Geistliches Lied, BWV 478 "Komm, süßer Tod"
鷺巣詩郎7:05
18M-13 (take 1 unfinished)
recording engineer:
鈴木孝一 and 辻裕行
mixer:
鈴木孝一
arranger:
鷺巣詩郎
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1998)
recording of:
M-13 (THE END OF EVANGELION)
lyricist:
Mike Wyzgowski
composer:
鷺巣詩郎
version of:
BORDERLINE CASE (A-4) (新世紀エヴァンゲリオン)
part of:
THE END OF EVANGELION (1997 animated film soundtrack)
鷺巣詩郎6:16
19M-13 (take 2 unfinished)
recording engineer:
鈴木孝一 and 辻裕行
mixer:
鈴木孝一
arranger:
鷺巣詩郎
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1998)
recording of:
M-13 (THE END OF EVANGELION)
lyricist:
Mike Wyzgowski
composer:
鷺巣詩郎
version of:
BORDERLINE CASE (A-4) (新世紀エヴァンゲリオン)
part of:
THE END OF EVANGELION (1997 animated film soundtrack)
鷺巣詩郎6:16
20M-14 (unedited)
recording engineer:
鈴木孝一 and 辻裕行
mixer:
鈴木孝一
arranger:
鷺巣詩郎
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1998)
recording of:
M-14 (THE END OF EVANGELION)
composer:
鷺巣詩郎
part of:
THE END OF EVANGELION (1997 animated film soundtrack)
鷺巣詩郎2:16
21M-14 Second Half (unedited)
recording engineer:
鈴木孝一 and 辻裕行
mixer:
鈴木孝一
arranger:
鷺巣詩郎
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1998)
partial recording of:
M-14 (THE END OF EVANGELION)
composer:
鷺巣詩郎
part of:
THE END OF EVANGELION (1997 animated film soundtrack)
鷺巣詩郎0:37
22M-15 (unfinished)
recording engineer:
鈴木孝一 and 辻裕行
mixer:
鈴木孝一
arranger:
鷺巣詩郎
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1998)
recording of:
M-15 (THE END OF EVANGELION)
composer:
鷺巣詩郎
part of:
THE END OF EVANGELION (1997 animated film soundtrack)
鷺巣詩郎4:08
23Thanatos -If I Can't Be Yours-
recording engineer:
KOH-ICHI SUZUKI and 辻裕行
mixer:
KOH-ICHI SUZUKI
lead vocals:
LOREN
arranger:
Shiro SAGISU
phonographic copyright (℗) by:
King Record Co., Ltd. (in 1997, in 1998, in 2003, in 2006, in 2007, in 2020)
recording of:
THANATOS -IF I CAN’T BE YOURS-
lyricist:
MASH
composer:
鷺巣詩郎
publisher:
セブンシーズミュージック and テレビ東京ミュージック
version of:
THANATOS (E-13) (新世紀エヴァンゲリオン)
LOREN & MASH4:49

Credits

Release

transliterated/translated track listing of:NEON GENESIS EVANGELION S² WORKS