Sacred Works

~ Release by Johann Sebastian Bach, Münchener Bach‐Orchester, Karl Richter (see all versions of this release, 1 available)

Tracklist

1▶CD: St Matthew Passion, BWV 244
2▶CD: St Matthew Passion, BWV 244
3▶CD: St Matthew Passion, BWV 244
4▶CD: St John Passion, BWV 245
5▶CD: St John Passion, BWV 245
6▶CD: Christmas Oratorio, BWV 248
7▶CD: Christmas Oratorio, BWV 248
8▶CD: Christmas Oratorio, BWV 248 / Magnificat in D major, BWV 243
9▶CD: Mass in B minor, BWV 232
10▼CD: Mass in B minor, BWV 232
#TitleArtistLength
1Mass in B minor, BWV 232: IIIa. Credo in unum Deum
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:15
2Mass in B minor, BWV 232: IIIb. Patrem omnipotentem
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:08
3Mass in B minor, BWV 232: IIIc. Et in unum Dominum
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
alto vocals:
Marga Höffgen (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
soprano vocals:
Ursula Buckel (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:54
4Mass in B minor, BWV 232: IIId. Et incarnatus est
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:37
5Mass in B minor, BWV 232: IIIe. Crucifixus
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:26
6Mass in B minor, BWV 232: IIIf. Et resurrexit
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:25
7Mass in B minor, BWV 232: IIIg. Et in Spiritum Sanctum
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
bass vocals:
Ernst Gerold Schramm (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:51
8Mass in B minor, BWV 232: IIIh. Confiteor
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:52
9Mass in B minor, BWV 232: IIIi. Et expecto
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:21
10Mass in B minor, BWV 232: IVa. Sanctus
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:15
11Mass in B minor, BWV 232: IVb. Osanna in excelsis
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:21
12Mass in B minor, BWV 232: IVc. Benedictus
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
tenor vocals:
Ernst Haefliger (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:06
13Mass in B minor, BWV 232: IVd. Osanna in excelsis
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:08
14Mass in B minor, BWV 232: IVe. Agnus Dei
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
alto vocals:
Marga Höffgen (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:01
15Mass in B minor, BWV 232: IVf. Dona nobis pacem
bassoon:
Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
cello:
Fritz Kiskalt (in 1969-05)
double bass:
Herbert Duft (in 1969-05)
flute:
Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (in 1969-05)
oboe:
Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
oboe d'amore:
Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
organ:
Hedwig Bilgram (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
violin:
Kurt Guntner (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:50
11▶CD: Rehearsal of J. S. Bach's Christmas Oratorio, BWV 248