| # | Title | Artist | Length |
|---|
| 1 | Say You Love Me | Simply Red | 3:44 |
| 2 | N’oubliez jamais | Joe Cocker | 4:51 |
| 3 | That’s Just the Way It Is | Phil Collins | 5:22 |
| 4 | Just the Way You Are- engineer:
- Jim Boyer and Phil Ramone
- producer:
- Phil Ramone
- 12 string guitar and guitar [High String Guitar]:
- Steve Khan
- acoustic guitar:
- Steve Burgh, Steve Khan and Hugh McCracken
- alto saxophone:
- Phil Woods
- bass:
- Doug Stegmeyer
- clarinet, flute, organ, soprano saxophone and tenor saxophone:
- Richie Cannata
- drums (drum set):
- Liberty DeVitto
- electric guitar:
- Hiram Bullock and Steve Khan
- keyboard, piano, synthesizer and lead vocals:
- Billy Joel
- percussion:
- Ralph MacDonald
- orchestrator:
- Patrick Williams
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1977), CBS, Inc. (in 1977) and Sony Music Entertainment Inc. (in 1977)
- edit of:
- Just the Way You Are by Billy Joel
- recording of:
- Just the Way You Are
- lyricist and composer:
- Billy Joel
- publisher:
- April Music Inc., EMI Music Publishing Ltd., EMI Songs Ltd., Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
- sub-publisher:
- Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
| Billy Joel | 3:32 |
| 5 | Baby Can I Hold You | Boyzone | 3:16 |
| 6 | Everytime I Close My Eyes | Babyface | 4:58 |
| 7 | Breathe | Midge Ure | 4:30 |
| 8 | Just Like Jesse James- recording engineer:
- Sir Arthur Payson
- additional engineer:
- Bruce Robb
- assistant engineer:
- George Cowan, Bridget Daly, Debbie Johnson, Jay Lean, Richard McKernan, Craig Porteils and Duane Seykora
- producer:
- Desmond Child
- mixer:
- Mick Guzauski
- acoustic guitar and electric guitar:
- John Putnam
- bass guitar:
- Hugh McDonald
- drums (drum set):
- Bobby Chouinard
- guitar:
- John McCurry
- keyboard:
- Alan St. Jon
- background vocals:
- Desmond Child, Brenda Russell and Diane Warren
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989) and The David Geffen Company (in 1989, in 1990)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States, Cherokee Studios in Hollywood, Los Angeles, California, United States, Electric Lady Studios in Greenwich Village, New York, New York, United States and The Complex Studios in Los Angeles, California, United States
- mixed at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Just Like Jesse James
- writer:
- Desmond Child and Diane Warren
- publisher:
- April Music Inc., Desmobile Music Co., Inc., Universal PolyGram International Publishing, Inc., SBK April Music Inc. (from 1989 to ????), Desmobile Inc. (from 1989 to present) and Realsongs (from 1989 to present)
| Cher | 4:07 |
| 9 | All I Have to Give- miscellaneous support:
- Pat Armstrong (task: studio assistant), The Battery Studio Soldiers (task: studio assistant), Chris and The Dreamshire Posse (task: studio assistant), Daniel "We're Down" Wierup (task: studio assistant), Sergeant Joanna Lovell (task: studio assistant), Martin "December" Czembor (task: studio assistant), Captain Susan Morrison (task: studio assistant), Aldania "Danni Dimples" Ortiz (task: studio assistant), The Parc Studio Posse (task: studio assistant), Sonnie "Little Cutie" Rothstein (task: studio assistant), Justin "Ringo" Star (task: studio assistant) and Tommie "Little Black" Hicks (task: studio assistant)
- engineer:
- Chris "English Muffin" Trevett and Joe "Capt. Kangoroo" Smith
- producer:
- Full Force
- mixer:
- Chris "London Bridge" Trevett and Full Force
- editor:
- Chaz Harper
- performer:
- A.J., Brian, Full Force, Howie D., Kevin and Nick
- arranger and vocals arranger:
- Full Force
- produced for:
- Forceful Enterprises
- recorded at and edited at:
- Battery Recording Studios in New York, New York, United States
- engineered at:
- Parc Studios in Orlando, Florida, United States
- recording of:
- All I Have to Give
- writer:
- Full Force
- publisher:
- P-Blast Music Inc., Universal Music–Z Tunes LLC and Zomba Music Publishers Limited
| Backstreet Boys | 4:36 |
| 10 | My Only | Coleske | 3:57 |
| 11 | Mmm Mmm Mmm Mmm | Crash Test Dummies | 3:50 |
| 12 | Pay No Mind | Culture Beat | 4:00 |
| 13 | Don’t Wanna Lose You | Gloria Estefan | 4:11 |
| 14 | A Time and Place | Mike & the Mechanics | 4:51 |
| 15 | How Deep Is Your Love- cover recording of:
- How Deep Is Your Love
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc., Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. and Gibb Brothers Music (in 1977)
- sub-publisher:
- Universal Music Publishing Group Japan, シンコーミュージック・エンタテイメント, ワーナー・チャペル音楽出版 Synch事業部, 香港商華納音樂出版有限公司台灣分公司, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Take That | 3:42 |
| 16 | I Belong to You | Lenny Kravitz | 4:18 |
| 17 | Kiss the Girl | Peter André | 2:54 |
| 18 | More Than Words | Extreme | 5:02 |
| 19 | Strange Currencies- recording engineer:
- Scott Litt
- additional engineer:
- David Colvin, Jeff DeMorris, Mark Gruber and Mark Howard
- engineer and mixer:
- Pat McCarthy
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Victor Janacua
- bass guitar:
- Mike Mills
- drums (drum set):
- Bill Berry
- guitar:
- Peter Buck
- vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1994)
- recorded at:
- Criteria Studios in Miami, Florida, United States, Crossover Soundstage in Atlanta, Georgia, United States, Kingsway Studios in New Orleans, Louisiana, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
- mixed at:
- Louie’s Clubhouse in Los Angeles, California, United States
- recording of:
- Strange Currencies
- writer:
- Bill Berry, Peter Buck, Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| R.E.M. | 3:49 |
