| # | Title | Length |
|---|
| 1 | Something Worth Leaving Behind (single cut)- additional recording engineer:
- Todd Gunnerson
- assistant recording engineer:
- Chad Brown, David Bryant, Brian Graben and Leslie Richter
- recording engineer and mixer:
- Greg Droman
- producer:
- Lee Ann Womack and Mark Wright
- acoustic guitar:
- B. James Lowry and Randy Scruggs
- banjo and mandolin:
- Bryan Sutton
- bass guitar:
- Michael Rhodes
- classical guitar [gut string guitar]:
- Brent Mason
- drums (drum set):
- Shannon Forrest
- electric guitar:
- Kenny Greenberg, Brent Mason and Brent Rowan
- fiddle:
- Aubrey Haynie
- Hammond organ [B-3] and synthesizer:
- Steve Nathan
- percussion:
- Eric Darken
- piano:
- Chuck Leavell and Steve Nathan
- steel guitar:
- Paul Franklin
- strings:
- Nashville String Machine
- tiple:
- Brent Rowan
- background vocals:
- Bob Bailey, Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller, Chris Rodriguez, Keith Sewell and Bergen White
- strings arranger:
- David Campbell
- additionally recorded at:
- House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
- recorded at and mixed at:
- The Sound Kitchen Studios in Franklin, Tennessee, United States
- recording of:
- Something Worth Leaving Behind
- writer:
- Brett Beavers and Tom Douglas
- publisher:
- Sony/ATV Songs LLC (from 2001 to present)
| 3:50 |
| 2 | I Saw Your Light- additional recording engineer:
- Todd Gunnerson
- assistant recording engineer:
- Chad Brown, David Bryant, Brian Graben and Leslie Richter
- recording engineer and mixer:
- Greg Droman
- producer:
- Lee Ann Womack and Mark Wright
- acoustic guitar:
- B. James Lowry and Randy Scruggs
- banjo and mandolin:
- Bryan Sutton
- bass guitar:
- Michael Rhodes
- classical guitar [gut string guitar]:
- Brent Mason
- drums (drum set):
- Shannon Forrest
- electric guitar:
- Kenny Greenberg, Brent Mason and Brent Rowan
- fiddle:
- Aubrey Haynie
- Hammond organ [B-3] and synthesizer:
- Steve Nathan
- percussion:
- Eric Darken
- piano:
- Chuck Leavell and Steve Nathan
- steel guitar:
- Paul Franklin
- tiple:
- Brent Rowan
- background vocals:
- Bob Bailey, Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller, Chris Rodriguez, Keith Sewell and Bergen White
- additionally recorded at:
- House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
- recorded at and mixed at:
- The Sound Kitchen Studios in Franklin, Tennessee, United States
- recording of:
- I Saw Your Light
- lyricist and composer:
- Gretchen Peters
- publisher:
- Sony/ATV Tunes LLC (from 2002 to present)
| 6:03 |
| 3 | When Your Gonna Run to Me- additional recording engineer:
- Todd Gunnerson
- assistant recording engineer:
- Chad Brown, David Bryant, Brian Graben and Leslie Richter
- recording engineer and mixer:
- Greg Droman
- producer:
- Lee Ann Womack and Mark Wright
- acoustic guitar:
- B. James Lowry and Randy Scruggs
- banjo and mandolin:
- Bryan Sutton
- bass guitar:
- Michael Rhodes
- classical guitar [gut string guitar]:
- Brent Mason
- drums (drum set):
- Shannon Forrest
- electric guitar:
- Kenny Greenberg, Brent Mason and Brent Rowan
- fiddle:
- Aubrey Haynie
- Hammond organ [B-3] and synthesizer:
- Steve Nathan
- percussion:
- Eric Darken
- piano:
- Chuck Leavell and Steve Nathan
- steel guitar:
- Paul Franklin
- strings:
- Nashville String Machine
- tiple:
- Brent Rowan
- background vocals:
- Bob Bailey, Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller, Chris Rodriguez, Keith Sewell and Bergen White
- strings arranger:
- David Campbell
- additionally recorded at:
- House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
- recorded at and mixed at:
- The Sound Kitchen Studios in Franklin, Tennessee, United States
- recording of:
- When You Gonna Run to Me
- writer:
- Jimmy Lee Sloas, Monty Powell and Anna Wilson
- publisher:
- Curb Songs (from 2002 to present), Lanark Village Tunes (from 2002 to present), Pudge Champ Music (from 2002 to present), Tower II (from 2002 to present), Universal Music Corp. (from 2002 to present) and WB Music Corp. (from 2002 to present)
| 3:58 |
| 4 | Talk to Me- assistant recording engineer:
- Chad Brown, David Bryant, Brian Graben and Leslie Richter
- recording engineer and mixer:
- Mike McCarthy
- programming:
- Jay Joyce
- assistant engineer:
- Tony High and Darren Redfield
- producer:
- Frank Liddell, Mike McCarthy and Lee Ann Womack
- additional assistant mixer:
- Jim Jordan and Brian McConkey
- editor:
- James Lightman
- acoustic guitar:
- Kenny Greenberg, David Grissom, Jay Joyce and Colin Linden
- bass guitar:
- Spencer Campbell
- drums (drum set):
- Chris McHugh
- electric guitar:
- Kenny Greenberg, David Grissom, Jay Joyce and Jerry McPherson
- keyboard and piano:
- Jeff Roach
- strings:
- Nashville String Machine
- background vocals:
- Dan Colehour, Kim Fleming, Vicki Hampton, Bobby Huff, Marcus Hummon, Fleming McWilliams, Buddy Miller, Julie Miller and Bruce Robison
- instruments arranger:
- John Mark Painter
- additional arranger:
- Kenny Greenberg and Jay Joyce
- recorded at and mixed at:
- Ocean Way Nashville in Nashville, Tennessee, United States
- additionally mixed at:
- Quad Studios in Nashville, Tennessee, United States and Starstruck Studios in Nashville, Tennessee, United States
- engineered at:
- New Reflections Studio in Nashville, Tennessee, United States and Tragedy/Tragedy Studio in Nashville, Tennessee, United States
- recording of:
- Talk to Me
- writer:
- David Grissom and Kevin Hunter
- publisher:
- Astroglide Music (from 1998 to present), David Grissom Music, Inc. (from 1998 to present), Mosaic Music (from 1998 to present) and Tilt a Whirl Music (from 1998 to present)
| 5:48 |
| 5 | Forever Everyday- additional recording engineer:
- Todd Gunnerson
- assistant recording engineer:
- Chad Brown, David Bryant, Brian Graben and Leslie Richter
- recording engineer and mixer:
- Greg Droman
- producer:
- Lee Ann Womack and Mark Wright
- acoustic guitar:
- B. James Lowry and Randy Scruggs
- banjo and mandolin:
- Bryan Sutton
- bass guitar:
- Michael Rhodes
- classical guitar [gut string guitar]:
- Brent Mason
- drums (drum set):
- Shannon Forrest
- electric guitar:
- Kenny Greenberg, Brent Mason and Brent Rowan
- fiddle:
- Aubrey Haynie
- Hammond organ [B-3] and synthesizer:
- Steve Nathan
- percussion:
- Eric Darken
- piano:
- Chuck Leavell and Steve Nathan
- steel guitar:
- Paul Franklin
- tiple:
- Brent Rowan
- background vocals:
- Bob Bailey, Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller, Chris Rodriguez, Keith Sewell and Bergen White
- additionally recorded at:
- House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
- recorded at and mixed at:
- The Sound Kitchen Studios in Franklin, Tennessee, United States
- recording of:
- Forever Everyday
- writer:
- Devon O'Day and Kim Patton-Johnson
- publisher:
- Devon's Farm Music (from 2002 to present), Driversed Music (from 2002 to present), Sony/ATV Cross Keys Music (from 2002 to present) and Worley World Music (from 2002 to present)
| 3:51 |
| 6 | Orphain Train- additional recording engineer:
- Todd Gunnerson
- assistant recording engineer:
- Chad Brown, David Bryant, Brian Graben and Leslie Richter
- recording engineer and mixer:
- Greg Droman
- producer:
- Lee Ann Womack and Mark Wright
- acoustic guitar:
- B. James Lowry and Randy Scruggs
- banjo and mandolin:
- Bryan Sutton
- bass guitar:
- Michael Rhodes
- classical guitar [gut string guitar]:
- Brent Mason
- drums (drum set):
- Shannon Forrest
- electric guitar:
- Kenny Greenberg, Brent Mason and Brent Rowan
- fiddle:
- Aubrey Haynie
- Hammond organ [B-3] and synthesizer:
- Steve Nathan
- percussion:
- Eric Darken
- piano:
- Chuck Leavell and Steve Nathan
- steel guitar:
- Paul Franklin
- strings:
- Nashville String Machine
- tiple:
- Brent Rowan
- background vocals:
- Bob Bailey, Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller, Chris Rodriguez, Keith Sewell and Bergen White
- strings arranger:
- Kristin Wilkinson
- additionally recorded at:
- House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
- recorded at and mixed at:
- The Sound Kitchen Studios in Franklin, Tennessee, United States
- cover recording of:
- Orphan Train
- lyricist and composer:
- Julie Miller
- publisher:
- Bughouse (from 1999 to present), Martha Road Music (from 1999 to present) and Tinkie Tunes (from 1999 to present)
| 4:05 |
| 7 | I Need You- assistant recording engineer:
- Chad Brown, David Bryant, Brian Graben and Leslie Richter
- recording engineer and mixer:
- Mike McCarthy
- programming:
- Jay Joyce
- assistant engineer:
- Tony High and Darren Redfield
- producer:
- Frank Liddell, Mike McCarthy and Lee Ann Womack
- additional assistant mixer:
- Jim Jordan and Brian McConkey
- acoustic guitar:
- Kenny Greenberg, David Grissom, Jay Joyce and Colin Linden
- bass guitar:
- Spencer Campbell
- drums (drum set):
- Chris McHugh
- electric guitar:
- Kenny Greenberg, David Grissom, Jay Joyce and Jerry McPherson
- keyboard and piano:
- Jeff Roach
- background vocals:
- Dan Colehour, Kim Fleming, Vicki Hampton, Bobby Huff, Marcus Hummon, Fleming McWilliams, Buddy Miller, Julie Miller and Bruce Robison
- additional arranger:
- Kenny Greenberg and Jay Joyce
- recorded at and mixed at:
- Ocean Way Nashville in Nashville, Tennessee, United States
- additionally mixed at:
- Quad Studios in Nashville, Tennessee, United States and Starstruck Studios in Nashville, Tennessee, United States
- engineered at:
- New Reflections Studio in Nashville, Tennessee, United States and Tragedy/Tragedy Studio in Nashville, Tennessee, United States
- recording of:
- I Need You
- lyricist and composer:
- Julie Miller
- publisher:
- Bughouse (from 1999 to present), Martha Road Music (from 1999 to present) and Tinkie Tunes (from 1999 to present)
| 4:56 |
| 8 | You Should’ve Lied- additional recording engineer:
- Todd Gunnerson
- assistant recording engineer:
- Chad Brown, David Bryant, Brian Graben and Leslie Richter
- recording engineer and mixer:
- Greg Droman
- producer:
- Lee Ann Womack and Mark Wright
- acoustic guitar:
- B. James Lowry and Randy Scruggs
- banjo and mandolin:
- Bryan Sutton
- bass guitar:
- Michael Rhodes
- classical guitar [gut string guitar]:
- Brent Mason
- drums (drum set):
- Shannon Forrest
- electric guitar:
- Kenny Greenberg, Brent Mason and Brent Rowan
- fiddle:
- Aubrey Haynie
- Hammond organ [B-3] and synthesizer:
- Steve Nathan
- horn:
- Jeff Coffin, Jim Horn and Denis Solee
- percussion:
- Eric Darken
- piano:
- Chuck Leavell and Steve Nathan
- steel guitar:
- Paul Franklin
- strings:
- Nashville String Machine
- tiple:
- Brent Rowan
- background vocals:
- Bob Bailey, Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller, Chris Rodriguez, Keith Sewell and Bergen White
- strings arranger:
- David Campbell
- additionally recorded at:
- House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
- recorded at and mixed at:
- The Sound Kitchen Studios in Franklin, Tennessee, United States
- recording of:
- You Should’ve Lied
- writer:
- Angelo and Matraca Berg
- publisher:
- Green Wagon Music (from 2002 to present), Hannaberg Music (from 2002 to present), Songs of Universal, Inc. (from 2002 to present) and Universal PolyGram International Publishing, Inc. (from 2002 to present)
| 4:44 |
| 9 | He’ll Be Back- additional recording engineer:
- Todd Gunnerson
- assistant recording engineer:
- Chad Brown, David Bryant, Brian Graben and Leslie Richter
- recording engineer and mixer:
- Greg Droman
- producer:
- Lee Ann Womack and Mark Wright
- acoustic guitar:
- B. James Lowry and Randy Scruggs
- banjo and mandolin:
- Bryan Sutton
- bass guitar:
- Michael Rhodes
- classical guitar [gut string guitar]:
- Brent Mason
- drums (drum set):
- Shannon Forrest
- electric guitar:
- Kenny Greenberg, Brent Mason and Brent Rowan
- fiddle:
- Aubrey Haynie
- Hammond organ [B-3] and synthesizer:
- Steve Nathan
- percussion:
- Eric Darken
- piano:
- Chuck Leavell and Steve Nathan
- steel guitar:
- Paul Franklin
- strings:
- Nashville String Machine
- tiple:
- Brent Rowan
- background vocals:
- Bob Bailey, Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller, Chris Rodriguez, Keith Sewell and Bergen White
- strings arranger:
- Bergen White
- additionally recorded at:
- House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
- recorded at and mixed at:
- The Sound Kitchen Studios in Franklin, Tennessee, United States
- recording of:
- He’ll Be Back
- writer:
- Hank Cochran, Dale Dodson and Red Lane
- publisher:
- Sony/ATV Songs LLC (from 2002 to present) and Sony/ATV Tunes LLC (from 2002 to present)
| 2:48 |
| 10 | Surrender- assistant recording engineer:
- Chad Brown, David Bryant, Brian Graben and Leslie Richter
- recording engineer and mixer:
- Mike McCarthy
- programming:
- Jay Joyce
- assistant engineer:
- Tony High and Darren Redfield
- producer:
- Frank Liddell, Mike McCarthy and Lee Ann Womack
- additional assistant mixer:
- Jim Jordan and Brian McConkey
- editor:
- James Lightman
- acoustic guitar:
- Kenny Greenberg, David Grissom, Jay Joyce and Colin Linden
- bass guitar:
- Spencer Campbell
- drums (drum set):
- Chris McHugh
- electric guitar:
- Kenny Greenberg, David Grissom, Jay Joyce and Jerry McPherson
- keyboard and piano:
- Jeff Roach
- strings:
- Nashville String Machine
- background vocals:
- Dan Colehour, Kim Fleming, Vicki Hampton, Bobby Huff, Marcus Hummon, Fleming McWilliams, Buddy Miller, Julie Miller and Bruce Robison
- instruments arranger:
- John Mark Painter
- additional arranger:
- Kenny Greenberg and Jay Joyce
- recorded at and mixed at:
- Ocean Way Nashville in Nashville, Tennessee, United States
- additionally mixed at:
- Quad Studios in Nashville, Tennessee, United States and Starstruck Studios in Nashville, Tennessee, United States
- engineered at:
- New Reflections Studio in Nashville, Tennessee, United States and Tragedy/Tragedy Studio in Nashville, Tennessee, United States
- recording of:
- Surrender
- writer:
- Sally Barris and Karyn Rochelle
- publisher:
- Glitterfish Music, Inc. (from 2002 to present) and Wrensong Publishing Corp. (from 2002 to present)
| 4:24 |
| 11 | Blame It on Me- recording engineer and mixer:
- Mike McCarthy
- programming:
- Jay Joyce
- assistant engineer:
- Tony High and Darren Redfield
- producer:
- Frank Liddell, Mike McCarthy and Lee Ann Womack
- additional assistant mixer:
- Jim Jordan and Brian McConkey
- editor:
- James Lightman
- acoustic guitar:
- Kenny Greenberg, David Grissom, Jay Joyce and Colin Linden
- bass guitar:
- Spencer Campbell
- drums (drum set):
- Chris McHugh
- electric guitar:
- Kenny Greenberg, David Grissom, Jay Joyce and Jerry McPherson
- keyboard and piano:
- Jeff Roach
- strings:
- Nashville String Machine
- background vocals:
- Dan Colehour, Kim Fleming, Vicki Hampton, Bobby Huff, Marcus Hummon, Fleming McWilliams, Buddy Miller, Julie Miller and Bruce Robison
- instruments arranger:
- John Mark Painter
- additional arranger:
- Kenny Greenberg and Jay Joyce
- recorded at and mixed at:
- Ocean Way Nashville in Nashville, Tennessee, United States
- additionally mixed at:
- Quad Studios in Nashville, Tennessee, United States and Starstruck Studios in Nashville, Tennessee, United States
- engineered at:
- New Reflections Studio in Nashville, Tennessee, United States and Tragedy/Tragedy Studio in Nashville, Tennessee, United States
- recording of:
- Blame It on Me
- lyricist and composer:
- Bruce Robison
- publisher:
- Tilt a Whirl Music (from 2000 to present)
| 4:06 |
| 12 | Closing the Memory Down- additional recording engineer:
- Todd Gunnerson
- assistant recording engineer:
- Chad Brown, David Bryant, Brian Graben and Leslie Richter
- recording engineer and mixer:
- Greg Droman
- producer:
- Lee Ann Womack and Mark Wright
- acoustic guitar:
- B. James Lowry and Randy Scruggs
- banjo and mandolin:
- Bryan Sutton
- bass guitar:
- Michael Rhodes
- classical guitar [gut string guitar]:
- Brent Mason
- drums (drum set):
- Shannon Forrest
- electric guitar:
- Kenny Greenberg, Brent Mason and Brent Rowan
- fiddle:
- Aubrey Haynie
- Hammond organ [B-3] and synthesizer:
- Steve Nathan
- percussion:
- Eric Darken
- piano:
- Chuck Leavell and Steve Nathan
- steel guitar:
- Paul Franklin
- strings:
- Nashville String Machine
- tiple:
- Brent Rowan
- background vocals:
- Bob Bailey, Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller, Chris Rodriguez, Keith Sewell and Bergen White
- strings arranger:
- Bergen White
- additionally recorded at:
- House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
- recorded at and mixed at:
- The Sound Kitchen Studios in Franklin, Tennessee, United States
- recording of:
- Closing This Memory Down
- writer:
- John Bettis and Dave Loggins
- publisher:
- Big Red Tractor Music (from 2002 to present), Hay Wagon Music (from 2002 to present) and Think Well Music (from 2002 to present)
| 4:08 |
| 13 | Something Worth Leaving Behind (album cut)- assistant recording engineer:
- Jesse Gorman, Jimmy Hoyson (strings), Toshi Kasai, Leslie Richter and Kevin Szymanski
- recording engineer:
- Noel Golden and Noel Golden (strings)
- miscellaneous support:
- Shari Sutcliffe (task: orchestra contractor)
- producer:
- Matt Serletic
- assistant mixer:
- Jay Goin
- mixer:
- David Thoener
- editor:
- Stewart Whitmore
- bass guitar:
- Leland Sklar
- drums (drum set):
- Kenny Aronoff
- fiddle:
- Gabe Witcher
- guitar:
- Heitor Pereira and Tim Pierce
- keyboard:
- Jim Cox and Jon Gilutin
- percussion:
- Brad Dutz
- steel guitar:
- Greg Leisz
- background vocals:
- Tommy Funderburk, Maxi Anderson, Maxine Waters and Oren Waters
- conductor:
- Pete Anthony
- arranger:
- Matt Serletic
- guitar technician:
- Craig Poole
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (strings), Conway Studios in Hollywood, Los Angeles, California, United States, Hook Studios in North Hollywood, Los Angeles, California, United States, Ocean Way Nashville in Nashville, Tennessee, United States and Westlake Audio in Los Angeles, California, United States
- mixed at:
- Record Plant Recording Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Something Worth Leaving Behind
- writer:
- Brett Beavers and Tom Douglas
- publisher:
- Sony/ATV Songs LLC (from 2001 to present)
| 4:35 |
