Jobim

~ Release by Antonio Carlos Jobim (see all versions of this release, 5 available)

Annotation

Original US album "Jobim" released 1973 on vinyl as MCA Records 350.
By 1972, Antonio Carlos Jobim had enjoyed more than a decade of tremendous success as a songwriter with songs like "The Girl From Ipanema" and "Desafinado". The album he cut that year, titled simply Jobim, introduced another of his great standards, the beautiful "Aguas de Marco" ("Waters of March"). Singing it in both Portuguese and English, Jobim, who wrote the words as well as the music, constructs a surreal poem, to which his signature revolving melody builds jauntily and hypnotically to a finale. Other compositions firmly in the intimate style he had perfected include the love poem "Ana Luiza" and "Matita Pere", named after an elusive bird celebrated in Brazilian folklore.

Tracklist

1▼CD
#TitleLength
1Águas de março
recording engineer:
Frank Laico (from 1972-12-11 until 1972-12-14)
producer:
Claus Ogerman
bass:
Ron Carter (from 1972-12-11 until 1972-12-14) and Richard Davis (from 1972-12-11 until 1972-12-14)
guitar:
Antônio Carlos Jobim (from 1972-12-11 until 1972-12-14)
percussion:
George Devens (from 1972-12-11 until 1972-12-14), Airto Moreira (from 1972-12-11 until 1972-12-14) and João Palma (from 1972-12-11 until 1972-12-14)
tenor violin:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
woodwind:
Ray Beckenstein (from 1972-12-11 until 1972-12-14), Phil Bodner (from 1972-12-11 until 1972-12-14), Jerry Dodgion (from 1972-12-11 until 1972-12-14), Don Hammond (from 1972-12-11 until 1972-12-14) and Romeo Penque (from 1972-12-11 until 1972-12-14)
vocals:
Antônio Carlos Jobim (from 1972-12-11 until 1972-12-14)
conductor:
Claus Ogerman (from 1972-12-11 until 1972-12-14)
arranger:
Claus Ogerman
concertmaster:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
recorded at:
Columbia Studios in New York, New York, United States (from 1972-12-11 until 1972-12-14)
recording of:
Águas de março (from 1972-12-11 until 1972-12-14)
lyricist and composer:
Antônio Carlos Jobim
3:58
2Ana Luiza
recording engineer:
Frank Laico (from 1972-12-11 until 1972-12-14)
producer:
Claus Ogerman
bass:
Ron Carter (from 1972-12-11 until 1972-12-14) and Richard Davis (from 1972-12-11 until 1972-12-14)
guitar:
Antônio Carlos Jobim (from 1972-12-11 until 1972-12-14)
percussion:
George Devens (from 1972-12-11 until 1972-12-14), Airto Moreira (from 1972-12-11 until 1972-12-14) and João Palma (from 1972-12-11 until 1972-12-14)
tenor violin:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
woodwind:
Ray Beckenstein (from 1972-12-11 until 1972-12-14), Phil Bodner (from 1972-12-11 until 1972-12-14), Jerry Dodgion (from 1972-12-11 until 1972-12-14), Don Hammond (from 1972-12-11 until 1972-12-14) and Romeo Penque (from 1972-12-11 until 1972-12-14)
vocals:
Antônio Carlos Jobim (from 1972-12-11 until 1972-12-14)
conductor:
Claus Ogerman (from 1972-12-11 until 1972-12-14)
arranger:
Claus Ogerman
concertmaster:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
recorded at:
Columbia Studios in New York, New York, United States (from 1972-12-11 until 1972-12-14)
recording of:
Ana Luiza (from 1972-12-11 until 1972-12-14)
lyricist:
Antônio Carlos Jobim
5:28
3Matita Perê
recording engineer:
Frank Laico (from 1972-12-11 until 1972-12-14)
producer:
Claus Ogerman
bass:
Ron Carter (from 1972-12-11 until 1972-12-14) and Richard Davis (from 1972-12-11 until 1972-12-14)
French horn:
[unknown] (from 1972-12-11 until 1972-12-14)
guitar:
Antônio Carlos Jobim (from 1972-12-11 until 1972-12-14)
percussion:
George Devens (from 1972-12-11 until 1972-12-14), Airto Moreira (from 1972-12-11 until 1972-12-14) and João Palma (from 1972-12-11 until 1972-12-14)
tenor violin:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
woodwind:
Ray Beckenstein (from 1972-12-11 until 1972-12-14), Phil Bodner (from 1972-12-11 until 1972-12-14), Jerry Dodgion (from 1972-12-11 until 1972-12-14), Don Hammond (from 1972-12-11 until 1972-12-14) and Romeo Penque (from 1972-12-11 until 1972-12-14)
vocals:
Antônio Carlos Jobim (from 1972-12-11 until 1972-12-14)
conductor:
Claus Ogerman (from 1972-12-11 until 1972-12-14)
arranger:
Claus Ogerman
concertmaster:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
recorded at:
Columbia Studios in New York, New York, United States (from 1972-12-11 until 1972-12-14)
recording of:
Matita Perê (from 1972-12-11 until 1972-12-14)
writer:
Paulo César Pinheiro
composer:
Antônio Carlos Jobim
7:13
4Tempo do mar
recording engineer:
Frank Laico (from 1972-12-11 until 1972-12-14)
producer:
Claus Ogerman
bass:
Ron Carter (from 1972-12-11 until 1972-12-14) and Richard Davis (from 1972-12-11 until 1972-12-14)
guitar:
Antônio Carlos Jobim (from 1972-12-11 until 1972-12-14)
percussion:
George Devens (from 1972-12-11 until 1972-12-14), Airto Moreira (from 1972-12-11 until 1972-12-14) and João Palma (from 1972-12-11 until 1972-12-14)
tenor violin:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
woodwind:
Ray Beckenstein (from 1972-12-11 until 1972-12-14), Phil Bodner (from 1972-12-11 until 1972-12-14), Jerry Dodgion (from 1972-12-11 until 1972-12-14), Don Hammond (from 1972-12-11 until 1972-12-14) and Romeo Penque (from 1972-12-11 until 1972-12-14)
conductor:
Claus Ogerman (from 1972-12-11 until 1972-12-14)
arranger:
Claus Ogerman
concertmaster:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
recorded at:
Columbia Studios in New York, New York, United States (from 1972-12-11 until 1972-12-14)
recording of:
Tempo do mar (from 1972-12-11 until 1972-12-14)
composer:
Antônio Carlos Jobim
5:14
5Mantiqueira Range
recording engineer:
Frank Laico (from 1972-12-11 until 1972-12-14)
producer:
Claus Ogerman
bass:
Ron Carter (from 1972-12-11 until 1972-12-14) and Richard Davis (from 1972-12-11 until 1972-12-14)
guitar:
Antônio Carlos Jobim (from 1972-12-11 until 1972-12-14)
percussion:
George Devens (from 1972-12-11 until 1972-12-14), Airto Moreira (from 1972-12-11 until 1972-12-14) and João Palma (from 1972-12-11 until 1972-12-14)
tenor violin:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
woodwind:
Ray Beckenstein (from 1972-12-11 until 1972-12-14), Phil Bodner (from 1972-12-11 until 1972-12-14), Jerry Dodgion (from 1972-12-11 until 1972-12-14), Don Hammond (from 1972-12-11 until 1972-12-14) and Romeo Penque (from 1972-12-11 until 1972-12-14)
conductor:
Claus Ogerman (from 1972-12-11 until 1972-12-14)
arranger:
Claus Ogerman
concertmaster:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
recorded at:
Columbia Studios in New York, New York, United States (from 1972-12-11 until 1972-12-14)
recording of:
The Mantiqueira Range (from 1972-12-11 until 1972-12-14)
composer:
Antônio Carlos Jobim
3:34
6Crônica da casa assassinada: Trem para Cordisburgo / Chora coração / Jardim abandonado / Milagre e palhaços
recording engineer:
Frank Laico (from 1972-12-11 until 1972-12-14)
producer:
Claus Ogerman
bass:
Ron Carter (from 1972-12-11 until 1972-12-14) and Richard Davis (from 1972-12-11 until 1972-12-14)
percussion:
George Devens (from 1972-12-11 until 1972-12-14), Airto Moreira (from 1972-12-11 until 1972-12-14) and João Palma (from 1972-12-11 until 1972-12-14)
tenor violin:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
woodwind:
Ray Beckenstein (from 1972-12-11 until 1972-12-14), Phil Bodner (from 1972-12-11 until 1972-12-14), Jerry Dodgion (from 1972-12-11 until 1972-12-14), Don Hammond (from 1972-12-11 until 1972-12-14) and Romeo Penque (from 1972-12-11 until 1972-12-14)
vocals:
Antônio Carlos Jobim (from 1972-12-11 until 1972-12-14)
conductor:
Claus Ogerman (from 1972-12-11 until 1972-12-14)
arranger:
Claus Ogerman
concertmaster:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
recorded at:
Columbia Studios in New York, New York, United States (from 1972-12-11 until 1972-12-14)
recording of:
Crônica da casa assassinada
composer:
Antônio Carlos Jobim
10:02
7Um rancho nas nuvens
recording engineer:
Frank Laico (from 1972-12-11 until 1972-12-14)
producer:
Claus Ogerman
bass:
Ron Carter (from 1972-12-11 until 1972-12-14) and Richard Davis (from 1972-12-11 until 1972-12-14)
guitar:
Antônio Carlos Jobim (from 1972-12-11 until 1972-12-14)
percussion:
George Devens (from 1972-12-11 until 1972-12-14), Airto Moreira (from 1972-12-11 until 1972-12-14) and João Palma (from 1972-12-11 until 1972-12-14)
tenor violin:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
trombone:
Urbie Green (from 1972-12-11 until 1972-12-14)
woodwind:
Ray Beckenstein (from 1972-12-11 until 1972-12-14), Phil Bodner (from 1972-12-11 until 1972-12-14), Jerry Dodgion (from 1972-12-11 until 1972-12-14), Don Hammond (from 1972-12-11 until 1972-12-14) and Romeo Penque (from 1972-12-11 until 1972-12-14)
conductor:
Claus Ogerman (from 1972-12-11 until 1972-12-14)
arranger:
Claus Ogerman
concertmaster:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
recorded at:
Columbia Studios in New York, New York, United States (from 1972-12-11 until 1972-12-14)
recording of:
Rancho das nuvens (from 1972-12-11 until 1972-12-14)
composer:
Antônio Carlos Jobim
4:06
8Nuvens douradas
recording engineer:
Frank Laico (from 1972-12-11 until 1972-12-14)
producer:
Claus Ogerman
bass:
Ron Carter (from 1972-12-11 until 1972-12-14) and Richard Davis (from 1972-12-11 until 1972-12-14)
percussion:
George Devens (from 1972-12-11 until 1972-12-14), Airto Moreira (from 1972-12-11 until 1972-12-14) and João Palma (from 1972-12-11 until 1972-12-14)
tenor violin:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
trombone:
Urbie Green (from 1972-12-11 until 1972-12-14)
woodwind:
Ray Beckenstein (from 1972-12-11 until 1972-12-14), Phil Bodner (from 1972-12-11 until 1972-12-14), Jerry Dodgion (from 1972-12-11 until 1972-12-14), Don Hammond (from 1972-12-11 until 1972-12-14) and Romeo Penque (from 1972-12-11 until 1972-12-14)
conductor:
Claus Ogerman (from 1972-12-11 until 1972-12-14)
arranger:
Claus Ogerman
concertmaster:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
recorded at:
Columbia Studios in New York, New York, United States (from 1972-12-11 until 1972-12-14)
recording of:
Nuvens douradas (from 1972-12-11 until 1972-12-14)
composer:
Antônio Carlos Jobim
3:19
9Waters of March (Águas de março)
recording engineer:
Frank Laico (from 1972-12-11 until 1972-12-14)
producer:
Claus Ogerman
bass:
Ron Carter (from 1972-12-11 until 1972-12-14) and Richard Davis (from 1972-12-11 until 1972-12-14)
guitar:
Antônio Carlos Jobim (from 1972-12-11 until 1972-12-14)
percussion:
George Devens (from 1972-12-11 until 1972-12-14), Airto Moreira (from 1972-12-11 until 1972-12-14) and João Palma (from 1972-12-11 until 1972-12-14)
tenor violin:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
woodwind:
Ray Beckenstein (from 1972-12-11 until 1972-12-14), Phil Bodner (from 1972-12-11 until 1972-12-14), Jerry Dodgion (from 1972-12-11 until 1972-12-14), Don Hammond (from 1972-12-11 until 1972-12-14) and Romeo Penque (from 1972-12-11 until 1972-12-14)
vocals:
Antônio Carlos Jobim (from 1972-12-11 until 1972-12-14)
conductor:
Claus Ogerman (from 1972-12-11 until 1972-12-14)
arranger:
Claus Ogerman
concertmaster:
Harry Lookofsky (from 1972-12-11 until 1972-12-14)
recorded at:
Columbia Studios in New York, New York, United States (from 1972-12-11 until 1972-12-14)
recording of:
Waters of March (from 1972-12-11 until 1972-12-14)
lyricist and composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp. and 大洋音楽
translated version of:
Águas de março
3:56