| # | Title | Artist | Length |
|---|
| 1 | Another Love | Tom Odell | 4:04 |
| 2 | Dandelions | Ruth B. | 3:54 |
| 3 | Atlantis | Seafret | 3:49 |
| 4 | Only Love Can Hurt Like This | Paloma Faith | 3:53 |
| 5 | Sweater Weather | The Neighbourhood | 4:00 |
| 6 | Title | Meghan Trainor | 2:55 |
| 7 | Train Wreck | James Arthur | 3:29 |
| 8 | Brazil | Declan McKenna | 4:12 |
| 9 | Mount Everest | Labrinth | 2:37 |
| 10 | One Kiss | Calvin Harris | 3:34 |
| 11 | Break My Stride- drums (drum set) programming:
- John Gilston (in 1983)
- producer:
- Peter Bunetta, Rick Chudacoff and Bill Elliott
- analog synthesizer [Prophet-5]:
- Bill Elliott (in 1983) and Matthew Wilder (in 1983)
- drum machine [Oberheim DMX], drums (drum set) and percussion:
- Peter Bunetta (in 1983)
- guitar:
- Dennis Herring (in 1983)
- background vocals:
- Greg Prestopino (in 1983), Joe Turano (in 1983) and Matthew Wilder (in 1983)
- lead vocals:
- Matthew Wilder (in 1983)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1983), Epic Records (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (in 1983)
- recorded at:
- Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
- recording of:
- Break My Stride (in 1983)
- writer:
- Greg Prestopino and Matthew Wilder
- publisher:
- Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing, Music of Windswept, Universal Studios, Inc., WB Music Corp., Wilder Kingdom Music, Big Ears Music (in 1983), No Ears Music (in 1983) and Streetwise Music (in 1983)
| Matthew Wilder | 3:02 |
| 12 | Power | Little Mix | 4:08 |
| 13 | Wrecking Ball- programming and producer:
- Cirkut and Dr. Luke
- engineer:
- Mike Caffery, Clint Gibbs and Sven Heidinga
- mixer:
- Serban Ghenea
- cello:
- Suzie Katayama
- instruments:
- Cirkut and Dr. Luke
- strings:
- David Richard Campbell
- viola:
- Andrew Duckles and Darrin McCann
- violin:
- Charlie Bisberat, Kevin Connolly and Songa Lee
- lead vocals:
- Miley Cyrus
- phonographic copyright (℗) by:
- RCA Records (in 2013)
- music videos:
- Wrecking Ball (official video) by Miley Cyrus
- part of:
- Billboard Decade End Chart: Streaming Songs (number: 18), Billboard Year-End Hot 100 singles of 2013 (number: 18), Stereogum: The 200 Best Songs of the 2010s (number: 30), Billboard Year-End Hot 100 singles of 2014 (number: 44), Pitchfork: The 200 Best Songs of the 2010s (number: 152), Billboard: The 500 Best Pop Songs (number: 156) and BILLIONS CLUB
- recording of:
- Wrecking Ball
- writer:
- Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald, Stephan Moccio and Sacha Skarbek
- publisher:
- BMG Platinum Songs, BMG Rights Management (US) LLC, BMG Rights Management GmbH, Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc., Kasz Money Publishing, Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc., Sony/ATV Tunes LLC and Universal Music Publishing Canada II
| Miley Cyrus | 3:41 |
| 14 | Softcore- drum machine [drum] programming:
- Lars Stalfors
- programming, producer and mixer:
- Lars Stalfors
- engineer:
- Dave Cerminara
- synthesizer [synth]:
- Lars Stalfors
- phonographic copyright (℗) by:
- Columbia Records (in 2018)
- mixed at:
- Lankershim in Los Angeles, California, United States
- engineered at:
- Sonora Recorders in Los Angeles, California, United States
- recording of:
- Softcore
- writer:
- Zachary Abels, Brandon Fried, Jeremiah Freedman, Jesse James Rutherford, Michael Margott and Lars Stalfors
- publisher:
- Cheeky Cosmo Music, Douche Cash Music, EMI Blackwood Music Inc., On the Fence Music, Oxcart Publishing, Pen Island Music and ZMAN Music
| The Neighbourhood | 3:26 |
| 15 | Girl With the Tattoo Enter.Lewd | Miguel | 1:43 |
| 16 | Should I Stay or Should I Go (remastered) | The Clash | 3:09 |
| 17 | Car's Outside | James Arthur | 4:08 |
| 18 | Heal | Tom Odell | 3:13 |
| 19 | Say You Won't Let Go | James Arthur | 3:27 |
| 20 | Dandelions (slowed + reverb) | Ruth B. | 4:29 |
| 21 | Only Love Can Hurt Like This (slowed down version) | Paloma Faith | 4:18 |
| 22 | Daddy Issues- assistant engineer:
- Chase McElhaney
- engineer:
- 4E and Chris Mullings
- producer:
- 4E and Justyn Pilbrow
- assistant mixer:
- Geoff Swan
- mixer:
- Mark “Spike” Stent
- phonographic copyright (℗) by:
- Columbia Records (in 2015)
- mixed at:
- Mixsuite UK in London, England, United Kingdom
- recording of:
- Daddy Issues
- writer:
- Zachary Abels, Jeremy Freedman, Brandon Fried, Jesse Rutherford, Mikey Margott and Justyn Pilbrow
- publisher:
- Brandon Fried Publishing Designee, Douche Cash Music, EMI Blackwood Music Inc., On the Fence Music, Pen Island Music, Sony/ATV Ballad and ZMAN Music
| The Neighbourhood | 4:20 |
| 23 | Rasputin | Boney M. | 3:41 |
| 24 | 5, 6, 7, 8 | Steps | 3:22 |
| 25 | That's Not My Name | The Ting Tings | 5:11 |
| 26 | Can You Feel My Heart | Bring Me the Horizon | 3:48 |
| 27 | Night Changes- recording engineer:
- Ben “Bengineer” Chang (lead vocals [vocals]) and Alex Oriet (lead vocals [vocals])
- assistant engineer:
- Ian Franzino
- engineer and producer:
- Julian Bunetta and John Ryan
- mixer:
- Julian Bunetta and Joe Zook
- instruments:
- Julian Bunetta, John Ryan and Jamie Scott
- background vocals:
- Julian Bunetta, One Direction, John Ryan and Jamie Scott
- phonographic copyright (℗) by:
- Simco Limited (in 2014)
- recorded at:
- Angel Face Studios in United Kingdom and Enemy Dojo in Calabasas, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2015 (number: 98)
- recording of:
- Night Changes
- writer:
- Julian Bunetta, Niall Horan, Liam Payne, John Ryan, Jamie Scott, Harry Styles, Louis Tomlinson and Zain Malik
- publisher:
- BMG Platinum Songs, Bob Erotik Music, EMI Music Publishing Ltd., Holy Cannoli Music, Music of Big Deal, Music of Hipgnosis, PPM Music Ltd., Songs of Universal, Inc., Sony/ATV Music Publishing and The Family Song Book
| One Direction | 3:46 |
| 28 | Vienna | Billy Joel | 3:34 |
| 29 | All My Friends | Snakehips feat. Tinashe & Chance the Rapper | 3:50 |
| 30 | Paris | The Chainsmokers | 3:39 |
| 31 | Kids | MGMT | 5:03 |
| 32 | Friday (Dopamine re-edit) | Nightcrawlers, Riton feat. Mufasa & Hypeman | 2:49 |
| 33 | Dance With Me Tonight | Olly Murs | 3:23 |
| 34 | Everybody Loves Somebody | Dean Martin | 2:44 |
| 35 | You & I | One Direction | 3:58 |
| 36 | It's All Coming Back to Me Now | Céline Dion | 7:38 |
| 37 | Footloose- producer:
- Lee DeCarlo and Kenny Loggins
- bass guitar:
- Nathan East
- bass synthesizer:
- Michael Boddicker
- drums (drum set):
- Tris Imboden
- guitar:
- Buzz Feiten
- instruments:
- Michael Boddicker
- keyboard:
- Neil Larsen and Steven Wood
- percussion:
- Michael Boddicker and Paulinho da Costa
- background vocals:
- Marilyn Dorman, Richey Washington and Steven Wood
- lead vocals:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographic copyright (℗) by:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- lyricist:
- Dean Pitchford
- composer:
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control, Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation, Island Music, Milk Money Music, Sony Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
- part of:
- The 57th Academy Award for Best Original Song (number: 2)
| Kenny Loggins | 3:40 |
| 38 | Malibu | Miley Cyrus | 3:51 |
| 39 | Hold My Girl | George Ezra | 3:31 |
| 40 | Brother | Kodaline | 3:23 |
| 41 | Pony | Ginuwine | 4:12 |
| 42 | Just You and I | Tom Walker | 2:55 |
| 43 | You're Too Young | Lucy Spraggan | 4:14 |
| 44 | I Found | Amber Run | 4:33 |
| 45 | All I Want | Kodaline | 5:06 |
| 46 | Atlantis (extra sped up version) | Seafret | 3:11 |
| 47 | Little Dark Age | MGMT | 5:00 |
| 48 | Jiggle Jiggle | Duke & Jones | 1:37 |
| 49 | Nothing Breaks Like a Heart- recording engineer:
- Beatriz Artola, Joshua Blair, Riccardo Damian, Martin Hollis, Barry McCready and Todd Monfalcone
- assistant engineer:
- Tyler Beans, Rob Bisel, John Hanes, Rowan McIntosh, Dylan Neustadter and Josh Tyrrell
- co-producer:
- The Picard Brothers
- producer:
- Jamie XX and Mark Ronson
- mixer:
- Serban Ghenea
- bass and piano:
- Mark Ronson
- cello:
- Katie Burke, Dave Daniels, Katherine Jenkinson and Jo Knight
- double bass:
- Roger Linley
- drums (drum set):
- Conor Szymanski
- guitar:
- Thomas Brenneck
- viola:
- Nick Barr, Reiad Chibah, Virginia Slater and Katie Wilkinson
- violin:
- Daniel Bhattacharya, Fiona Brice, Chris Clad, Francis Grime, Marianne Haynes, Ian Humphries, Kirsty Mangan, Perry Montague‐Mason, Charles Mutter, Amandla Stenberg, Chris Tombling, Matthew Ward, Honor Watson, Debbie Widdup and Paul Willey
- conductor:
- Chris Elliott
- arranger:
- Chris Elliott
- phonographic copyright (℗) by:
- Mark Ronson (in 2018)
- part of:
- TheNeedleDrop: Top 50 Singles of 2018 (number: 32), Spotify: Top Hits of 2019 (number: 34) and BILLIONS CLUB
- recording of:
- Nothing Breaks Like a Heart
- writer:
- Thomas Brenneck, Miley Cyrus, Ilsey Juber, Clément Picard, Maxime Picard, Mark Ronson and Conor Szymanski
| Mark Ronson feat. Miley Cyrus | 3:37 |
| 50 | Guy.Exe | Superfruit | 3:43 |
| 51 | Love Me Like You | Little Mix | 3:18 |
| 52 | C'est la vie | B*Witched | 2:52 |
| 53 | Last Night (Beer Fear) | Lucy Spraggan | 2:12 |
| 54 | Teenage Dirtbag | Wheatus | 4:02 |
| 55 | Hallelujah | Alexandra Burke | 3:37 |
