J. S. Bach Edition

~ Release by J. S. Bach (see all versions of this release, 1 available)

Tracklist

1▶CD: Brandenburgische Konzerte BWV 1046-1048
2▶CD: Brandenburgische Konzerte BWV 1049-1051
3▶CD: Die Kunst der Fuge, BWV 1080 I
4▶CD: Die Kunst der Fuge, BWV 1080 II
5▶CD: Messe h-moll, BWV 232 I
6▶CD: Messe h-moll, BWV 232 II
7▶CD: Drei Sonaten und drei Parititen für Violine solo, BWV 1001-1003
8▶CD: Drei Sonaten und drei Parititen für Violine solo, BWV 1004-1006
9▶CD: Musicalisches Opfer, BWV 1079
10▼CD: Aus dem Notenbüchlein für Anna Magdalena Bach
#TitleArtistLength
1Polonaise g-moll, BWV Anh. 119
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Polonaise in G minor, BWV Anh. 119 (in 1966)
composer:
[unknown]
part of:
Notebook for Anna Magdalena Bach (number: 10) and Bach-Werke-Verzeichnis (number: BWV Anh. 119)
Johann Sebastian Bach0:54
2Marche Es-dur, BWV Anh.127
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Marche Es-dur, BWV Anh. 127 (in 1966)
composer:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 23) and Bach-Werke-Verzeichnis (number: BWV Anh. 127)
Johann Sebastian Bach1:36
3Menuet G-dur & g-moll, BWV 114/115
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Menuet in G minor, BWV Anh. 115 (in 1966)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 5), Bach-Werke-Verzeichnis (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (number: BWV Anh. 115)
recording of:
Menuet in G minor, BWV Anh. 115 (in 1966)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 5), Bach-Werke-Verzeichnis (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (number: BWV Anh. 115)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard) (in 1966)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard) (in 1966)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
Johann Sebastian Bach2:41
4„Willst du dein Herz mir schenken“, BWV 518
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
cello:
Angelica May (in 1966)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (attribution doubtful) (in 1966)
composer:
Johann Sebastian Bach
part of:
Bachs Notenbibliothek (number: BNB I/An/13), Notebook for Anna Magdalena Bach (number: 37), Bach-Werke-Verzeichnis (number: BWV 518), Bach-Werke-Verzeichnis (number: BWV 518) and Bach-Werke-Verzeichnis (number: BWV 518)
Johann Sebastian Bach2:28
5Rondeau B-dur, BWV Anh. 183
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Rondeau, BWV Anh. 183 (in 1966)
composer:
François Couperin
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 6), Bach-Werke-Verzeichnis (number: BWV Anh. III 183), Bach-Werke-Verzeichnis (number: BWV Suppl 1, S. 638) and Bach-Werke-Verzeichnis (number: BWV Anh. 183)
François Couperin4:40
6„Bist du bei mir“, BWV 508
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
cello:
Angelica May (in 1966)
harpsichord:
Gustav Leonhardt (in 1966)
viola da gamba:
Johannes Koch (in 1966)
soprano vocals:
Elly Ameling (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (in 1966)
lyricist:
[unknown]
composer:
Gottfried Heinrich Stölzel
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)
Johann Sebastian Bach2:21
7Aria fur Clavier G-dur, BWV 988, 1
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (in 1966)
composer:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav. (in 1966)
composer:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach2:16
8„So oft ich meine Tobackspfeife“, BWV 515a
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
cello:
Angelica May (in 1966)
harpsichord:
Gustav Leonhardt (in 1966)
viola da gamba:
Johannes Koch (in 1966)
baritone vocals:
Hans-Martin Linde (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VII, Erbauliche Gedanken eines Tabakrauchers, BWV 515 (in 1966)
composer:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 20)
recording of:
Klavierbüchlein für Anna Magdalene Bach: Nr. 20 B "Erbauliche Gedanken eines Tobackrauchers", BWV 515a (in 1966)
composer:
Johann Sebastian Bach
Johann Sebastian Bach3:48
9Marche G-dur, BWV Anh.124
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Marche in G major, BWV Anh. 124, H. 1/3 (in 1966)
composer:
Carl Philipp Emanuel Bach
previously attributed to:
Johann Sebastian Bach
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (number: H. 1/3), Notebook for Anna Magdalena Bach (number: 18) and Bach-Werke-Verzeichnis (number: BWV Anh. 124)
Carl Philipp Emanuel Bach1:28
10Allemande d-moll, BWV 812, 1
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: I. Allemande (in 1966)
composer:
Johann Sebastian Bach
part of:
Französische Suite Nr. 1 d-Moll, BWV 812 (French Suite No. 1 in D minor, BWV 812, revised version (BWV 812.2), commonly performed)
Johann Sebastian Bach4:09
11„Dir, dir, Jehova, will ich singen“, BWV 299
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
cello:
Angelica May (in 1966)
harpsichord:
Gustav Leonhardt (in 1966)
organ [positivo]:
Rudolf Ewerhart (in 1966)
viola da gamba:
Johannes Koch (in 1966)
soprano vocals:
Elly Ameling (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach) (in 1966)
lyricist:
Bartholomäus Crasselius
composer:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 39a), Breitkopf 389 Choralgesänge (number: 67) and Bach-Werke-Verzeichnis (number: BWV 299 [1])
adaptations:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo)
recording of:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo) (in 1966)
composer:
Johann Sebastian Bach
librettist:
Bartholomäus Crasselius
part of:
Notebook for Anna Magdalena Bach (number: 39b), Bach Compendium (number: BC F 250) and Bach-Werke-Verzeichnis (number: BWV 452)
adaptation of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach)
Johann Sebastian Bach2:29
12Praeludium C-dur, BWV 846, 1
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1966)
composer:
Johann Sebastian Bach (in 1722)
part of:
Notebook for Anna Magdalena Bach (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846a: I. Prelude
Johann Sebastian Bach1:54
13Menuet G-dur, BWV Anh.116
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Minuet in G major, BWV Anh. 116 (in 1966)
composer:
[anonymous]
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 7), Bach-Werke-Verzeichnis (number: BWV Anh. II 116) and Bach-Werke-Verzeichnis (number: BWV Anh. 116)
Johann Sebastian Bach1:22
14Marche D-dur, BWV Anh. 122
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Marche in D major, BWV Anh. 122, H. 1/1 (in 1966)
composer:
Carl Philipp Emanuel Bach
previously attributed to:
Johann Sebastian Bach
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (number: H. 1/1), Notebook for Anna Magdalena Bach (number: 16) and Bach-Werke-Verzeichnis (number: BWV Anh. 122)
Carl Philipp Emanuel Bach0:54
15Musette D-dur, BWV Anh.126
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Musette in D major, BWV Anh. 126 (in 1966)
composer:
[unknown]
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 22) and Bach-Werke-Verzeichnis (number: BWV Anh. 126)
Johann Sebastian Bach0:49
16Rezitativo & Aria „Ich hab genug und Arie: Schlummert ein ihr matten Augen“, BWV 82, 2&3
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
cello:
Angelica May (in 1966)
harpsichord:
Gustav Leonhardt (in 1966)
viola da gamba:
Johannes Koch (in 1966)
soprano vocals:
Elly Ameling (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug" (in 1966)
composer:
Johann Sebastian Bach
librettist:
[anonymous]
part of:
Notebook for Anna Magdalena Bach (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (in 1966)
composer:
Johann Sebastian Bach
librettist:
[anonymous]
part of:
Notebook for Anna Magdalena Bach (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach8:13
17Chorealbeabeitung Er nur den lieben Gott lasst walten, BWV 691
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
harpsichord:
Gustav Leonhardt (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Wer nur den lieben Gott läßt walten, BWV 691 (in 1966)
composer:
Johann Sebastian Bach (in 1720)
part of:
Chorale Preludes, Kirnberger Collection (number: 2), Notebook for Anna Magdalena Bach (number: 11), Bach-Werke-Verzeichnis (number: BWV 691) and Bach Compendium (number: BC K 99)
is based on:
Wer nur den lieben Gott läßt walten (1641 hymn)
Johann Sebastian Bach1:40
18„O Ewigkeit du Donnerwort“, BWV 513
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (task: recording supervisor)
choir vocals:
Tölzer Knabenchor (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
O Ewigkeit, du Donnerwort, BWV 513 (in 1966)
composer:
Johann Sebastian Bach
librettist:
Johann von Rist (in 1642)
part of:
Notebook for Anna Magdalena Bach (number: 42), Bach-Werke-Verzeichnis (number: BWV 513) and Bach Compendium (number: BC F 218)
Johann Sebastian Bach1:19