| # | Title | Artist | Length |
|---|
| 1 | All Out of Love- executive producer:
- Clive Davis
- producer:
- Robie Porter
- assistant mixer:
- Linda Corbin
- mixer:
- Jim Hilton
- bass guitar:
- Criston Barker
- drums (drum set):
- Ralph Cooper
- guitar [lead guitar]:
- David Moyse
- guitar [rhythm guitar]:
- Graham Russell
- keyboard:
- Frank Esler‐Smith and Sam McNally
- background vocals:
- Criston Barker, Tommy Dassalo, Russell Hitchcock, Marcy Levy, David Moyse and Graham Russell
- lead vocals:
- Russell Hitchcock
- vocals:
- Graham Russell
- arranger:
- Air Supply and Robie Porter
- orchestrator:
- Frank Esler‐Smith and Robie Porter
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1980), Arista Records, LLC (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) and Sony BMG Music Entertainment (in 1980)
- recorded at:
- Paradise Studios in Sydney, New South Wales, Australia and Studios 301 in Byron Bay, New South Wales, Australia
- mixed at:
- Larrabee Sound Studios in West Hollywood, California, United States
- part of:
- The Downloader’s Music Source Book (number: 290)
- recording of:
- All Out of Love
- writer:
- Clive Davis and Graham Russell
- publisher:
- Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music and Warner/Chappell Music Ltd.
- sub-publisher:
- Sony Music Publishing (Japan) Inc., シンコーミュージック・エンタテイメント, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Air Supply | 4:04 |
| 2 | Make It With You | Bread | 3:12 |
| 3 | Every Day Hurts | Sad Café | 3:57 |
| 4 | Arthur’s Theme- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross, Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen, Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 3:53 |
| 5 | She’s Gone | Hall & Oates | 5:16 |
| 6 | The Right Thing to Do | Carly Simon | 3:01 |
| 7 | To Love Somebody- recording engineer:
- Ray Hall and Mike Moran
- producer:
- Danny Davis
- drums (drum set):
- Don Alias (in 1967)
- piano and lead vocals:
- Nina Simone (in 1967)
- conductor:
- Jimmy Wisner
- arranger:
- Jimmy Wisner
- phonographic copyright (℗) by:
- BMG Music (in 1969)
- produced for:
- Stroud Productions & Enterprises Inc.
- recorded at:
- RCA Studio B in New York, New York, United States
- cover recording of:
- To Love Somebody (in 1967)
- written in:
- New York, New York, United States (in 1967)
- writer:
- Barry Gibb (in 1967) and Robin Gibb (in 1967)
- publisher:
- Abigail Music, BMG Music, BMG Music Publishing, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. and Universal Music Careers
- part of:
- 50/50
| Nina Simone | 2:40 |
| 8 | Save the Last Dance for Me- recorded in:
- New York, New York, United States (on 1960-05-19)
- producer:
- Leiber and Stoller
- guitar:
- Billy Davis (on 1960-05-19)
- baritone vocals:
- Doc Green (on 1960-05-19)
- bass vocals:
- Elsbeary Hobbs (on 1960-05-19)
- lead vocals:
- Benny Nelson (on 1960-05-19)
- tenor vocals:
- Charlie Thomas (on 1960-05-19) and Johnny Williams (on 1960-05-19)
- conductor:
- Stan Applebaum (on 1960-05-19)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1988) and WEA International Inc. (in 1998)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (number: 182)
- recording of:
- Save the Last Dance for Me (on 1960-05-19)
- writer:
- Doc Pomus and Mort Shuman
- publisher:
- Hill and Range Southwind Mus S A, Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd., ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部, Hill and Range Songs, Inc. (in 1974) and Trio Music (in 1974)
| The Drifters | 2:33 |
| 9 | It Must Be Love | Labi Siffre | 3:13 |
| 10 | La La Means I Love You | The Delfonics | 3:20 |
| 11 | Love T.K.O. | Teddy Pendergrass | 5:00 |
| 12 | You Might Need Somebody | Shola Ama | 4:52 |
| 13 | Move Closer | Phyllis Nelson | 4:35 |
| 14 | Me and Mrs. Jones | Billy Paul | 3:37 |
| 15 | How ’bout Us- assistant engineer:
- Michael Ferraro and Tom Miller
- engineer:
- Stu Walder
- associate producer:
- James Mack
- producer:
- Leo Graham
- bass guitar [bass]:
- Michael Reed and Paul Richmond
- drums (drum set):
- Morris Jennings, Jr.
- electronic drum set [syndrums]:
- Tommy Radtke
- guitar [guitars]:
- Michael Day and Howard Reeder
- keyboard [keyboards]:
- Michael Day and Dana Walden
- percussion:
- Rocky Maffit
- solo alto saxophone:
- Ken Soderbloom
- synthesizer [synthesizers]:
- Dana Walden
- lead vocals:
- Pauli Carman
- vocals:
- Michael Day, Rena Jones, Rocky Maffit and Howard Reeder
- brass [horns] arranger and strings arranger:
- James Mack
- arranger:
- Champaign, Leo Graham and James Mack
- phonographic copyright (℗) by:
- CBS, Inc. (in 1981) and Sony Music Entertainment Inc. (in 1981)
- produced for:
- B‐Line Productions
- recorded at:
- Universal Recording in Chicago, Illinois, United States
- cover recording of:
- How ’bout Us
- lyricist and composer:
- Dana Walden
- publisher:
- April Music, Irving Music and Irving Music, Inc.
- sub-publisher:
- Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
- recording of:
- How ’bout Us
- lyricist and composer:
- Dana Walden
- publisher:
- April Music, Irving Music and Irving Music, Inc.
- sub-publisher:
- Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Champaign | 4:36 |
| 16 | I Say a Little Prayer- recording engineer:
- Tom Dowd (on 1968-04-17)
- producer:
- Jerry Wexler
- bass:
- Jerry Jemmott (on 1968-04-17)
- drums (drum set):
- Roger Hawkins (on 1968-04-17)
- guitar:
- Tommy Cogbill (on 1968-04-17)
- piano and lead vocals:
- Aretha Franklin (on 1968-04-17)
- background vocals:
- The Sweet Inspirations (on 1968-04-17)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Warner Music UK Ltd., Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
- cover recording of:
- I Say a Little Prayer (on 1968-04-17)
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. and Windswept Pacific Music Ltd.
- part of:
- Baby It’s You!
| Aretha Franklin | 3:33 |
| 17 | Torn Between Two Lovers | Mary MacGregor | 3:39 |
| 18 | I Got You Babe | Sonny & Cher | 3:11 |
| 19 | I Get a Little Sentimental Over You | The New Seekers | 2:56 |
| 20 | Need Your Love So Bad | Fleetwood Mac | 6:15 |
