| # | Title | Artist | Length |
|---|
| 1 | Hound Dog- bass:
- Bill Black (on 1956-07-02)
- drums (drum set):
- D.J. Fontana (on 1956-07-02)
- guitar:
- Scotty Moore (on 1956-07-02) and Elvis Presley (on 1956-07-02)
- piano:
- Shorty Long (on 1956-07-02)
- lead vocals:
- Elvis Presley (on 1956-07-02)
- vocals:
- The Jordanaires (on 1956-07-02)
- additional performer:
- The Jordanaires
- phonographic copyright (℗) by:
- BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) and Sony BMG Music Entertainment (in 2002)
- recorded at:
- RCA Studios in New York, New York, United States (on 1956-07-02)
- cover recording of:
- Hound Dog (on 1956-07-02)
- lyricist:
- Jerry Leiber (on 1952-08-12)
- composer:
- Mike Stoller (on 1952-08-12)
- previously attributed to:
- Johnny Otis
- publisher:
- Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc., MCA Music Ltd., MCA Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing, Universal/MCA Music, Williamson Music Company and Williamson Music, Inc.
| Elvis Presley | 2:18 |
| 2 | Rebel Rouser | Duane Eddy | 2:25 |
| 3 | (I Don’t Know Why) But I Do | Clarence “Frogman” Henry | 2:22 |
| 4 | Walk Right In | The Rooftop Singers | 2:35 |
| 5 | Land of 1000 Dances | Wilson Pickett | 2:26 |
| 6 | Blowin’ in the Wind | Joan Baez | 2:39 |
| 7 | Fortunate Son | Creedence Clearwater Revival | 2:21 |
| 8 | I Can’t Help Myself (Sugar Pie Honey Bunch)- recording engineer:
- Russ Terrana
- producer:
- Lamont Dozier and Brian Holland
- baritone saxophone:
- Mike Terry (in 1965)
- bass [1962 Fender Precision Bass]:
- James Jamerson
- drums (drum set):
- Richard "Pistol" Allen (in 1965)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (in 1965)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (in 1965)
- guitar [Gibson L-5]:
- Robert White (in 1965)
- instruments:
- The Funk Brothers (in 1965)
- piano:
- Earl Van Dyke (in 1965)
- strings:
- Detroit Symphony Orchestra (in 1965)
- tambourine:
- Jack Ashford (in 1965)
- vibraphone:
- Jack Brokensha (in 1965)
- background vocals:
- The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) and Lawrence Payton (in 1965)
- lead vocals:
- Levi Stubbs (in 1965)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (in 1965)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 30), Billboard: The 500 Best Pop Songs (number: 148), Rolling Stone: 500 Greatest Songs of All Time (number: 415) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 483)
- recording of:
- I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
- lyricist:
- Lamont Dozier, Brian Holland and Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- Stone Agate Music Division
| Four Tops | 2:44 |
| 9 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 2:29 |
| 10 | Rainy Day Women #12 & 35 | Bob Dylan | 4:38 |
| 11 | Sloop John B | The Beach Boys | 2:58 |
| 12 | California Dreamin’- engineer:
- Bones Howe
- producer:
- Lou Adler
- guitar:
- P.F. Sloan (in 1965)
- solo alto flute:
- Bud Shank (in 1965)
- phonographic copyright (℗) by:
- Geffen Records and Dunhill Records (in 1966)
- recorded at:
- Western Recorders in Los Angeles, California, United States (in 1965)
- part of:
- Billboard: The 500 Best Pop Songs (number: 52), Rolling Stone: 500 Greatest Songs of All Time (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
- recording of:
- California Dreamin’ (in 1965)
- writer:
- John Phillips and Michelle Phillips
- publisher:
- American Broadcasting Music, Inc., MCA Music Publishing, Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. and Universal/MCA Music Publishing GmbH
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Mamas & the Papas | 2:42 |
| 13 | For What It’s Worth | Buffalo Springfield | 2:41 |
| 14 | What the World Needs Now Is Love | Jackie DeShannon | 3:14 |
| 15 | Break On Through (to the Other Side) | The Doors | 2:30 |
| 16 | Mrs. Robinson | Simon & Garfunkel | 3:51 |
