Ultime 80’s Anthology

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

CD1: 7243 8505992 6
CD2: 7243 8506002 1

2-03: Title was "Carribean Queen" (common mistake)
2-06: Title was "Wild Boys" (common mistake)

Tracklist

1▼CD
#TitleArtistLength
1Our House
part of:
TV Cream: Real 100 Best Singles Ever (number: 13) and VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 29)
recording of:
Our House
lyricist:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman, Graham McPherson, Lee “Kix” Thompson and Daniel Woodgate
publisher:
EMI Music Publishing Ltd.
Madness3:22
2Relax (Come Fighting)
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (in 1983)
drums (drum set):
Peter Gill (in 1983)
guest keyboard:
Andrew Richards (in 1983) and Anne Dudley (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (in 1983) and Paul Rutherford (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (in 1983) and Zang Tuum Tumb (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London, England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill, Holly Johnson and Mark O’Toole
publisher:
Perfect Songs Ltd. and SPZ Music, Inc.
Frankie Goes to Hollywood3:56
3Enola Gay
engineer:
Laurence Diana and Max Norman
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
bass and synthesizer:
Andy McCluskey
drums (drum set) and percussion:
Malcolm Holmes
keyboard and synthesizer:
Paul Humphreys
vocals:
Paul Humphreys and Andy McCluskey
phonographic copyright (℗) by:
Virgin Records Ltd. (in 1980)
recorded at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music and Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3:32
4Such a Shame
recording of:
Such a Shame
lyricist and composer:
Mark Hollis
publisher:
Hollis Songs Ltd., Island Music, Island Music Ltd., Universal Music Ltd., Universal–Songs of PolyGram International, Inc. and Universal/Island Music Ltd.
Talk Talk4:11
5Big in Japan
producer:
Orlando
phonographic copyright (℗) by:
WEA MUSIK GMBH (from 1984 to present) and wea music (in 1984)
edit of:
Big in Japan by Alphaville
recording of:
Big in Japan
lyricist:
Marian Gold
composer:
Marian Gold, Lloyd Bernhard and Frank Mertens
publisher:
Rolf Budde Musikverlag
Alphaville3:52
6Always the Sun
producer:
Mike Kemp and The Stranglers
phonographic copyright (℗) by:
CBS Records (in 1986) and Epic (in 1986)
recording of:
Always the Sun
writer:
Brian Duffy, Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
CBS Songs Ltd., Complete Music Ltd., EMI April Music Inc., EMI Music Ltd., EMI Music Publishing Limited, EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4:48
7Making Plans for Nigel
engineer:
Hugh Padgham
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Virgin Records Ltd. (in 1979)
recording of:
Making Plans for Nigel
lyricist and composer:
Colin Moulding
publisher:
EMI Music Publishing, EMI Virgin Music Ltd. and Virgin Music (Publishers) Ltd.
XTC3:53
8Call Me
engineer:
Harold Faltermeyer
producer:
Giorgio Moroder
additional synthesizer:
Giorgio Moroder (in 1980-01)
bass guitar [bass]:
Nigel Harrison (in 1980-01)
drums (drum set) [drums]:
Clem Burke (in 1980-01)
electric piano:
Jimmy Destri (in 1980-01)
guitar:
Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
lead vocals:
Debbie Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
recorded at:
Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
recording of:
Call Me (in 1980-01)
lyricist:
Deborah Harry
composer:
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music, Chrysalis Music Ltd., Copyright Control, EMI Music Publishing Ltd., Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie3:31
9Hey Little Girl
recording of:
Hey Little Girl
lyricist and composer:
Iva Davies
publisher:
EMI Songs Australia Pty. Ltd.
Icehouse4:22
10Flesh for Fantasy
producer:
Keith Forsey
bass:
Steve Stevens (in 1983)
drums (drum set):
Thommy Price (in 1983)
guitar:
Billy Idol (in 1983) and Steve Stevens (in 1983)
keyboard:
Judi Dozier (in 1983) and Steve Stevens (in 1983)
lead vocals:
Billy Idol (in 1983)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (in 1983)
edit of:
Flesh for Fantasy by Billy Idol
recording of:
Flesh for Fantasy (in 1983)
writer:
Billy Idol and Steve Stevens
publisher:
Boneidol Music, Chrysalis Music Ltd., Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music and Sitting Pretty Music
translated version of:
F.F.F. (Flesh for Fantasy) (German Version)
Billy Idol3:50
11Here Comes Your Man
producer:
Gil Norton
recording of:
Here Comes Your Man
lyricist and composer:
Black Francis
publisher:
Rice and Beans Music
Pixies3:24
12Jealous Guy
producer:
Rhett Davies, Bryan Ferry and Roxy Music
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (in 1981), Virgin EG Records Ltd. (in 1981) and Virgin Records Ltd. (in 1981, in 2000)
cover recording of:
Jealous Guy
lyricist and composer:
John Lennon
publisher:
BMG Music Publishing, BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing, Lenono Music, Maclen Music, Inc., Northern Songs Ltd. and Warner Bros. Music Ltd.
sub-publisher:
Fujipacific Music, Inc. Division 2
revision of:
Child of Nature
Roxy Music4:55
13Oh L’Amour
assistant mixer:
Phil Legg
mixer:
Flood and Daniel Miller
recording of:
Oh l’amour
writer:
Andy Bell and Vince Clarke
publisher:
Sony Music Publishing
Erasure3:00
14Dancing With Tears in My Eyes
recording of:
Dancing With Tears in My Eyes
writer:
Warren Cann, Chris Cross, Billy Currie and Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. and Sing Sing Songs Ltd.
Ultravox4:08
15Don’t You Want Me
assistant programming:
David M. Allen (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd.
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (number: 79) and Billboard: The 500 Best Pop Songs (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright
publisher:
Copyright Control
The Human League3:57
16Airport
phonographic copyright (℗) by:
Virgin Records Ltd. (in 1978)
part of:
TV Cream: Real 100 Best Singles Ever (number: 19)
recording of:
Airport
writer:
Andy McMaster
publisher:
Universal PolyGram International Publishing, Inc. and Island Music Ltd. (from 1978 to present)
The Motors4:30
17The Captain of Her Heart
recording of:
The Captain of Her Heart
lyricist and composer:
Felix Haug and Kurt Maloo
publisher:
Z Muzik Ed. Soc. (Suiza) and Z-Muzik (in 1985)
Double3:57
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