| # | Title | Artist | Length |
|---|
| 1 | Passacaglia on DSCH: Pars altera: Fantasy‐reverie: Moderato – Fantastico | Ronald Stevenson | 4:15 |
| 2 | Passacaglia on DSCH: Pars altera: Fanfare. Allegro moderato – Forebodings – Alarm. Glimpse of a War Vision | Ronald Stevenson | 2:13 |
| 3 | Passacaglia on DSCH: Pars altera: Variations. “Peace, Bread and the Land” (1917). Allegro moderato | Ronald Stevenson | 2:20 |
| 4 | Passacaglia on DSCH: Pars altera: Symphonic March. Alla marcia – Episode | Ronald Stevenson | 3:11 |
| 5 | Passacaglia on DSCH: Pars altera: Nello stile di un fandango | Ronald Stevenson | 1:53 |
| 6 | Passacaglia on DSCH: Pars altera: Pedal‐point. “To Emergent Africa” – Episode | Ronald Stevenson | 1:57 |
| 7 | Passacaglia on DSCH: Pars altera: Variations in C minor. Prestissimo | Ronald Stevenson | 7:25 |
| 8 | Passacaglia on DSCH: Pars tertia: Tribute to Bach. Adagio | Ronald Stevenson | 2:24 |
| 9 | Passacaglia on DSCH: Pars tertia: Triple Fugue Over Ground Bass: 1st Subject. Allegro moderato | Ronald Stevenson | 6:09 |
| 10 | Passacaglia on DSCH: Pars tertia: Triple Fugue Over Ground Bass: 2nd Subject. B‐A‐C‐H | Ronald Stevenson | 7:27 |
| 11 | Passacaglia on DSCH: Pars tertia: Triple Fugue Over Ground Bass: 3rd Subject. Dies Irae (In memoriam the Six Million) | Ronald Stevenson | 6:42 |
| 12 | Passacaglia on DSCH: Pars tertia: Final Variations on a Theme Derived from Ground Bass. Adagissimo barocco | Ronald Stevenson | 10:51 |
| 13 | Cantéyodjayã | Olivier Messiaen | 10:14 |
| 14 | Prelude & Fugue in D, BWV 850 (From “The Well‐Tempered Clavier”, no. 5) | Johann Sebastian Bach | 3:09 |
| 15 | Fantasia in D minor, K.397 | Wolfgang Amadeus Mozart | 4:35 |