Art in L.A.

~ Release by Art Pepper (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleLength
1Whims of Chambers
recorded in:
Los Angeles, California, United States (on 1956-02-29)
alto saxophone:
Art Pepper (on 1956-02-29)
double bass [bass]:
Paul Chambers
drums (drum set):
Jimmy Cobb (on 1956-02-29)
piano:
Wynton Kelly (on 1956-02-29)
trumpet:
Conte Candoli (on 1956-02-29)
recording of:
Whims of Chambers (on 1956-02-29)
composer:
Paul Chambers
6:57
2Bijou the Poodle
recorded in:
Los Angeles, California, United States (on 1956-02-29)
alto saxophone:
Art Pepper (on 1956-02-29)
double bass [bass]:
Paul Chambers (on 1956-02-29)
drums (drum set):
Jimmy Cobb (on 1956-02-29)
piano:
Wynton Kelly (on 1956-02-29)
trumpet:
Conte Candoli (on 1956-02-29)
recording of:
Bijou the Poodle (on 1956-02-29)
composer:
Art Pepper
6:00
3Why Are We Afraid
recorded in:
Los Angeles, California, United States (on 1956-02-29)
alto saxophone:
Art Pepper (on 1956-02-29)
double bass [bass]:
Paul Chambers (on 1956-02-29)
drums (drum set):
Jimmy Cobb
piano:
Wynton Kelly (on 1956-02-29)
recording of:
Why Are We Afraid? (on 1956-02-29)
writer:
André Previn and Dory Previn
3:37
4Softly, as in a Morning Sunrise
recorded in:
Los Angeles, California, United States (on 1956-02-29)
alto saxophone:
Art Pepper (on 1956-02-29)
double bass [bass]:
Paul Chambers (on 1956-02-29)
drums (drum set):
Jimmy Cobb (on 1956-02-29)
piano:
Wynton Kelly (on 1956-02-29)
recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1956-02-29)
lyricist:
Oscar Hammerstein II (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. and Warner Bros., Inc.
part of:
The New Moon: Act I
6:55
5Rhythm-a-ning
recorded in:
Los Angeles, California, United States (on 1956-02-29)
alto saxophone:
Art Pepper (on 1956-02-29)
double bass [bass]:
Paul Chambers (on 1956-02-29)
drums (drum set):
Jimmy Cobb (on 1956-02-29)
piano:
Wynton Kelly (on 1956-02-29)
trumpet:
Conte Candoli (on 1956-02-29)
recording of:
Rhythm‐a‐ning (on 1956-02-29)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation
7:15
6Diane
recorded in:
Los Angeles, California, United States (on 1956-02-29)
alto saxophone:
Art Pepper (on 1956-02-29)
double bass [bass]:
Paul Chambers (on 1956-02-29)
drums (drum set):
Jimmy Cobb (on 1956-02-29)
piano:
Wynton Kelly (on 1956-02-29)
instrumental recording of:
Diane (from 1927 film “Seventh Heaven”) (on 1956-02-29)
lyricist:
Lew Pollack
composer:
Ernö Rapée
part of:
The Girl’s Suite
5:04
7Gettin’ Together
recorded in:
Los Angeles, California, United States (on 1956-02-29)
alto saxophone:
Art Pepper (on 1956-02-29)
double bass [bass]:
Paul Chambers (on 1956-02-29)
drums (drum set):
Jimmy Cobb (on 1956-02-29)
piano:
Wynton Kelly (on 1956-02-29)
recording of:
Gettin' Together (on 1956-02-29)
composer:
Art Pepper
7:55
8The Way You Look Tonight
recorded in:
Los Angeles, California, United States (on 1956-02-29)
alto saxophone:
Art Pepper (on 1956-02-29)
double bass [bass]:
Paul Chambers (on 1956-02-29)
drums (drum set):
Jimmy Cobb (on 1956-02-29)
piano:
Wynton Kelly (on 1956-02-29)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1956-02-29)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc., Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
6:39
2▶CD