I'd Love to Turn You On: Classical and Avant-Garde Music That Inspired the Counter-Culture

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	Brandenburg Concerto No. 2, BWV1047 - Allegro assai flute: Jean‐Pierre Rampal (in 1959) oboe: Pierre Pierlot (in 1959) piccolo trumpet: Maurice André (in 1959) violin: Gérard Jarry (in 1959) conductor: Jean‐François Paillard (in 1959) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (in 1959) composer: Johann Sebastian Bach part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)	Johann Sebastian Bach	2:54
2	Lute Suite No. 1 in E minor, BWV966: Bourrée lute: Julian Bream (in 1956-05) recorded at: Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1956-05) recording of: Suite in E minor, BWV 996: V. Bourrée (in 1956-05) composer: Johann Sebastian Bach part of: Suite in E minor, BWV 996 (original for lute, lute harpsichord)	Johann Sebastian Bach	1:35
3	Piano Sonata 14 in C sharp minor "Moonlight" Op. 27 No. 2: Adagio sostenuto piano: Claudio Arrau (on 1950-11-01) recorded at: Studio No. 3, Abbey Road in St John's Wood, Westminster, London, England, United Kingdom (on 1950-11-01) recording of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (on 1950-11-01) composer: Ludwig van Beethoven (in 1801) part of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”	Ludwig van Beethoven	6:48
4	Metastasis (excerpt) orchestra: Southwest German Radio Symphony Orchestra (in 1955-10) conductor: Hans Rosbaud (in 1955-10) partial recording of: Metastaseis B (published version) composer: Ιάννης Ξενάκης (from 1953 until 1954) dedicated to: Maurice Le Roux part of: Anastenaria revision of: Metastaseis A (original version)	Iannis Xenakis	2:30
5	Gesang der Jünglinge recorded at: Studio for Electronic Music of West German Radio in Köln, Nordrhein-Westfalen, Germany (in 1956) recording of: Gesang der Jünglinge, Nr. 8 (in 1956) composer: Karlheinz Stockhausen (from 1955 until 1956) dedicated to: Doris Stockhausen-Andreae publisher: Stockhausen‐Verlag part of: Works of Karlheinz Stockhausen by Werk Nr. (number: Nr. 8)	Karlheinz Stockhausen	13:02
6	Thema (Omaggio a Joyce) vocals: Cathy Berberian recorded at: Studio di Fonologia of the RAI, Milan in Milano, Milano, Lombardia, Italy (in 1958) recording of: Thema (Omaggio a Joyce) lyricist: James Joyce composer: Luciano Berio (in 1958)	Luciano Berio	6:15
7	Williams Mix sound engineer: Robert E. Blake engineer: Colonel Richard Ranger and Louis A. Stevenson, Jr. producer: George Avakian performer: Earle Brown, John Cage and David Tudor recorded at: Town Hall in Theater District, New York, New York, United States (on 1958-05-15) recording of: Williams Mix (on 1958-05-15) composer: John Cage (in 1952) publisher: Peters Edition Ltd.	John Cage	5:41
8	The Murder from "Psycho" conductor: Bernard Herrmann (in 1960) recorded at: Paramount Studios in Hollywood, Los Angeles, California, United States (in 1960) recording of: The Murder (in 1960) composer: Bernard Herrmann part of: Psycho	Bernard Herrmann	1:02
9	King Lear (Act IV, Scene 6) lines 249-262 spoken vocals [Edgar]: Philip Guard (on 1967-09-29) spoken vocals [Gloucester]: Mark Dignam (on 1967-09-29) spoken vocals [Oswald]: John Bryning (on 1967-09-29) partial recording of: King Lear (on 1967-09-29) writer: William Shakespeare	William Shakespeare	0:45
10	Symphony No. 7 in C major Op. 105 (excerpt): Vivace - Presto - Adagio orchestra: Royal Philharmonic Orchestra (on 1955-11-25) conductor: Sir Thomas Beecham (on 1955-11-25) recorded at: No. 1 Studio, Abbey Road in St John's Wood, Westminster, London, England, United Kingdom (on 1955-11-25) partial recording of: Sinfonia nro 7 C-duuri, op. 105 (Symphony no. 7 in C major, op. 105) (on 1955-11-25) composer: Jean Sibelius (from 1914 until 1924-03-02) premiered at: [concert] publisher: Edition Wilhelm Hansen composed at: Ainola in Järvenpää, Uusimaa, Finland (from 1914 until 1924-03-02) part of: Works of Jean Sibelius by opus number (number: op. 105)	Jean Sibelius	4:32
11	Improvisation on the theme music from Pather Panchali producer: Richard Bock flute: Bud Shank (in 1962) sitar: Ravi Shankar (in 1962) tabla: Kanai Dulla (in 1962) tanpura [tamboura]: Nodu C. Mullick (in 1962) recorded at: World Pacific Studios in Hollywood, Los Angeles, California, United States (in 1962)	Ravi Shankar	7:06
12	Daphnis & Chloe: Lever du jour - Scène choir vocals: Chorus of the Royal Opera House, Covent Garden (on 1959-04-28) orchestra: London Symphony Orchestra (on 1959-04-28) conductor: Pierre Monteux (on 1959-04-28) recorded at: Kingsway Hall in London, England, United Kingdom (on 1959-04-28) recording of: Daphnis et Chloé: Tableau III. No. 10. Lever du jour (on 1959-04-28) orchestrator: Maurice Ravel composer: Maurice Ravel (from 1909 until 1912) part of: Daphnis et Chloé: Tableau III	Maurice Ravel	5:15
13	Prélude à l'après-midi d'une faune recorded in: Paris, Île-de-France, France (on 1958-05-03) orchestra: Orchestre de la Société des Concerts du Conservatoire (on 1958-05-03) conductor: Constantin Silvestri (on 1958-05-03) recording of: Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (on 1958-05-03) composer: Claude Debussy (from 1891 until 1894-09) dedicated to: Raymond Bonheur premiered at: [concert] publisher: Eugène Fromont (in 1895-10) part of: Classic 100: Music of France (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 87)	Claude Debussy	10:03
14	Estampes for Piano: no. 2, La soirée dans Grenade piano: Rudolf Firkusny (in 1956-05) recorded at: Capitol 46th St. Studios in New York, New York, United States (in 1956-05) recording of: Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera composer: Claude Debussy (in 1903-07) part of: Estampes, L. 100, CD 108 (for piano)	Claude Debussy	5:15
15	Neptune, the Mystic (Andante) from The Planets, Op. 32 choir vocals: BBC Women's Chorus (in 1957-09) orchestra: BBC Symphony Orchestra (in 1957-09) conductor: Sir Malcolm Sargent (in 1957-09) recorded at: Kingsway Hall in London, England, United Kingdom (in 1957-09) recording of: The Planets, op. 32: VII. Neptune, the Mystic (in 1957-09) composer: Gustav Holst (from 1914 until 1916) orchestration of: The Planets, op. 32: VII. Neptune, the Mystic (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst	7:08

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Credits

Release

Discogs:	https://www.discogs.com/release/15239963 [info]
Allmusic:	https://www.allmusic.com/album/release/mr0005159139 [info]

Release group

Discogs:	https://www.discogs.com/master/2012320 [info]
Allmusic:	https://www.allmusic.com/album/mw0003346051 [info]