Christmas with Pavarotti

~ Release by Luciano Pavarotti (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleArtistLength
1O Holy Night
recording engineer:
John Dunkerley and James Lock (in 1976-01)
engineer:
John Dunkerley
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger and orchestrator:
Douglas Gamley
phonographic copyright (℗) by:
Decca Records Company (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
O Holy Night (in 1976-01)
lyricist:
John Sullivan Dwight (in 1855)
composer:
Adolphe Adam (in 1847)
translated version of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
recording of:
O Holy Night (catch-all for arrangements)
composer:
Adolphe Adam
arrangement of:
O Holy Night
Luciano Pavarotti, National Philharmonic Orchestra & Kurt Herbert Adler4:14
2Pietà, Signore
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Pietà, Signore (in 1976-01)
lyricist and previously attributed to:
Alessandro Stradella
composer:
Louis Niedermeyer
publisher:
G. Schirmer Inc.
Luciano Pavarotti, National Philharmonic Orchestra & Kurt Herbert Adler8:24
3Panis Angelicus, Op.12
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
vocals:
Luciano Pavarotti
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (in 1976-01)
lyricist:
St. Thomas Aquinas
composer:
César Franck (in 1860)
part of:
Messe solennelle en la majeur, op. 12
recording of:
Panis Angelicus (catch-all for arrangements)
composer:
César Franck
arrangement of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra & Kurt Herbert Adler4:01
4Le sette ultime parole di nostro Signore sulla croce
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
Luciano Pavarotti, & The National Philharmonic Orchestra & Kurt Herbert Adler4:40
5Ave Maria, D839
recording engineer:
John Dunkerley and James Lock (in 1976-01)
producer:
Ray Minshull
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
composer:
Franz Schubert
arrangement of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous]
composer:
Franz Schubert
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo and Sir Walter Scott
composer:
Franz Schubert (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Luciano Pavarotti, National Philharmonic Orchestra & Kurt Herbert Adler4:49
6Silent Night (Live)
recording engineer:
Charles Harbutt (on 1999-12-23)
producer:
Grace Row
choir vocals:
Gumpoldskirchner Spatzen Children's Choir (on 1999-12-23)
tenor vocals:
José Carreras (on 1999-12-23), Plácido Domingo (on 1999-12-23) and Luciano Pavarotti (on 1999-12-23)
orchestra:
Wiener Symphoniker (on 1999-12-23)
conductor:
Steven Mercurio (on 1999-12-23)
arranger:
Christian Kolonovits and Luca Logi
recorded at:
Wiener Konzerthaus in Landstraße, Wien, Austria (on 1999-12-23)
live recording of:
Stille Nacht, heilige Nacht (on 1999-12-23)
lyricist:
Josef Mohr (in 1816)
composer:
Franz Xaver Gruber (in 1818)
part of:
Oh, What a Lovely War! (stage musical)
Luciano Pavarotti, José Carreras & Plácido Domingo5:27
7Orfeo ed Euridice, Wq. 30 / Act 3 "Che farò senza Euridice"
recording engineer and balance engineer:
Kenneth Wilkinson
producer:
James Mallinson
tenor vocals:
Luciano Pavarotti (in 1977-04)
orchestra:
Philharmonia Orchestra (in 1977-04)
conductor:
Piero Gamba (in 1977-04)
arranger:
Jerry Lanning
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1977-04)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (in 1977-04)
composer:
Christoph Willibald Gluck
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Luciano Pavarotti, Philharmonia Orchestra & Piero Gamba4:25
8Stabat Mater 2. Cujus animam gementem
recording engineer:
Colin Moorfoot and Kenneth Wilkinson
producer:
John Mordler
tenor vocals:
Luciano Pavarotti (from 1970-12 until 1971-03)
orchestra:
London Symphony Orchestra (from 1970-12 until 1971-03)
conductor:
István Kertész (from 1970-12 until 1971-03)
chorus master:
Arthur Oldham (from 1970-12 until 1971-03)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-12 until 1971-03)
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore) (from 1970-12 until 1971-03)
composer:
Gioachino Rossini (from 1832 until 1839)
part of:
Stabat Mater
Luciano Pavarotti, London Symphony Orchestra, István Kertész5:50
9Ave Maria
recording engineer:
John Dunkerley and James Lock
engineer:
John Dunkerley
producer:
Ray Minshull
choir vocals:
Wandsworth Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Ave Maria (Bach/Gounod) (in 1976-01)
lyricist:
[anonymous]
composer:
Johann Sebastian Bach and Charles Gounod (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (Bach/Gounod) (in 1976)
lyricist:
[anonymous]
composer:
Johann Sebastian Bach and Charles Gounod (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach and Charles Gounod
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra & Kurt Herbert Adler2:55
10Mille cherubini in coro
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Mille cherubini in coro (in 1976-01)
lyricist:
Ernst Marischka
composer:
Franz Schubert
arranger:
Alois Melichar
version of:
Wiegenlied, D. 498
Luciano Pavarotti, National Philharmonic Orchestra & Kurt Herbert Adler4:02
11Agnus Dei, WD 40
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Agnus Dei (in 1976-01)
composer:
Georges Bizet
arranger:
Ernest Guiraud
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Luciano Pavarotti, National Philharmonic Orchestra & Kurt Herbert Adler3:45
12Requiem, op. 5 (Grande Messe des Morts) 9. Sanctus
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
choir vocals:
London Voices (in 1976-01) and Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
chorus master:
Russell Burgess (in 1976-01) and Terry Edwards (in 1976-01)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Requiem, op. 5: IX. Sanctus (in 1976-01)
lyricist and composer:
Hector Berlioz
part of:
Requiem, op. 5 « Grande Messe des Morts »
Hector Berlioz9:08
13O Jesu mi dulcissime
engineer:
John Pellowe
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1997-02)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1997-02)
conductor:
Leone Magiera (in 1997-02)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1997-02)
recording of:
O Jesu mi dulcissime (in 1997-02)
composer:
Prospero Guida
Luciano Pavarotti2:50
14Ave verum corpus
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
choir vocals:
Piccolo Coro dell’Antoniano (in 1997-02)
tenor vocals:
Luciano Pavarotti (in 1997-02)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1997-02)
conductor:
Leone Magiera (in 1997-02)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1997-02)
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna & Leone Magiera3:06
15Ave Maria, Dolce Maria
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1997-02)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1997-02)
conductor:
Leone Magiera (in 1997-02)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1997-02)
Luciano Pavarotti, Coro dell'Antoniano, Orchestra del Teatro Comunale di Bologna & Leone Magiera3:01
16Adeste Fideles
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
choir vocals:
London Voices (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
chorus master:
Terry Edwards (in 1976-01)
arranger:
Douglas Gamley
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Adeste fideles (original latin version) (in 1976-01)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
Luciano Pavarotti, London Voices, National Philharmonic Orchestra & Kurt Herbert Adler3:34
2▶CD

Credits

Release

manufactured by and distributed by:Universal Music Canada Inc.
ASIN:CA: B01K68918W [info]