Sacred Masterpieces and Cantatas

~ Release by Johann Sebastian Bach; Sir John Eliot Gardiner (see all versions of this release, 2 available)

Tracklist

1▶CD: Christmas Oratorio, BWV 248, Part One, Two and Three
2▶CD: Christmas Oratorio, BWV 248, Part Four, Five and Six
3▶CD: St. Matthew Passion, BWV 244, Part One
4▶CD: St. Matthew Passion, BWV 244, Part Two
5▼CD: St. Matthew Passion, BWV 244, Part Two (cont.)
#TitleArtistLength
1St. Matthew Passion, BWV 244: Teil II. "Da nahmen die Kriegsknechte" (Evangelista) - Chori "Gegrüsset seist du, Jüdenkönig" - "Und speieten ihn an" (Evangelista)
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:00
2St. Matthew Passion, BWV 244: Teil II. Choral "O Haupt voll Blut und Wunden"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1988-04)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:47
3St. Matthew Passion, BWV 244: Teil II. "Und da sie ihn verspottet hatten" (Evangelista)
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:53
4St. Matthew Passion, BWV 244: Teil II. Recitativo (Bass) "Ja freilich will in uns das Fleisch und Blut"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [bass]:
Olaf Bär (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:32
5St. Matthew Passion, BWV 244: Teil II. Aria (Bass) "Komm, süsses Kreuz, so will ich sagen"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [bass]:
Olaf Bär (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:07
6St. Matthew Passion, BWV 244: Teil II. "Und da sie an die Stätte kamen" (Evangelista) - Chori "Der du den Tempel Gottes zerbrichst" - "Desgleichen auch die Hohenpriester" (Evangelista) - Chori "Andern hat er geholfen" -
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:26
7St. Matthew Passion, BWV 244: Teil II. Recitativo (Alt) "Ach Golgotha"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
countertenor vocals:
Michael Chance (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:25
8St. Matthew Passion, BWV 244: Teil II. Aria (Alt) "Sehet, Jesus hat die Hand" - Chorus "Wohin?"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04)
countertenor vocals:
Michael Chance (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:18
9St. Matthew Passion, BWV 244: Teil II. "Und von der sechsten Stunde an" (Evangelista, Jesus) - Chorus "Der rufet dem Elias" - "Und bald lief einer unter ihnen" (Evangelista) - Chorus "Halt! lass sehen" - "Aber Jesus schriee abermal" (Evangelista)
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [Jesus]:
Andreas Schmidt (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:04
10St. Matthew Passion, BWV 244: Teil II. Choral "Wenn ich einmal soll scheiden"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1988-04)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
11St. Matthew Passion, BWV 244: Teil II. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - Chori in unisono "Wahrlich, dieser ist Gottes Sohn gewesen" - "Und es waren viel Weiber da" (Evangelista)
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:28
12St. Matthew Passion, BWV 244: Teil II. Recitativo (Bass) "Am Abend, da es kühle war"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
bass vocals:
Cornelius Hauptmann (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:58
13St. Matthew Passion, BWV 244: Teil II. Aria (Bass) "Mache dich, mein Herze, rein"
recording engineer:
Klaus Behrens
sound engineer and balance engineer:
Ulrich Vette
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
bass vocals:
Cornelius Hauptmann (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:57
14St. Matthew Passion, BWV 244: Teil II. "Und Joseph nahm den Leib" (Evangelista) - Chori "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [Pilate]:
Olaf Bär (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:30
15St. Matthew Passion, BWV 244: Teil II. Recitativo (Sopran, Alt, Tenor, Bass) "Nun ist der Herr zur Ruh gebracht" - Chorus "Mein Jesu, gute Nacht"
recording engineer:
Klaus Behrens
sound engineer and balance engineer:
Ulrich Vette
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [bass]:
Olaf Bär (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (in 1988-04)
soprano vocals:
Barbara Bonney (in 1988-04)
tenor vocals:
Howard Crook (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:37
16St. Matthew Passion, BWV 244: Teil II. Chorus "Wir setzen uns mit Tränen nieder"
recording engineer:
Klaus Behrens
sound engineer and balance engineer:
Ulrich Vette
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
instruments and orchestra:
English Baroque Soloists (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:10
6▶CD: St. John Passion, BWV 245, Part One and Two
7▶CD: St. John Passion, BWV 245, Part Two (cont.)
8▶CD: Mass, BWV 232
9▶CD: Mass, BWV 232 (cont.)
10▶CD: Magnificat, BWV 243; Jauchzet Gott in allen Landen, Cantata BWV 51
11▶CD: Advent Cantatas, BWV 36, 61 & 62
12▶CD: Christmas Cantatas, BWV 63, 64, 121 & 133
13▶CD: New Year Cantata, BWV 16; Cantatas for the 21st and 23rd Sunday after Trinity, BWV 98 & 139
14▶CD: Cantatas for the 3rd Sunday after Epiphany, BWV 72, 73, 111 & 156
15▶CD: Cantatas for the Feast of the Purification of Mary (2 February), BWV 82, 83, 125 & 200
16▶CD: Easter Cantatas, BWV 6 & 66
17▶CD: Cantatas for Ascension Day, BWV 11, 37, 43 & 128
18▶CD: Cantatas for the 1st day of Whitsun, BWV 34, 59, 74 & 172
19▶CD: Cantatas for the 9th Sunday after Trinity, BWV 94, 105 & 168
20▶CD: Cantatas for the 11th Sunday after Trinity, BWV 113, 179 & 199
21▶CD: Cantatas for the 27th Sunday after Trinity, BWV 140 & for the Feast of the Visitation of Mary (2 July), BWV 147
22▶CD: Cantatas BWV 106; 118/231 & 198