| # | Title | Artist | Length |
|---|
| 1 | She Drives Me Crazy | Fine Young Cannibals | 3:35 |
| 2 | Sultans of Swing | Dire Straits | 5:46 |
| 3 | Rock the Night- recording engineer and mixer:
- Wally Buck and Kevin Elson
- producer:
- Kevin Elson
- bass guitar [bass]:
- John Levén
- drums (drum set) [drums]:
- Ian Haugland
- guitar:
- John Norum
- keyboard:
- Mic Michaeli
- background vocals:
- Ian Haugland, Mic Michaeli and John Norum
- lead vocals:
- Joey Tempest
- phonographic copyright (℗) by:
- CBS, Inc. (in 1986), Epic Records (in 1986) and Sony BMG Music Entertainment (in 1986)
- produced for:
- Elson Music Vision, Inc.
- recorded at and mixed at:
- Fantasy Studios in Berkeley, California, United States, Powerplay Studios in Maur, Zürich, Switzerland and Soundtrade Studios in Solna City, Stockholms län, Sweden
- recording of:
- Rock the Night
- lyricist and composer:
- Joey Tempest
- publisher:
- EMI Music Publishing Ltd. and Screen Gems–EMI Music, Inc.
| Europe | 4:05 |
| 4 | Burning Heart- engineer:
- Phil Bonanno, Mike Clink and Larry Millas
- producer:
- Jim Peterik and Frankie Sullivan
- phonographic copyright (℗) by:
- RCA Records (in 1985), Scotti Bros. (in 1985), Scotti Brothers Records, Inc. (in 1985, in 1986) and Sony BMG Music Entertainment (in 1985)
- recording of:
- Burning Heart
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- BMG VM Music Ltd., Concord Bicycle Assets, EMI Virgin Music Limited, Famous Music Publishing Limited, Scotti Brothers Records, Inc., Sony/ATV Harmony UK and Warner Chappell Music Ltd.
| Survivor | 3:50 |
| 5 | Hard Times | The Scabs | 4:51 |
| 6 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander, Jason Corsaro, Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen, Tim Crich and Scott "Abada" Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984, in 2018) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd., Somerset Songs Publishing Inc., Warner Brothers Music Ltd., Warner Chappell Music, Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 4:57 |
| 7 | Wind of Change- assistant engineer:
- Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher
- engineer:
- Erwin Musper and Keith Olsen
- producer:
- Keith Olsen and Scorpions
- mixer:
- Shay Baby, Erwin Musper and Keith Olsen
- acoustic guitar:
- Rudolf Schenker (in 1990)
- bass guitar:
- Francis Buchholz (in 1990)
- drums (drum set) and percussion:
- Herman Rarebell (in 1990)
- electric guitar [lead guitar] and electric guitar [rhythm guitar]:
- Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
- guest keyboard:
- Koen van Baal (in 1990)
- slide guitar:
- Matthias Jabs (in 1990)
- background vocals:
- Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (in 1990) and Rudolf Schenker (in 1990)
- lead vocals:
- Klaus Meine (in 1990)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1990, in 1991) and The Island Def Jam Music Group (in 1990)
- recorded at:
- Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1990)
- mixed at:
- Wisseloord Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
- recording of:
- Wind of Change (in 1990)
- lyricist and composer:
- Klaus Meine
- publisher:
- BMG Rights Management GmbH, Copyright Control, PolyGram International Publishing, Inc., Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc.
| Scorpions | 5:11 |
| 8 | I’d Do Anything for Love (But I Won’t Do That) | Meat Loaf | 5:24 |
| 9 | San Francisco (Be Sure to Wear Some Flowers in Your Hair) | Scott McKenzie | 2:56 |
| 10 | Listen to the Music | The Doobie Brothers | 3:41 |
| 11 | Come On Eileen | Dexys Midnight Runners & The Emerald Express | 4:05 |
| 12 | The Things We Do for Love- assistant engineer and assistant mixer:
- Tony Spath
- engineer, mixer and editor:
- Eric Stewart
- producer:
- 10cc, Graham Gouldman, Mastermix Music Limited and Eric Stewart
- acoustic guitar, bass guitar, electric guitar, handclaps and tambourine:
- Graham Gouldman (in 1976)
- drums (drum set), gong, handclaps and tambourine:
- Paul Burgess (in 1976)
- guitar, organ and piano and background vocals and lead vocals:
- Eric Stewart (in 1976)
- background vocals:
- Graham (in 1976)
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1976, in 1977, in 1997), Mercury Records Ltd. (London) (in 1976), Phonogram Ltd. (in 1976, in 1977), PolyGram Records, Inc. (in 1977) and The Island Def Jam Music Group (in 1977)
- recorded at:
- Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1976)
- music videos:
- The Things We Do for Love by 10cc and The Things We Do for Love by 10cc
- recording of:
- The Things We Do for Love (in 1976)
- writer:
- Graham Gouldman and Eric Stewart
- publisher:
- Copyright Control, EMI Music Publishing, EMI Music Publishing Australia Pty Ltd, EMI Music Publishing Ltd., St. Anne’s Music Ltd. and Man-Ken Music Ltd. (in 1977)
| 10cc | 3:29 |
| 13 | Wrap Your Arms Around Me | Agnetha Fältskog | 5:12 |
| 14 | Forever and Ever | Demis Roussos | 3:38 |
| 15 | Yesterday Once More | Carpenters | 3:52 |
| 16 | Three Times a Lady- producer:
- James Anthony Carmichael and Commodores
- lead vocals:
- Lionel Richie
- arranger:
- James Anthony Carmichael and Commodores
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1978), Motown Record Corporation (in 1978) and UMG Recordings, Inc. (in 1978)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 10)
- recording of:
- Three Times a Lady
- lyricist and composer:
- Lionel Richie
- publisher:
- Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd., Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
| Commodores | 3:37 |
| 17 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd., WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music, Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt, Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music, Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 2:56 |
| 18 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music, Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros., Warner Bros. Music Ltd., Warner Chappell Music, Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 2:44 |
| 19 | When a Man Loves a Woman- recording of:
- When a Man Loves a Woman
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Warner Chappell, Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell North America, Warner/Chappell, Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 2:51 |
| 20 | How Can We Hang on to a Dream | Tim Hardin | 2:02 |
