Salome

~ Release by Richard Strauss; Herbert von Karajan, Behrens, Böhm, van Dam, Baltsa, Wiener Philharmoniker (see all versions of this release, 6 available)

Tracklist

1▼CD
#TitleArtistLength
1Salome, op. 54: Scene I. "Wie schön ist die Prinzessin Salome heute Nacht!" (Narraboth, Page, Erster Soldat, Zweiter Soldat)
producer:
Michel Glotz
bass vocals [Erster Soldat]:
Gerd Nienstedt (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Erste Szene. "Wie schön ist die Prinzessin Salome heute nacht!" (Narraboth, Page, Erster Soldat, Zweiter Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:52
2Salome, op. 54: Scene I. "Nach mir wird einer kommen" (Jochanaan, Zweiter Soldat, Erster Soldat, Kappadozier, Narraboth, Page)
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
bass vocals [Ein Cappadocier]:
Helge von Bömches (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Erste Szene. "Nach mir wird Einer kommen" (Jochanaan, Zweiter Soldat, Erster Soldat, Kappadozier, Narraboth, Page) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:48
3Salome, op. 54: Scene II. "Ich will nicht bleiben" (Salome, Page)
producer:
Michel Glotz
contralto vocals [Ein Page]:
Heljä Angervo (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Ich will nicht bleiben. Ich kann nicht bleiben" (Salome, Page) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:50
4Salome, op. 54: Scene II. "Siehe, der Herr ist gekommen" (Jochanaan, Salome, Zweiter Soldat, Narraboth, Sklave, Erster Soldat)
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
tenor vocals [Ein Sklave]:
Horst Nitsche (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Siehe, der Herr ist gekommen" (Jochanaan, Salome, Zweiter Soldat, Narraboth, Sklave, Erster Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:39
5Salome, op. 54: Scene II. "Jauchze nicht, du Land Palästina" (Jochanaan, Salome, Zweiter Soldat, Erster Soldat, Page)
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Jauchze nicht, du Land Palästina" (Jochanaan, Salome, Zweiter Soldat, Erster Soldat, Page, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:26
6Salome, op. 54: Scene II. "Du wirst das für mich tun" (Salome, Narraboth)
producer:
Michel Glotz
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Du wirst das für mich tun" (Salome, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:22
7Salome, op. 54: Scene III. "Wo ist er, dessen Sündenbecher jetzt voll ist?" (Jochanaan, Salome, Narraboth)
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Wo ist er, dessen Sündenbecher jetzt voll ist?" (Jochanaan, Salome, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss9:38
8Salome, op. 54: Scene III. "Jochanaan! Ich bin verliebt in deinen Leib" (Salome, Jochanaan)
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Jochanaan! Ich bin verliebt in deinen Leib" (Salome, Jochanaan) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss8:49
9Salome, op. 54: Scene III. "Wird dir nicht bange, Tochter der Herodias?" (Jochanaan, Salome)
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Wird dir nicht bange, Tochter der Herodias?" (Jochanaan, Salome) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss8:27
10Salome, op. 54: Scene IV. "Wo ist Salome? Wo ist die Prinzessin?" (Herodes, Herodias, Erster Soldat)
producer:
Michel Glotz
bass vocals [Erster Soldat]:
Gerd Nienstedt (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Wo ist Salome? Wo ist die Prinzessin?" (Herodes, Herodias, Erster Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:38
11Salome, op. 54: Scene IV. "Es ist kalt hier. Es weht ein Wind" (Herodes, Herodias)
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Es ist kalt hier. Es weht ein Wind" (Herodes, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:27
12Salome, op. 54: Scene IV. "Salome, komm, trink Wein mit mir" (Herodes, Salome, Herodias)
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Salome, komm, trink Wein mit mir" (Herodes, Salome, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:50
13Salome, op. 54: Scene IV. "Sieh, die Zeit ist gekommen" (Jochanaan, Salome, Herodias)
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Sieh, die Zeit ist gekommen" (Jochanaan, Salome, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss0:54
14Salome, op. 54: Scene IV. "Wahrhaftig, Herr, es wäre besser" (Erster Jude, Herodes, Juden, Herodias, Erster Nazarener)
producer:
Michel Glotz
baritone vocals [Fünfter Jude]:
Erich Kunz (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Nazarener]:
Jules Bastin (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (from 1977-05-09 until 1978-05-02)
tenor vocals [Dritter Jude]:
Martin Vantin (from 1977-05-09 until 1978-05-02)
tenor vocals [Erster Jude]:
Heinz Zednik (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (from 1977-05-09 until 1978-05-02)
tenor vocals [Vierter Jude]:
Gerhard Unger (from 1977-05-09 until 1978-05-02)
tenor vocals [Zweiter Jude]:
David Knutson (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben" (Erster Soldat, Herodes, Zweiter Jude, Dritter Jude, Vierter Jude, Fünfter Jude, Herodias, Erster Nazarener) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:59
15Salome, op. 54: Scene IV. "Siehe, der Tag ist nahe, der Tag des Herrn" (Jochanaan, Herodes, Erster Nazarener, Erster Jude, Zweiter Nazarener, Herodias)
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Nazarener]:
Jules Bastin (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (from 1977-05-09 until 1978-05-02)
tenor vocals [Erster Jude]:
Heinz Zednik (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (from 1977-05-09 until 1978-05-02)
tenor vocals [Zweiter Nazarener]:
Dieter Ellenbeck (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Siehe, der Tag ist nahe, der Tag des Herrn" (Jochanaan, Herodes, Erster Nazarener, Erster Jude, Zweiter Nazarener, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss3:03
2▶CD