The Voice of Romance: The Columbia Original Album Collection

~ Release by Johnny Mathis (see all versions of this release, 1 available)

Tracklist

1▶CD: Johnny Mathis
2▶CD: Wonderful Wonderful
3▶CD: Warm
4▶CD: Good Night, Dear Lord
5▶CD: Swing Softly
6▶CD: Merry Christmas
7▶CD: Open Fire, Two Guitars
8▶CD: Heavenly
9▶CD: Faithfully
10▶CD: The Ballads of Broadway
11▶CD: The Rhythms of Broadway
12▶CD: Johnny's Mood
13▶CD: I'll Buy You a Star
14▶CD: Live It Up!
15▶CD: Rapture
16▶CD: Johnny
17▶CD: Romantically
18▶CD: Up, Up and Away
19▶CD: Love Is Blue
20▶CD: Those Were the Days
21▶CD: Johnny Mathis Sings the Music of Bert Kaempfert
22▶CD: Love Theme from "Romeo And Juliet" (A Time for Us)
23▶CD: Give Me Your Love for Christmas
24▶CD: Raindrops Keep Fallin' on My Head
25▶CD: Close to You
26▶CD: Love Story
27▶CD: You've Got a Friend
28▶CD: Johnny Mathis in Person: Recorded Live at Las Vegas
29▶CD: The First Time Ever (I Saw Your Face)
30▶CD: Song Sung Blue
31▶CD: Me and Mrs. Jones
32▶CD: Killing Me Softly with Her Song
33▶CD: I'm Coming Home
34▶CD: The Heart of a Woman
35▶CD: When Will I See You Again
36▶CD: Feelings
37▶CD: I Only Have Eyes for You
38▶CD: Mathis Is...
39▶CD: Hold Me, Thrill Me, Kiss Me
40▶CD: You Light Up My Life
41▶CD: That's What Friends Are For
42▶CD: The Best Days of My Life
43▶CD: Mathis Magic
44▶CD: Different Kinda Different
45▶CD: Friends in Love
46▶CD: I Love My Lady
47▶CD: A Special Part of Me
48▶CD: Unforgettable – A Musical Tribute to Nat King Cole
49▶CD: Live
50▶CD: Right from the Heart
51▶CD: The Hollywood Musicals
52▶CD: Christmas Eve with Johnny Mathis
53▶CD: Once in a While
54▶CD: In the Still of the Night
55▶CD: The Island
56▼CD: In a Sentimental Mood: Mathis Sings Ellington
#TitleLength
1Overture - A Musical Tribute To Duke Ellington
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
?:??
2Lush Life
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Lush Life (from 1990-02-06 until 1990-02-10)
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス and Tempo Music, Inc. (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
3Don't You Know I Care (Or Don't You Care to Know) / I Didn't Know About You
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
medley including a recording of:
Don’t You Know I Care? (from 1990-02-06 until 1990-02-10)
lyricist:
Mack David (in 1944)
composer:
Duke Ellington (in 1944)
medley including a recording of:
I Didn’t Know About You (from 1990-02-06 until 1990-02-10)
lyricist:
Bob Russell (in 1944)
composer:
Duke Ellington (in 1944)
is based on:
Sentimental Lady
?:??
4Things Ain't What They Used To Be (Instrumental)
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
instrumental recording of:
Things Ain’t What They Used to Be (from 1990-02-06 until 1990-02-10)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc.
?:??
5In A Sentimental Mood
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
In a Sentimental Mood (from 1990-02-06 until 1990-02-10)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation, J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
?:??
6What Am I Here For
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
What Am I Here For (from 1990-02-06 until 1990-02-10)
composer:
Duke Ellington
?:??
7I Got It Bad And That Ain't Good (Instrumental)
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
phonographic copyright (℗) by:
Jon Mat Records, Inc.
instrumental recording of:
I Got It Bad (and That Ain’t Good) (from 1990-02-06 until 1990-02-10)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
8Something To Live For
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Something to Live For (1938 Billy Strayhorn jazz composition) (from 1990-02-06 until 1990-02-10)
lyricist and composer:
Billy Strayhorn
?:??
9Solitude
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Solitude (for strings, Gould) (from 1990-02-06 until 1990-02-10)
orchestrator:
Morton Gould
composer:
Duke Ellington
arrangement of:
(In My) Solitude
?:??
10Perdido (Instrumental)
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Perdido (original instrumental version) (from 1990-02-06 until 1990-02-10)
composer:
Juan Tizol
?:??
11Prelude to a Kiss
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
producer:
Mike Berniker
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1990)
recording of:
Prelude to a Kiss (from 1990-02-06 until 1990-02-10)
lyricist:
Irving Gordon (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
?:??
12In a Mellow Tone
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
In a Mellow Tone (from 1990-02-06 until 1990-02-10)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (in 1939)
publisher:
EMI Robbins and Robbins Music
?:??
13Don't Get Around Much Anymore
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
cover recording of:
Don’t Get Around Much Anymore (from 1990-02-06 until 1990-02-10)
lyricist:
Bob Russell (in 1942)
composer:
Duke Ellington (in 1940)
publisher:
EMI Music, EMI Robbins Catalog Inc., Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
version of:
Never No Lament
?:??
14Satin Doll (Instrumental)
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
phonographic copyright (℗) by:
Jon Mat Records, Inc.
instrumental recording of:
Satin Doll (from 1990-02-06 until 1990-02-10)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. and WB Music Corp.
?:??
15Come Sunday
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Come Sunday (1958 revision with lyrics) (from 1990-02-06 until 1990-02-10)
lyricist and composer:
Duke Ellington
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
?:??
16Do Nothin' Till You Hear From Me
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Do Nothin’ Till You Hear From Me (from 1990-02-06 until 1990-02-10)
lyricist:
Bob Russell (in 1943)
composer:
Duke Ellington (in 1943)
publisher:
Music Sales Corporation and Sony/ATV Harmony
version of:
Concerto for Cootie
?:??
17Caravan (Instrumental)
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
phonographic copyright (℗) by:
Jon Mat Records, Inc.
instrumental recording of:
Caravan (from 1990-02-06 until 1990-02-10)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc., Famous Music Corporation, Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
?:??
18Day Dream
recorded in:
London, England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Day Dream (from 1990-02-06 until 1990-02-10)
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (in 1941) and Billy Strayhorn (in 1941)
?:??
57▶CD: Better Together: The Duet Album
58▶CD: How Do You Keep the Music Playing?
59▶CD: All About Love
60▶CD: Because You Loved Me: The Songs of Diane Warren
61▶CD: Mathis on Broadway
62▶CD: The Christmas Album
63▶CD: Isn't It Romantic: The Standards Album
64▶CD: A Night to Remember
65▶CD: Let It Be Me: Mathis in Nashville
66▶CD: Sending You a Little Christmas
67▶CD: Odds and Ends: That’s What Makes the Music Play
68▶CD: Johnny Mathis Sings the Great New American Songbook

Credits

Release

ASIN:US: B071JQXPC7 [info]