The Complete Warner Classics Recordings

~ Release by Sir Neville Marriner (see all versions of this release, 1 available)

Annotation

An 80-CD collection of the complete recordings made by Sir Neville Marriner for Warner Classics. Includes a 44-page booklet with essays and an index of works. CD wallets have original jacket artwork and tracklists printed on them.

Tracklist

1CD: Charpentier: Te Deum / Magnificat
2CD: Bach: Cantatas BWV 202 & 209 (Ameling)
#TitleArtistLength
1Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 1 Aria. “Weichet nur, betrübte Schatten”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (on 1972-06-03)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach7:11
2Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 2 Recitative. “Die Welt wird wieder neu”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (on 1972-06-03)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:30
3Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 3 Aria. “Phoebus eilt mit schnellen Pferden”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (on 1972-06-03)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:09
4Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 4 Recitative. “Drum sucht auch Amor sein Vergnügen”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (on 1972-06-03)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:44
5Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 5 Aria. “Wenn die Frühlingslufte streichen”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (on 1972-06-03)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:00
6Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 6 Recitative. “Und dieses ist das Glücke”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (on 1972-06-03)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:50
7Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 7 Aria. “Sich üben im Lieben, in Scherzen sich herzen”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (on 1972-06-03)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach5:11
8Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 8 Recitative. “So sei das Band der keuschen Liebe”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (on 1972-06-03)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:27
9Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 9 Aria & Gavotte. “Schet in Zufriedenheit”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (on 1972-06-03)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:04
10Cantata “Non sa che sia dolore”, BWV 209: No. 1 Sinfonia
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia (on 1972-06-03)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
recording of:
Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia (from 1972-06-05 until 1972-06-07)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach6:26
11Cantata “Non sa che sia dolore”, BWV 209: No. 2 Recitative. “Non sa che sia dolore”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": II. Recitativo "Non sa che sia dolore" (on 1972-06-03)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
recording of:
Kantate, BWV 209 "Non sa che sia dolore": II. Recitativo "Non sa che sia dolore" (from 1972-06-05 until 1972-06-07)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach1:04
12Cantata “Non sa che sia dolore”, BWV 209: No. 3 Aria. “Parti pur, e con dolore”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": III. Aria "Parti pur e con dolore" (on 1972-06-03)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
recording of:
Kantate, BWV 209 "Non sa che sia dolore": III. Aria "Parti pur e con dolore" (from 1972-06-05 until 1972-06-07)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach8:53
13Cantata “Non sa che sia dolore”, BWV 209: No. 4 Recitative. “Tuo saver al tempo e l'eta contrasta”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": IV. Recitativo "Tuo saver al tempo" (on 1972-06-03)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
recording of:
Kantate, BWV 209 "Non sa che sia dolore": IV. Recitativo "Tuo saver al tempo" (from 1972-06-05 until 1972-06-07)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach0:37
14Cantata “Non sa che sia dolore”, BWV 209: No. 5 Aria. “Ricetti gramezza e pavento”
producer:
Christopher Bishop
soprano vocals:
Elly Ameling (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": V. Aria "Ricetti gramezza e pavento" (on 1972-06-03)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
recording of:
Kantate, BWV 209 "Non sa che sia dolore": V. Aria "Ricetti gramezza e pavento" (from 1972-06-05 until 1972-06-07)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach5:50
3CD: Bach: Magnificat / Vivaldi: Gloria
4CD: Bach: Arias (Baker)
5CD: Bach: Brandenburg Concertos nos. 1-4
6CD: Bach: Brandenburg Concertos nos. 5-6 / Orchestral Suite no. 1
7CD: Bach: Orchestral Suites nos. 2-4
8CD: Bach: Piano Concertos nos. 1-3 (Gavrilov)
9CD: Bach: Piano Concertos no. 4-7 (Gavrilov)
10CD: Handel: Messiah (beginning)
11CD: Handel: Messiah (conclusion)
12CD: Handel: Arias (Battle)
13CD: Handel: Water Music
14CD: Handel: Concerto a due cori nos. 1 & 3 / 2 Overtures
15CD: Bach: Cantata BWV 51 / Scarlatti: Cantata “Su le sponde del Tebro” / Abinoni & Vivaldi: Concerto for trumpet (Helen Donath, Maurice André)
16CD: Trumpet Concertos by Tartini, Albinoni, Telemann & Handel / Purcell (André)
17CD: Trumpet Concertos by Stölzel, Telemann & Vivaldi (André)
18CD: Works for Recorder by Telemann, Sammartini & Handel (Munrow)
19CD: Haydn: Paukenmesse
20CD: Haydn: Nelson Messe
21CD: Haydn: Theresienmesse / Heiligmesse
22CD: Haydn: Schöpfungmesse / Kleine Orgelsolomesse
23CD: Haydn: Die Schöpfung (beginning)
24CD: Haydn: Die Schöpfung (conclusion)
25CD: Haydn: Cello Concertos nos. 1 & 2 (Harrell)
26CD: Haydn: The Seven Last Words of Christ
27CD: Trumpet Concertos by Haydn & Telemann… (Wilbraham)
28CD: Punto: Horn Concertos nos. 5, 6, 10 & 11 (Tuckwell)
29CD: Mozart: Overtures / Les Petits Riens
30CD: Mozart: Overtures
31CD: Mozart: Symphonies nos. 24-27 & 32
32CD: Mozart: Symphonies nos. 28-30
33CD: Mozart: Symphonies nos. 31, 33 & 34
34CD: Mozart: Symphonies nos. 35 & 41
35CD: Mozart: Symphonies nos. 36 & 40
36CD: Mozart: Symphonies nos. 38 & 39
37CD: Mozart: Piano Concertos nos. 5, 6 & 11 (Zacharias)
38CD: Mozart: Piano Concertos no. 16 & 19 (Zacharias)
39CD: Mozart: Piano Concertos nos. 17 & 18 (Zacharias)
40CD: Mozart: Piano Concertos nos. 22 & 27 (Buchbinder)
41CD: Mozart: Violin Concerto no. 1 / Sinfonia concertante (Mutter)
42CD: Mozart: Horn Concertos nos. 1-4 / Rondo K. 371 (Tuckwell)
43CD: Mozart: Horn Concertos nos. 1-4 / Quintet for horn & strings (Pyatt)
44CD: Mozart: Sacred Arias (Hendricks)
45CD: Mozart and His Contemporaries (Roocroft)
46CD: Eine kleine Nachtmusik
47CD: Beethoven: 2 Romances / Mozart & Schubert: Rondos
48CD: Beethoven: Piano Concertos nos. 2 & 3 (Fellner)
49CD: Beethoven: Violin Concerto / 2 Romances (Sitkovetsky)
50CD: Cherubini: Overtures
51CD: Horn Concertos by Telemann, Förster, Weber, L. Mozart (Tuckwell)
52CD: Music for double bass (Slatford)
53CD: Rossini: Overtures
54CD: Suppé: Overtures
55CD: Grieg & Mendelssohn: Piano Concertos (Ousset)
56CD: Grieg: Peer Gynt (Popp)
57CD: Vieuxtemps: Cello Concertos nos. 1 & 2 (Schiff)
58CD: Bizet: Symphony in C major / L'Arlésienne, Suites 1 & 2
59CD: Saxophone Concertos (Harle)
60CD: Contrasts - The Lighter Elgar
61CD: Falla: El sombrero de tres picos / Noches en los jardines de España
62CD: Respighi: Gli uccelli / Trittico botticelliano
63CD: Wolf-Ferrari: Orchestral Music
64CD: Martin: Petite symphonie concertante / Bloch: Concerto grosso no. 1
65CD: Stravinsky: Dumberton Oaks / Concerto in D / Danses concertantes
66CD: Stravinsky: Pulcinella / 2 suites for small orchestra
67CD: English String Music
68CD: Britten: Les Illuminations (Harper) / Serenade (Tear)
69CD: Britten: The Young Person's Guide to the orchestra / Four Sea Interludes / Men of Goodwill
70CD: Copland: Appalachian Spring / Rodeo / El salón México
71CD: Walton: Façade
72CD: Tippett: Divertimento / LIttle Music for string orchestra / Sonata for four horns / Concerto for double string orchestra
73CD: The Academy in Concert
74CD: The Academy - By Request
75CD: Favorite Orchestral Pieces
76CD: The Sound of the Academy
77CD: The Academy Plays Opera
78CD: Viennese Operetta Arias (Popp)
79CD: Wagner: Siegfried Idyll / Dvořák, Fauré, Tchaikovsky…
80CD: Oscar Wilde: Music by Debbie Wiseman