20th Century

~ Release by Pierre Boulez (see all versions of this release, 1 available)

Tracklist

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#TitleArtistLength
1The Miraculous Mandarin, op. 19, Sz. 73: Beginning (Allegro)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (from 1918 until 1924)
premiered at:
[stage performance]
publisher:
Universal Edition (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:03
2The Miraculous Mandarin, op. 19, Sz. 73: First seduction game: the shabby old rake (Moderato)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (from 1918 until 1924)
premiered at:
[stage performance]
publisher:
Universal Edition (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:44
3The Miraculous Mandarin, op. 19, Sz. 73: Second seduction game
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (from 1918 until 1924)
premiered at:
[stage performance]
publisher:
Universal Edition (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:13
4The Miraculous Mandarin, op. 19, Sz. 73: Third seduction game (Sostenuto)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (from 1918 until 1924)
premiered at:
[stage performance]
publisher:
Universal Edition (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:41
5The Miraculous Mandarin, op. 19, Sz. 73: The Mandarin enters and remains immobile in the doorway... (Maestoso)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (from 1918 until 1924)
premiered at:
[stage performance]
publisher:
Universal Edition (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók6:52
6The Miraculous Mandarin, op. 19, Sz. 73: The girl sinks down to embrace him... (Allegro)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (from 1918 until 1924)
premiered at:
[stage performance]
publisher:
Universal Edition (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:29
7The Miraculous Mandarin, op. 19, Sz. 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (from 1918 until 1924)
premiered at:
[stage performance]
publisher:
Universal Edition (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:06
8The Miraculous Mandarin, op. 19, Sz. 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (from 1918 until 1924)
premiered at:
[stage performance]
publisher:
Universal Edition (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:01
9The Miraculous Mandarin, op. 19, Sz. 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (from 1918 until 1924)
premiered at:
[stage performance]
publisher:
Universal Edition (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:25
10The Miraculous Mandarin, op. 19, Sz. 73: The body of the Mandarin begins to glow with a greenish blue light. (Molto moderato)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
choir vocals:
Chicago Symphony Chorus (in 1994-12)
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
chorus master:
Duain Wolfe (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (from 1918 until 1924)
premiered at:
[stage performance]
publisher:
Universal Edition (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:47
11The Miraculous Mandarin, op. 19, Sz. 73: She resists no longer; they embrace (Più mosso - Vivo)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (from 1918 until 1924)
premiered at:
[stage performance]
publisher:
Universal Edition (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:33
12Music for Strings, Percussion and Celesta, Sz. 106: Andante tranquillo
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (in 1994-12)
composer:
Béla Bartók (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:55
13Music for Strings, Percussion and Celesta, Sz. 106: Allegro
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (in 1994-12)
composer:
Béla Bartók (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:35
14Music for Strings, Percussion and Celesta, Sz. 106: Adagio
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (in 1994-12)
composer:
Béla Bartók (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:27
15Music for Strings, Percussion and Celesta, Sz. 106: Allegro molto
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Karl-August Naegler
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (in 1994-12)
composer:
Béla Bartók (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:27
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Credits

Release group

includes:Boulez Conducts Boulez: ...Explosante-fixe... / Notations I–XII / Structures II by Boulez; Boulez, Pierre‐Laurent Aimard, Florent Boffard, Ensemble intercontemporain
Boulez conducts Stravinsky: Le Chant du rossignol / L’Histoire du soldat (suite) / Scherzo fantastique / Le roi des étoiles by Stravinsky; The Cleveland Orchestra, Boulez
Boulez conducts Varèse: Amériques / Arcana / Déserts / Ionisation by Varèse; Chicago Symphony Orchestra, Pierre Boulez
Boulez Conducts Webern, III by Webern; Berliner Philharmoniker, Pierre Boulez
Concertos by Bartók; Aimard, Stefanovich, Kremer, Bashmet, London Symphony Orchestra, Berliner Philharmoniker, Boulez
Le Marteau sans maître / Dérive 1 & 2 by Boulez; Ensemble intercontemporain
Lulu by Alban Berg; Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez, Yvonne Minton, Hanna Schwarz, Franz Mazura, Kenneth Riegel, Toni Blankenheim, Robert Tear, Helmut Pampuch
Pierrot lunaire / Herzgewächse / Ode to Napoleon by Schoenberg; Christine Schäfer, Pierre Boulez, David Pittman-Jennings, Ensemble InterContemporain
Pli selon Pli by Pierre Boulez; Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Poèmes pour Mi / Sept Haïkaï / Le Réveil des oiseaux by Olivier Messiaen; The Cleveland Orchestra, Pierre Boulez
Ravel: Shéhérazade / Le Tombeau de Couperin / Debussy: Trois ballades de François Villon by Maurice Ravel, Claude Debussy; Pierre Boulez
Sur Incises / Messagesquisse / Anthèmes 2 by Boulez; Jean‐Guihen Queyras, Hae-Sun Kang, Ensemble intercontemporain, Pierre Boulez
Symphony no. 3 "Song of the Night" / Violin Concerto no. 1 by Karol Szymanowski, Christian Tetzlaff, Wiener Philharmoniker & Pierre Boulez
The Piano Concertos by Bartók; Zimerman, Andsnes, Grimaud, Chicago Symphony Orchestra, Berliner Philharmoniker, London Symphony Orchestra, Boulez
Theseus Games / Earth Dances by Birtwistle; Ensemble Modern, Brabbins, Valade, Ensemble Modern Orchestra, Boulez
Violin Concerto no. 2 / Rhapsodies nos. 1 & 2 by Bartók; Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez