| # | Title | Artist | Length |
|---|
| 1 | Bat Out of Hell | Meat Loaf | 9:49 |
| 2 | I Want You to Want Me | Cheap Trick | 3:40 |
| 3 | Barracuda- producer:
- Mike Flicker
- acoustic guitar:
- Nancy Wilson (from 1977-02 until 1977-04)
- bass guitar:
- Steve Fossen (from 1977-02 until 1977-04)
- drums (drum set):
- Michael Derosier (from 1977-02 until 1977-04)
- electric guitar:
- Roger Fisher (from 1977-02 until 1977-04)
- guitar and mellotron:
- Howard Leese (from 1977-02 until 1977-04)
- lead vocals:
- Ann Wilson (from 1977-02 until 1977-04)
- arranger:
- Heart
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977), Epic Records (in 1977), Sony BMG Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
- recorded at:
- Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
- mixed at:
- Royaltone Studios in North Hollywood, Los Angeles, California, United States and Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (number: 34)
- recording of:
- Barracuda (from 1977-02 until 1977-04)
- writer:
- Michael Derosier, Roger Fisher, Ann Wilson and Nancy Wilson
- publisher:
- BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd., Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. and Wilsongs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Heart | 4:23 |
| 4 | Black Magic Woman | Santana | 3:17 |
| 5 | Carry On Wayward Son | Kansas | 5:24 |
| 6 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records, LLC, Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) and EMI–Manhattan Records (in 1981)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3:47 |
| 7 | Black Betty | Ram Jam | 3:58 |
| 8 | Love Struck Baby | Stevie Ray Vaughan | 2:22 |
| 9 | More Than a Feeling- assistant engineer:
- Bruce Hensal, Deni King and Doug Rider
- engineer:
- Warren Dewey and Tom Scholz
- producer:
- John Boylan and Tom Scholz
- assistant mixer:
- Steve Hodge
- acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
- Tom Scholz (from 1975 until 1976)
- drums (drum set) and percussion:
- Sib Hashian (from 1975 until 1976)
- lead vocals and lead vocals [Harmony]:
- Brad Delp (from 1975 until 1976)
- arranger:
- Brad Delp and Tom Scholz
- co-arranger:
- Jim Masdea
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1976), CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1976)
- mixed at:
- Westlake Audio in Los Angeles, California, United States
- earliest release:
- More Than a Feeling by Boston
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 39), Billboard: The 500 Best Pop Songs (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (number: 500)
- recording of:
- More Than a Feeling (from 1975 until 1976)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd., Warner Chappell Music, Warner Chappell Music Ltd., WB Music Corp. and Pure Songs (in 1976)
| Boston | 4:46 |
| 10 | American Woman- producer:
- Nimbus 9 and Jack Richardson
- phonographic copyright (℗) by:
- RCA (in 1970) and Sony Music Entertainment (in 1972)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 3) and Huffington Post: 100 Best Canadian Songs Ever (number: 4)
- recording of:
- American Woman (from 1969-08 until 1969-11)
- writer:
- Randy Bachman, Burton Cummings, Jim Kale and Garry Peterson
- publisher:
- BMG Rights Management (UK) Ltd., Bug Music, Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control, Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
| The Guess Who | 5:07 |
| 11 | Raise a Little Hell | Trooper | 3:42 |
| 12 | Should I Stay or Should I Go | The Clash | 3:09 |
| 13 | I Like to Rock | April Wine | 4:21 |
| 14 | (Don’t Fear) The Reaper- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Sony BMG Music Entertainment (in 1976), Sony Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976, in 1978)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 397) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 449)
- recording of:
- (Don’t Fear) The Reaper
- lyricist and composer:
- Donald Roeser
- publisher:
- Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (in 1976)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Blue Öyster Cult | 3:50 |
| 15 | Mama Let Him Play | Doucette | 4:27 |
| 16 | Cat Scratch Fever | Ted Nugent | 3:40 |
| 17 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation, Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc., Universal/MCA Music Ltd., Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 3:27 |
