Revealing Bach

~ Release by Bach; Karl Richter (see all versions of this release, 1 available)

Tracklist

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#TitleArtistLength
1Mass in B minor, BWV 232: Credo (Symbolum Nicenum): 13. Chor: Credo In Unum Deum
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
2Mass in B minor, BWV 232: Credo (Symbolum Nicenum): 14. Chor: Credo In Unum Deum / Patrem Omnipotentem
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
3Mass in B minor, BWV 232: Credo (Symbolum Nicenum): 15. Duett (Sopran, Alt): Et In Unum Dominum
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
alto vocals:
Hertha Töpper (in 1961-02, in 1961-04)
soprano vocals:
Maria Stader (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
performer:
Maria Stader (in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
4Mass in B minor, BWV 232: Credo (Symbolum Nicenum): 16. Chor: Et Incarnatus Est
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
5Mass in B minor, BWV 232: Credo (Symbolum Nicenum): 17. Chor: Crucifixus
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
6Mass in B minor, BWV 232: Credo (Symbolum Nicenum): 18. Chor: Et Resurrexit
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
7Mass in B minor, BWV 232: Credo (Symbolum Nicenum): 19. Arie (Bass): Et In Spiritum Sanctum
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
bass vocals:
Dietrich Fischer‐Dieskau (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
8Mass in B minor, BWV 232: Credo (Symbolum Nicenum): 20. Chor: Confiteor Unum Baptisma (Attaca):
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
9Mass in B minor, BWV 232: Credo (Symbolum Nicenum): 21. Chor: Et Expecto Resurrectionem
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
10Mass in B minor, BWV 232: Sanctus: 22. Chor: Sanctus
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
11Mass in B minor, BWV 232: Sanctus: 23. Chor: Osanna In Excelsis
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
12Mass in B minor, BWV 232: Sanctus: 24. Arie (Tenor): Benedictus, Qui Venit
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
tenor vocals:
Ernst Haefliger (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
13Mass in B minor, BWV 232: Sanctus: 25. Chor: Osanna In Excelsis (Da Capo)
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
14Mass in B minor, BWV 232: Agnus Dei: 26. Arie (Alt.): Agnus Dei
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
alto vocals:
Hertha Töpper (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??
15Mass in B minor, BWV 232: Agnus Dei: 27. Chor: Dona Nobis Pacem
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider
bassoon:
Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
cello:
Oswald Uhl (in 1961-02, in 1961-04)
double bass:
Franz Ortner (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (in 1961-02, in 1961-04)
violin:
Otto Büchner (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach?:??