100 Best Relaxing Classics

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1▶CD: Relaxing Baroque

2▶CD: Relaxing Mozart and Beethoven

3▶CD: Relaxing Film Classics

4▶CD: Relaxing Romantic Classics

5▶CD: Relaxing Piano Favourites

6▼CD: Relaxing Classics of Modern Times
#	Title	Artist	Length
1	Agnus Dei assistant engineer: Mat Bartram, Jake Jackson and Richard Lancaster engineer: Dick Lewzey producer: Karl Jenkins trumpet: Paul Beniston (on 2000-07-24) choir vocals: National Youth Choir of Great Britain (on 2000-08-11) orchestra: London Philharmonic Orchestra (on 2000-07-24) conductor: Karl Jenkins (on 2000-07-24) and Mike Brewer OBE (on 2000-08-11) chorus master: Michael C. Brewer (in 2000) concertmaster: Duncan Riddell recorded at: AIR Studios in Hampstead, Camden, London, England, United Kingdom mixed at: Angel Studios in Islington, London, England, United Kingdom recording of: The Armed Man: A Mass for Peace: Agnus Dei (from 2000-07-24 until 2000-08-11) composer: Karl Jenkins part of: The Armed Man: A Mass for Peace (the complete work)	Karl Jenkins	3:40
2	In trutina engineer: Mike Hatch producer: John H. West soprano vocals: Janice Watson (from 1994-09-11 until 1994-09-12) orchestra: Bournemouth Symphony Orchestra (from 1994-09-11 until 1994-09-12) conductor: David Hill (from 1994-09-11 until 1994-09-12) recorded at: The Lighthouse in Poole, England, United Kingdom (from 1994-09-11 until 1994-09-12) recording of: Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1994-09-11 until 1994-09-12) composer: Carl Orff (in 1936) publisher: B. Schott’s Söhne part of: Carmina Burana: III. Cour d’amours	Carl Orff	2:47
3	Fantasia on Greensleeves producer: Victor Olof orchestra: Sinfonia of London and Sinfonia of London (from 1962-05-10 until 1962-05-11) conductor: Sir John Barbirolli (from 1962-05-10 until 1962-05-11) arranger: Ralph Greaves (in 1934) balance engineer: Harold Davidson recorded at: Kingsway Hall in London, England, United Kingdom (from 1962-05-10 until 1962-05-11) recording of: Fantasia on “Greensleeves” (from 1962-05-10 until 1962-05-11) composer: Ralph Vaughan Williams (from 1924 until 1928) arranger: Ralph Greaves (in 1934) publisher: Oxford University Press (in 1936) is based on: Greensleeves (generic entry for traditional and unknown arrangements) is based on: Lovely Joan (traditional English folk song) is based on: Sir John in Love	Ralph Vaughan Williams	4:41
4	Baïlèro soprano vocals: Arleen Augér orchestra: English Chamber Orchestra conductor: Yan Pascal Tortelier recording of: Chants d'Auvergne: Première Série: No. 2. Baïlèro lyricist and composer: [traditional] arranger: Joseph Canteloube part of: Chants d'Auvergne: Première Série	Joseph Canteloube	6:43
5	The Ashokan Farewell orchestra: Nashville Chamber Orchestra conductor: Paul Gambill recording of: Ashokan Farewell (instrumental version) composer: Jay Ungar (in 1982) publisher: Swinging Door Music	Jay Ungar & Molly Mason	5:10
6	Pie Jesu producer: Simon Woods choir vocals: Choir of King’s College, Cambridge (from 1997-07-15 until 1997-07-18) treble vocals: Edward Saklatvala orchestra: City of London Sinfonia (from 1997-07-15 until 1997-07-18) conductor: Stephen Cleobury (from 1997-07-15 until 1997-07-18) chorus master: Stephen Cleobury balance engineer: Simon Rhodes (from 1997-07-15 until 1997-07-18) recorded at: King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1997-07-15 until 1997-07-18) recording of: Requiem: III. Pie Jesu (from 1997-07-15 until 1997-07-18) composer: John Rutter (in 1985) part of: Requiem	John Rutter	3:34
7	II. Adagio solo classical guitar: Julian Bream orchestra: City of Birmingham Symphony Orchestra conductor: Simon Rattle recording of: Concierto de Aranjuez: II. Adagio composer: Joaquín Rodrigo (in 1939) part of: Concierto de Aranjuez	Joaquín Rodrigo	10:55
8	Pie Jesu soprano vocals: Jane Gilchrist recording of: Requiem: Pie Jesu lyricist and composer: Andrew Lloyd Webber publisher: MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. part of: Requiem	Andrew Lloyd Webber	2:52
9	Romance engineer: Mike Hatch producer: Andrew Keener piano: Piers Lane (from 1991-07-30 until 1991-07-31) violin: Tasmin Little (from 1991-07-30 until 1991-07-31) phonographic copyright (℗) by: EMI Records Ltd. (in 1991) recorded at: St Michael’s Church in Highgate, Camden, Haringey, Islington, London, England, United Kingdom (from 1991-07-30 until 1991-07-31) recording of: Romance from The Gadfly Suite (for violin and piano) (from 1991-07-30 until 1991-07-31) composer: Дмитрий Дмитриевич Шостакович arrangement of: The Gadfly Suite, op. 97a: VIII. Romance recording of: The Gadfly Suite, op. 97a: VIII. Romance composer: Дмитрий Дмитриевич Шостакович (in 1955) arranger: Левон Атовмьян part of: The Gadfly Suite, op. 97a	Дмитрий Дмитриевич Шостакович	3:16
10	Love Theme	Anne Dudley	3:39
11	Brezairola producer: Tolga Kaşif solo cello: Jonathan Williams (from 2002-06 until 2002-07) solo violin: Marcia Crayford (from 2002-06 until 2002-07) soprano vocals: Lesley Garrett (from 2002-06 until 2002-07) conductor: Philip Ellis (from 2002-06 until 2002-07) phonographic copyright (℗) by: EMI Records Ltd. (in 2002) recording of: Chants d’Auvergne: Troisième Série: No. 4. Brezairola lyricist and composer: [traditional] arranger: Joseph Canteloube part of: Chants d'Auvergne: Troisième Série	Joseph Canteloube	3:46
12	The Lark Ascending violin: Hugh Bean orchestra: New Philharmonia Orchestra conductor: Sir Adrian Boult phonographic copyright (℗) by: EMI Records Ltd. (in 1967) partial recording of: The Lark Ascending (for violin and orchestra) composer: Ralph Vaughan Williams (in 1914) premiered at: [concert] premiered at: Queen’s Hall in London, England, United Kingdom (on 1921-06-14) arrangement of: The Lark Ascending (for violin and piano)	Ralph Vaughan Williams	6:25
13	Michelle piano: Peter Rostal (in 1979) and Paul Schaefer (in 1979) orchestra: Royal Liverpool Philharmonic Orchestra (in 1979) conductor: Ron Goodwin (in 1979) instrumental cover recording of: Michelle writer: John Lennon and Paul McCartney publisher: Northern Songs Ltd. and Sony/ATV Music Publishing LLC recording of: Michelle writer: John Lennon and Paul McCartney publisher: Northern Songs Ltd. and Sony/ATV Music Publishing LLC	John Lennon & Paul McCartney	3:23
14	Fantasia on a Theme by Thomas Tallis orchestra: London Philharmonic Orchestra conductor: Sir Adrian Boult partial recording of: Fantasia on a Theme by Thomas Tallis composer: Ralph Vaughan Williams (in 1910) is based on: Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)	Ralph Vaughan Williams	6:13
15	Venus orchestra: London Philharmonic Orchestra conductor: Sir Adrian Boult partial recording of: The Planets, op. 32: II. Venus, the Bringer of Peace composer: Gustav Holst (from 1914 until 1916) orchestration of: The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst	6:13

Credits

Release

Discogs:	https://www.discogs.com/release/25456624 [info]
ASIN:	CA: B000QCQGQY [info] UK: B000QCQGQY [info]

Release group

part of:	100 Best (order: 11)