The Centennial Edition: Complete RCA Victor Recordings: 1927-1973

~ Release by Duke Ellington & His Orchestra (see all versions of this release, 2 available)

Tracklist

1▶CD: 1927-28
2▶CD: 1928-29
3▶CD: 1929
4▶CD: 1930
5▶CD: 1930-31
6▶CD: 1931-33
7▶CD: 1933-34
8▶CD: 1940
9▶CD: 1940
10▶CD
11▶CD: 1941
12▶CD: 1941
13▶CD: 1941-42
14▼CD
#TitleLength
1I Ain't Got Nothin' but the Blues
alto saxophone:
Otto Hardwick (on 1944-12-01) and Johnny Hodges (on 1944-12-01)
double bass:
Junior Raglin (on 1944-12-01)
drums (drum set):
Hillard Brown (on 1944-12-01) and Sonny Greer (on 1944-12-01)
guitar:
Fred Guy (on 1944-12-01)
piano:
Duke Ellington (on 1944-12-01)
reeds:
Harry Carney (on 1944-12-01), Jimmy Hamilton (on 1944-12-01) and Otto Hardwick (on 1944-12-01)
tenor saxophone:
Al Sears (on 1944-12-01)
trombone:
Lawrence Brown (on 1944-12-01), Claude Jones (on 1944-12-01) and Joe "Tricky Sam" Nanton (on 1944-12-01)
trumpet:
William “Cat” Anderson (on 1944-12-01), Shelton "Scad" Hemphill (on 1944-12-01), Taft Jordan (on 1944-12-01) and Ray Nance (on 1944-12-01)
vocals:
Kay Davis (on 1944-12-01) and Al Hibbler (on 1944-12-01)
recording of:
I Ain’t Got Nothin’ but the Blues (on 1944-12-01)
lyricist:
Don George (in 1937)
composer:
Duke Ellington (in 1937)
publisher:
Ricki Music and Tempo Music Co.
2:42
2I'm Beginning to See the Light (take 1)
alto saxophone:
Johnny Hodges (on 1944-12-01)
double bass:
Junior Raglin (on 1944-12-01)
drums (drum set):
Sonny Greer (on 1944-12-01)
guitar:
Fred Guy (on 1944-12-01)
piano:
Duke Ellington (on 1944-12-01)
reeds:
Harry Carney (on 1944-12-01), Jimmy Hamilton (on 1944-12-01) and Otto Hardwick (on 1944-12-01)
tenor saxophone:
Al Sears (on 1944-12-01)
trombone:
Lawrence Brown (on 1944-12-01), Claude Jones (on 1944-12-01) and Joe "Tricky Sam" Nanton (on 1944-12-01)
trumpet:
William “Cat” Anderson (on 1944-12-01), Shelton "Scad" Hemphill (on 1944-12-01), Taft Jordan (on 1944-12-01) and Ray Nance (on 1944-12-01)
vocals:
Joya Sherrill (on 1944-12-01)
recording of:
I’m Beginning to See the Light (on 1944-12-01)
lyricist:
Don George (in 1944)
writer:
Duke Ellington
composer:
Duke Ellington (in 1944), Johnny Hodges (in 1944) and Harry James (in 1944)
publisher:
Anne-Rachel Music Corp.
3:13
3I'm Beginning to See the Light (take 2)
alto saxophone:
Otto Hardwick (on 1944-12-01) and Johnny Hodges (on 1944-12-01)
double bass:
Junior Raglin (on 1944-12-01)
drums (drum set):
Hillard Brown (on 1944-12-01) and Sonny Greer (on 1944-12-01)
guitar:
Fred Guy (on 1944-12-01)
piano:
Duke Ellington (on 1944-12-01)
reeds:
Harry Carney (on 1944-12-01), Jimmy Hamilton (on 1944-12-01) and Otto Hardwick (on 1944-12-01)
tenor saxophone:
Al Sears (on 1944-12-01)
trombone:
Lawrence Brown (on 1944-12-01), Claude Jones (on 1944-12-01) and Joe "Tricky Sam" Nanton (on 1944-12-01)
trumpet:
William “Cat” Anderson (on 1944-12-01), Shelton "Scad" Hemphill (on 1944-12-01), Taft Jordan (on 1944-12-01) and Ray Nance (on 1944-12-01)
vocals:
Joya Sherrill (on 1944-12-01)
recording of:
I’m Beginning to See the Light (on 1944-12-01)
lyricist:
Don George (in 1944)
writer:
Duke Ellington
composer:
Duke Ellington (in 1944), Johnny Hodges (in 1944) and Harry James (in 1944)
publisher:
Anne-Rachel Music Corp.
3:11
4Don't You Know I Care (or Don't You Care to Know) (take 1)
alto saxophone:
Johnny Hodges (on 1944-12-01)
double bass:
Junior Raglin (on 1944-12-01)
drums (drum set):
Sonny Greer (on 1944-12-01)
guitar:
Fred Guy (on 1944-12-01)
piano:
Duke Ellington (on 1944-12-01)
reeds:
Harry Carney (on 1944-12-01), Jimmy Hamilton (on 1944-12-01) and Otto Hardwick (on 1944-12-01)
tenor saxophone:
Al Sears (on 1944-12-01)
trombone:
Lawrence Brown (on 1944-12-01), Claude Jones (on 1944-12-01) and Joe "Tricky Sam" Nanton (on 1944-12-01)
trumpet:
William “Cat” Anderson (on 1944-12-01), Shelton "Scad" Hemphill (on 1944-12-01), Taft Jordan (on 1944-12-01) and Ray Nance (on 1944-12-01)
vocals:
Al Hibbler (on 1944-12-01)
recording of:
Don’t You Know I Care? (on 1944-12-01)
lyricist:
Mack David (in 1944)
composer:
Duke Ellington (in 1944)
3:06
5Don't You Know I Care (or Don't You Care to Know) (take 2)
alto saxophone:
Otto Hardwick (on 1944-12-01) and Johnny Hodges (on 1944-12-01)
double bass:
Junior Raglin (on 1944-12-01)
drums (drum set):
Hillard Brown (on 1944-12-01) and Sonny Greer (on 1944-12-01)
guitar:
Fred Guy (on 1944-12-01)
piano:
Duke Ellington (on 1944-12-01)
reeds:
Harry Carney (on 1944-12-01), Jimmy Hamilton (on 1944-12-01) and Otto Hardwick (on 1944-12-01)
tenor saxophone:
Al Sears (on 1944-12-01)
trombone:
Lawrence Brown (on 1944-12-01), Claude Jones (on 1944-12-01) and Joe "Tricky Sam" Nanton (on 1944-12-01)
trumpet:
William “Cat” Anderson (on 1944-12-01), Shelton "Scad" Hemphill (on 1944-12-01), Taft Jordan (on 1944-12-01) and Ray Nance (on 1944-12-01)
vocals:
Al Hibbler (on 1944-12-01)
recording of:
Don’t You Know I Care? (on 1944-12-01)
lyricist:
Mack David (in 1944)
composer:
Duke Ellington (in 1944)
2:59
6I Didn't Know About You
alto saxophone:
Otto Hardwick (on 1944-12-01) and Johnny Hodges (on 1944-12-01)
double bass:
Junior Raglin (on 1944-12-01)
drums (drum set):
Hillard Brown (on 1944-12-01) and Sonny Greer (on 1944-12-01)
guitar:
Fred Guy (on 1944-12-01)
piano:
Duke Ellington (on 1944-12-01)
reeds:
Harry Carney (on 1944-12-01), Jimmy Hamilton (on 1944-12-01) and Otto Hardwick (on 1944-12-01)
tenor saxophone:
Al Sears (on 1944-12-01)
trombone:
Lawrence Brown (on 1944-12-01), Claude Jones (on 1944-12-01) and Joe "Tricky Sam" Nanton (on 1944-12-01)
trumpet:
William “Cat” Anderson (on 1944-12-01), Shelton "Scad" Hemphill (on 1944-12-01), Taft Jordan (on 1944-12-01) and Ray Nance (on 1944-12-01)
vocals:
Joya Sherrill (on 1944-12-01)
recording of:
I Didn’t Know About You (on 1944-12-01)
lyricist:
Bob Russell (in 1944)
composer:
Duke Ellington (in 1944)
is based on:
Sentimental Lady
2:44
7Black, Brown and Beige: Work Song
recorded in:
New York, New York, United States (on 1944-12-11)
alto saxophone:
Otto Hardwick (on 1944-12-11) and Johnny Hodges (on 1944-12-11)
baritone saxophone:
Harry Carney (on 1944-12-11)
clarinet and reeds:
Harry Carney (on 1944-12-11) and Jimmy Hamilton (on 1944-12-11)
double bass:
Junior Raglin (on 1944-12-11)
double bass [bass]:
Alvin "Junior" Raglin (on 1944-12-11)
drums (drum set):
Hillard Brown (on 1944-12-11)
drums (drum set) [drums]:
Sonny Greer (on 1944-12-11)
guitar:
Fred Guy (on 1944-12-11)
piano:
Duke Ellington (on 1944-12-11)
tenor saxophone:
Jimmy Hamilton (on 1944-12-11) and Al Sears (on 1944-12-11)
trombone:
Lawrence Brown (on 1944-12-11), Claude Jones (on 1944-12-11) and Joe "Tricky Sam" Nanton (on 1944-12-11)
trumpet:
William “Cat” Anderson (on 1944-12-11), Taft Jordan (on 1944-12-11), Ray Nance (on 1944-12-11) and Shelton Hemphill (on 1944-12-11)
violin:
Ray Nance (on 1944-12-11)
recording of:
Black, Brown, and Beige: I. Black: Work Song (part of the 1943 original "Black, Brown, and Beige" suite) (on 1944-12-11)
composer:
Duke Ellington
part of:
Black, Brown, and Beige: I. Black (part of the 1943 original "Black, Brown, and Beige" suite)
4:36
8Black, Brown and Beige: Come Sunday
recorded in:
New York, New York, United States (on 1944-12-11)
alto saxophone:
Otto Hardwick (on 1944-12-11) and Johnny Hodges (on 1944-12-11)
baritone saxophone:
Harry Carney (on 1944-12-11)
clarinet and reeds:
Harry Carney (on 1944-12-11) and Jimmy Hamilton (on 1944-12-11)
double bass:
Junior Raglin (on 1944-12-11)
double bass [bass]:
Alvin "Junior" Raglin (on 1944-12-11)
drums (drum set):
Hillard Brown (on 1944-12-11)
drums (drum set) [drums]:
Sonny Greer (on 1944-12-11)
guitar:
Fred Guy (on 1944-12-11)
piano:
Duke Ellington (on 1944-12-11)
tenor saxophone:
Jimmy Hamilton (on 1944-12-11) and Al Sears (on 1944-12-11)
trombone:
Lawrence Brown (on 1944-12-11), Joe Nanton (on 1944-12-11) and Claude Jones (on 1944-12-11)
trumpet:
William “Cat” Anderson (on 1944-12-11), Taft Jordan (on 1944-12-11), Ray Nance (on 1944-12-11) and Shelton Hemphill (on 1944-12-11)
violin:
Ray Nance (on 1944-12-11)
recording of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite) (on 1944-12-11)
composer:
Duke Ellington
part of:
Black, Brown, and Beige: I. Black (part of the 1943 original "Black, Brown, and Beige" suite)
4:30
9Black, Brown and Beige: The Blues
recorded in:
New York, New York, United States (on 1944-12-12)
alto saxophone:
Otto Hardwick (on 1944-12-12) and Johnny Hodges (on 1944-12-12)
baritone saxophone:
Harry Carney (on 1944-12-12)
clarinet and reeds:
Harry Carney (on 1944-12-12) and Jimmy Hamilton (on 1944-12-12)
double bass:
Junior Raglin (on 1944-12-12)
double bass [bass]:
Alvin "Junior" Raglin (on 1944-12-12)
drums (drum set):
Hillard Brown (on 1944-12-12)
drums (drum set) [drums]:
Sonny Greer (on 1944-12-12)
guitar:
Fred Guy (on 1944-12-12)
piano:
Duke Ellington (on 1944-12-12)
tenor saxophone:
Jimmy Hamilton (on 1944-12-12) and Al Sears (on 1944-12-12)
trombone:
Lawrence Brown (on 1944-12-12), Claude Jones (on 1944-12-12) and Joe "Tricky Sam" Nanton (on 1944-12-12)
trumpet:
William “Cat” Anderson (on 1944-12-12), Taft Jordan (on 1944-12-12), Ray Nance (on 1944-12-12) and Shelton Hemphill (on 1944-12-12)
vocals:
Joya Sherrill (on 1944-12-12)
recording of:
Black, Brown, and Beige: II. Brown: The Blues (on 1944-12-12)
composer:
Duke Ellington
part of:
Black, Brown, and Beige: II. Brown (part of the 1943 original "Black, Brown, and Beige" suite)
recording of:
The Blues (on 1944-12-12)
composer:
Duke Ellington
4:33
10Black, Brown and Beige: Three Dances
recorded in:
New York, New York, United States (on 1944-12-12)
alto saxophone:
Otto Hardwick (on 1944-12-12) and Johnny Hodges (on 1944-12-12)
baritone saxophone:
Harry Carney (on 1944-12-12)
clarinet:
Jimmy Hamilton (on 1944-12-11) and Harry Carney (on 1944-12-12)
double bass:
Alvin "Junior" Raglin (on 1944-12-12)
drums (drum set):
Hillard Brown (on 1944-12-12)
drums (drum set) [drums]:
Sonny Greer (on 1944-12-12)
guitar:
Fred Guy (on 1944-12-12)
piano:
Duke Ellington (on 1944-12-12)
tenor saxophone:
Jimmy Hamilton (on 1944-12-12) and Al Sears (on 1944-12-12)
trombone:
Lawrence Brown (on 1944-12-12), Claude Jones (on 1944-12-12) and Joe "Tricky Sam" Nanton (on 1944-12-12)
trumpet:
William “Cat” Anderson (on 1944-12-12), Taft Jordan (on 1944-12-12), Ray Nance (on 1944-12-12) and Shelton Hemphill (on 1944-12-12)
medley including a recording of:
Black, Brown, and Beige: II. Brown: Emancipation Celebration (on 1944-12-12)
composer:
Duke Ellington
part of:
Black, Brown, and Beige: II. Brown (part of the 1943 original "Black, Brown, and Beige" suite)
medley including a recording of:
Black, Brown, and Beige: II. Brown: West Indian Dance (on 1944-12-12)
composer:
Duke Ellington
part of:
Black, Brown, and Beige: II. Brown (part of the 1943 original "Black, Brown, and Beige" suite)
medley including a recording of:
Black, Brown, and Beige: III. Beige: Sugar Hill Penthouse (on 1944-12-12)
composer:
Duke Ellington
part of:
Black, Brown, and Beige: III. Beige (part of the 1943 original "Black, Brown, and Beige" suite)
4:35
11Carnegie Blues
alto saxophone:
Otto Hardwick (on 1945-01-04) and Johnny Hodges (on 1945-01-04)
cornet:
Rex Stewart (on 1945-01-04)
double bass:
Junior Raglin (on 1945-01-04)
drums (drum set):
Hillard Brown (on 1945-01-04) and Sonny Greer (on 1945-01-04)
guitar:
Fred Guy (on 1945-01-04)
piano:
Duke Ellington (on 1945-01-04)
reeds:
Harry Carney (on 1945-01-04), Jimmy Hamilton (on 1945-01-04) and Otto Hardwick (on 1945-01-04)
tenor saxophone:
Al Sears (on 1945-01-04)
trombone:
Lawrence Brown (on 1945-01-04), Claude Jones (on 1945-01-04) and Joe "Tricky Sam" Nanton (on 1945-01-04)
trumpet:
William “Cat” Anderson (on 1945-01-04), Taft Jordan (on 1945-01-04), Ray Nance (on 1945-01-04), Shelton Hemphill (on 1945-01-04) and Rex Stewart (on 1945-01-04)
recording of:
Carnegie Blues (on 1945-01-04)
composer:
Bennie R. Crawford, Jr
2:48
12Blue Cellophane
alto saxophone:
Otto Hardwick (on 1945-01-04) and Johnny Hodges (on 1945-01-04)
cornet:
Rex Stewart (on 1945-01-04)
double bass:
Junior Raglin (on 1945-01-04)
drums (drum set):
Hillard Brown (on 1945-01-04) and Sonny Greer (on 1945-01-04)
guitar:
Fred Guy (on 1945-01-04)
piano:
Duke Ellington (on 1945-01-04)
reeds:
Harry Carney (on 1945-01-04), Jimmy Hamilton (on 1945-01-04) and Otto Hardwick (on 1945-01-04)
tenor saxophone:
Al Sears (on 1945-01-04)
trombone:
Lawrence Brown (on 1945-01-04), Claude Jones (on 1945-01-04) and Joe "Tricky Sam" Nanton (on 1945-01-04)
trumpet:
William “Cat” Anderson (on 1945-01-04), Taft Jordan (on 1945-01-04), Ray Nance (on 1945-01-04), Shelton Hemphill (on 1945-01-04) and Rex Stewart (on 1945-01-04)
recording of:
Blue Cellophane (on 1945-01-04)
composer:
Duke Ellington
2:55
13The Mood to Be Wooed
alto saxophone:
Otto Hardwick (on 1945-01-04) and Johnny Hodges (on 1945-01-04)
cornet:
Rex Stewart (on 1945-01-04)
double bass:
Junior Raglin (on 1945-01-04)
drums (drum set):
Hillard Brown (on 1945-01-04) and Sonny Greer (on 1945-01-04)
guitar:
Fred Guy (on 1945-01-04)
piano:
Duke Ellington (on 1945-01-04)
reeds:
Harry Carney (on 1945-01-04), Jimmy Hamilton (on 1945-01-04) and Otto Hardwick (on 1945-01-04)
tenor saxophone:
Al Sears (on 1945-01-04)
trombone:
Lawrence Brown (on 1945-01-04, from 1945-01-04 until 1945-04-01), Claude Jones (on 1945-01-04) and Joe "Tricky Sam" Nanton (on 1945-01-04)
trumpet:
William “Cat” Anderson (on 1945-01-04), Taft Jordan (on 1945-01-04), Ray Nance (on 1945-01-04), Shelton Hemphill (on 1945-01-04) and Rex Stewart (on 1945-01-04)
recording of:
The Mood to Be Wooed (on 1945-01-04)
writer:
Duke Ellington
2:59
14(All of a Sudden) My Heart Sings
alto saxophone:
Otto Hardwick (on 1945-01-04) and Johnny Hodges (on 1945-01-04)
cornet:
Rex Stewart (on 1945-01-04)
double bass:
Junior Raglin (on 1945-01-04)
drums (drum set):
Hillard Brown (on 1945-01-04) and Sonny Greer (on 1945-01-04)
guitar:
Fred Guy (on 1945-01-04)
piano:
Duke Ellington (on 1945-01-04)
reeds:
Harry Carney (on 1945-01-04), Jimmy Hamilton (on 1945-01-04) and Otto Hardwick (on 1945-01-04)
tenor saxophone:
Al Sears (on 1945-01-04)
trombone:
Lawrence Brown (on 1945-01-04), Claude Jones (on 1945-01-04) and Joe "Tricky Sam" Nanton (on 1945-01-04)
trumpet:
William “Cat” Anderson (on 1945-01-04), Taft Jordan (on 1945-01-04), Shelton Hemphill (on 1945-01-04) and Rex Stewart (on 1945-01-04)
violin:
Ray Nance (on 1945-01-04)
vocals:
Joya Sherrill (on 1945-01-04)
recording of:
All of a Sudden My Heart Sings (on 1945-01-04)
lyricist:
Jean Blanvillain
composer:
Henri Herpin
translator:
Harold Rome
publisher:
Leeds Music Corp. (ended), Harold Rome Music and Universal Music Corp.
is based on:
Ma mie
2:51
15Kissing Bug
alto saxophone:
Otto Hardwick (on 1945-04-26) and Johnny Hodges (on 1945-04-26)
double bass:
Junior Raglin (on 1945-04-26)
drums (drum set):
Sonny Greer (on 1945-04-26)
guitar:
Fred Guy (on 1945-04-26)
piano:
Duke Ellington (on 1945-04-26)
reeds:
Harry Carney (on 1945-04-26) and Jimmy Hamilton (on 1945-04-26)
tenor saxophone:
Al Sears (on 1945-04-26)
trombone:
Lawrence Brown (on 1945-04-26), Claude Jones (on 1945-04-26) and Joe "Tricky Sam" Nanton (on 1945-04-26)
trumpet:
William “Cat” Anderson (on 1945-04-26), Shelton "Scad" Hemphill (on 1945-04-26), Taft Jordan (on 1945-04-26), Ray Nance (on 1945-04-26) and Rex Stewart (on 1945-04-26)
vocals:
Joya Sherrill (on 1945-04-26)
recording of:
Kissing Bug (on 1945-04-26)
writer:
Billy Sherrill, Reginald Stewart and Billy Strayhorn
3:01
16Everything but You
alto saxophone:
Otto Hardwick (on 1945-05-01) and Johnny Hodges (on 1945-05-01)
double bass:
Junior Raglin (on 1945-05-01)
drums (drum set):
Sonny Greer (on 1945-05-01)
piano:
Duke Ellington (on 1945-05-01)
reeds:
Harry Carney (on 1945-05-01) and Jimmy Hamilton (on 1945-05-01)
tenor saxophone:
Al Sears (on 1945-05-01)
trombone:
Lawrence Brown (on 1945-05-01), Claude Jones (on 1945-05-01) and Joe "Tricky Sam" Nanton (on 1945-05-01)
trumpet:
William “Cat” Anderson (on 1945-05-01), Shelton "Scad" Hemphill (on 1945-05-01), Taft Jordan (on 1945-05-01), Ray Nance (on 1945-05-01) and Rex Stewart (on 1945-05-01)
vocals:
Joya Sherrill (on 1945-05-01)
recording of:
Everything but You (on 1945-05-01)
lyricist:
Don George (in 1945)
composer:
Duke Ellington (in 1945) and Harry James (in 1945)
2:51
17(Otto Make That) Riff Staccato
alto saxophone:
Otto Hardwick (on 1945-05-01) and Johnny Hodges (on 1945-05-01)
double bass:
Junior Raglin (on 1945-05-01)
drums (drum set):
Sonny Greer (on 1945-05-01)
piano:
Duke Ellington (on 1945-05-01)
reeds:
Harry Carney (on 1945-05-01) and Jimmy Hamilton (on 1945-05-01)
tenor saxophone:
Al Sears (on 1945-05-01)
trombone:
Lawrence Brown (on 1945-05-01), Claude Jones (on 1945-05-01) and Joe "Tricky Sam" Nanton (on 1945-05-01)
trumpet:
William “Cat” Anderson (on 1945-05-01), Shelton "Scad" Hemphill (on 1945-05-01), Taft Jordan (on 1945-05-01), Ray Nance (on 1945-05-01) and Rex Stewart (on 1945-05-01)
vocals:
Ray Nance (on 1945-05-01)
arranger:
Mary Lou Williams
recording of:
(Otto Make That) Riff Staccato (on 1945-05-01)
lyricist:
Simon Schwartz
composer:
Milt Orent
3:04
18Prelude to a Kiss
alto saxophone:
Otto Hardwick (on 1945-05-10) and Johnny Hodges (on 1945-05-10)
double bass:
Junior Raglin (on 1945-05-10)
drums (drum set):
Sonny Greer (on 1945-05-10)
guitar:
Fred Guy (on 1945-05-10)
piano:
Duke Ellington (on 1945-05-10)
reeds:
Harry Carney (on 1945-05-10) and Jimmy Hamilton (on 1945-05-10)
tenor saxophone:
Al Sears (on 1945-05-10)
trombone:
Lawrence Brown (on 1945-05-10), Claude Jones (on 1945-05-10) and Joe "Tricky Sam" Nanton (on 1945-05-10)
trumpet:
William “Cat” Anderson (on 1945-05-10), Shelton "Scad" Hemphill (on 1945-05-10), Taft Jordan (on 1945-05-10), Ray Nance (on 1945-05-10) and Rex Stewart (on 1945-05-10)
recording of:
Prelude to a Kiss (on 1945-05-10)
lyricist:
Irving Gordon (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
3:01
19Caravan
alto saxophone:
Otto Hardwick (on 1945-05-11) and Johnny Hodges (on 1945-05-11)
double bass:
Junior Raglin (on 1945-05-11)
drums (drum set):
Sonny Greer (on 1945-05-11)
guitar:
Fred Guy (on 1945-05-11)
piano:
Duke Ellington (on 1945-05-11)
reeds:
Harry Carney (on 1945-05-11) and Jimmy Hamilton (on 1945-05-11)
tenor saxophone:
Al Sears (on 1945-05-11)
trombone:
Lawrence Brown (on 1945-05-11), Claude Jones (on 1945-05-11) and Joe "Tricky Sam" Nanton (on 1945-05-11)
trumpet:
William “Cat” Anderson (on 1945-05-11), Shelton "Scad" Hemphill (on 1945-05-11), Taft Jordan (on 1945-05-11), Ray Nance (on 1945-05-11) and Rex Stewart (on 1945-05-11)
recording of:
Caravan (on 1945-05-11)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc., Famous Music Corporation, Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
2:47
20Black and Tan Fantasy
alto saxophone:
Otto Hardwick (on 1945-05-11) and Johnny Hodges (on 1945-05-11)
double bass:
Junior Raglin (on 1945-05-11)
drums (drum set):
Sonny Greer (on 1945-05-11)
guitar:
Fred Guy (on 1945-05-11)
piano:
Duke Ellington (on 1945-05-11)
reeds:
Harry Carney (on 1945-05-11) and Jimmy Hamilton (on 1945-05-11)
tenor saxophone:
Al Sears (on 1945-05-11)
trombone:
Lawrence Brown (on 1945-05-11), Claude Jones (on 1945-05-11) and Joe "Tricky Sam" Nanton (on 1945-05-11)
trumpet:
William “Cat” Anderson (on 1945-05-11), Shelton "Scad" Hemphill (on 1945-05-11), Taft Jordan (on 1945-05-11), Ray Nance (on 1945-05-11) and Rex Stewart (on 1945-05-11)
recording of:
Black and Tan Fantasy (on 1945-05-11)
composer:
Duke Ellington and Bubber Miley
2:49
21Mood Indigo
alto saxophone:
Otto Hardwick (on 1945-05-11) and Johnny Hodges (on 1945-05-11)
double bass:
Junior Raglin (on 1945-05-11)
drums (drum set):
Sonny Greer (on 1945-05-11)
guitar:
Fred Guy (on 1945-05-11)
piano:
Duke Ellington (on 1945-05-11)
reeds:
Harry Carney (on 1945-05-11) and Jimmy Hamilton (on 1945-05-11)
tenor saxophone:
Al Sears (on 1945-05-11)
trombone:
Lawrence Brown (on 1945-05-11), Claude Jones (on 1945-05-11) and Joe "Tricky Sam" Nanton (on 1945-05-11)
trumpet:
William “Cat” Anderson (on 1945-05-11), Shelton "Scad" Hemphill (on 1945-05-11), Taft Jordan (on 1945-05-11), Ray Nance (on 1945-05-11) and Rex Stewart (on 1945-05-11)
vocals:
Kay Davis (on 1945-05-11)
recording of:
Mood Indigo (1930 jazz composition and song) (on 1945-05-11)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The Real Book (compilation of jazz standards, Volume I)
2:47
22In a Sentimental Mood
alto saxophone:
Otto Hardwick (on 1945-05-14) and Johnny Hodges (on 1945-05-14)
double bass:
Bob Haggart (on 1945-05-14)
drums (drum set):
Sonny Greer (on 1945-05-14)
guitar:
Fred Guy (on 1945-05-14)
piano:
Duke Ellington (on 1945-05-14)
reeds:
Harry Carney (on 1945-05-14) and Jimmy Hamilton (on 1945-05-14)
tenor saxophone:
Al Sears (on 1945-05-14)
trombone:
Lawrence Brown (on 1945-05-14), Claude Jones (on 1945-05-14) and Joe "Tricky Sam" Nanton (on 1945-05-14)
trumpet:
William “Cat” Anderson (on 1945-05-14), Shelton "Scad" Hemphill (on 1945-05-14), Taft Jordan (on 1945-05-14), Ray Nance (on 1945-05-14) and Rex Stewart (on 1945-05-14)
recording of:
In a Sentimental Mood (on 1945-05-14)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation, J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
3:01
15▶CD
16▶CD
17▶CD: The Seattle Concert
18▶CD: The First Concert of Sacred Music
19▶CD: The Second Sacred Concert
20▶CD: The Second Sacred Concert (cont'd) / The Third Sacred Concert
21▶CD: The Far East Suite
22▶CD: The Popular Duke Ellington / The Jazz Piano / The Duke at Tanglewood
23▶CD: The Duke at Tanglewood (cont'd) / ...and His Mother Called Him Bill
24▶CD: ...and His Mother Called Him Bill (cont'd) / Eastbourne Performance

Credits

Release

ASIN:UK: B00000IIQY [info]