Rapture

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	Intermezzo from Cavalleria Rusticana orchestra: West Australian Symphony Orchestra conductor: David Measham recording of: Cavalleria rusticana: Intermezzo composer: Pietro Mascagni (in 1888) publisher: Ascherberg Hopwood & Crew part of: Cavalleria rusticana part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	3:03
2	Ave verum corpus choir vocals: Sydney Philharmonia Motet Choir orchestra: Sydney Philharmonia conductor: Antony Walker recording of: Ave verum corpus, K. 618 (for chorus, string and organ) composer: Wolfgang Amadeus Mozart (until 1791-06-18) part of: Köchelverzeichnis (number: K. 618), Köchelverzeichnis (number: K. 618), Köchelverzeichnis (number: K. 618), Köchelverzeichnis (number: 618) and Köchelverzeichnis (number: 618)	Wolfgang Amadeus Mozart	3:24
3	Nimrod from Enigma Variations orchestra: Sydney Symphony Orchestra conductor: Myer Fredman recording of: Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) publisher: Sir Edward Elgar (dec’d) composer: Edward Elgar (in 1899) dedicated to: Augustus J. Jaeger part of: Variations on an Original Theme (‘Enigma’), op. 36	Sir Edward Elgar	3:17
4	Largo from Serse trumpet: Yoram Levy orchestra: Tasmanian Symphony Orchestra conductor: David Stanhope recording of: Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) composer: George Frideric Handel arrangement of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)	Georg Friedrich Händel	2:52
5	The Swan from The Carnival of the Animals piano [pianos]: Max Olding & Pamela Page orchestra: Queensland Symphony Orchestra conductor: Bernard Heinze recording of: Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano) composer: Camille Saint‐Saëns (in 1886-02) part of: Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125) recording of: Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) composer: Camille Saint‐Saëns arrangement of: Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano) part of: Le Carnaval des animaux (catch-all for arrangements)	Camille Saint‐Saëns	2:30
6	Aquarium from The Carnival of the Animals orchestra: Queensland Symphony Orchestra conductor: Bernard Heinze recording of: Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium) composer: Camille Saint‐Saëns (in 1886-02) part of: Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)	Camille Saint‐Saëns	2:18
7	Liebestraum no. 3 in A-flat, op. 62 piano: Isador Goodman recording of: Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano) composer: Franz Liszt (in 1850) piano arranger: Franz Liszt arrangement of: O lieb, so lang du lieben kannst, S. 298/2 (second version) part of: Liebesträume, S. 541	Franz Liszt	3:57
8	Jesu, Joy of Man's Desiring choir vocals: Sydney Philharmonia Symphonic Chorus orchestra: Sydney Philharmonia conductor: Antony Walker live recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) lyricist: Martin Janus (in 1665) composer: Johann Sebastian Bach (in 1723) part of: Classic 100: Piano (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	2:49
9	Bolero (excerpt) orchestra: Sydney Symphony Orchestra conductor: Stuart Challender partial recording of: Boléro composer: Maurice Ravel (in 1928) publisher: Ed. Durand & Cie and Soc. Arima premiered at: Palais Garnier in Paris, Île-de-France, France (on 1928-11-22) part of: Classic 100: Music of France (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)	Maurice Ravel	5:14
10	Two Pieces for Flute-Clock: Menuett organ: Michael Dudman	Joseph Haydn	0:59
11	Two Pieces for Flute-Clock: Presto organ: Michael Dudman	Joseph Haydn	0:59
12	Love Theme from Romeo and Juliet orchestra: Tasmanian Symphony Orchestra conductor: David Stanhope partial recording of: Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) composer: Пётр Ильич Чайковский (in 1869) revised by: Пётр Ильич Чайковский (in 1870, in 1880) dedicated to: Милий Алексеевич Балакирев part of: The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39) revision of: Romeo and Juliet (1870, rarely performed)	Pyotr Ilyich Tchaikovsky	3:29
13	Habanera from Carmen orchestra: West Australian Symphony Orchestra conductor: Geoffrey Arnold recording of: Carmen Suite no. 2: II. Habanera composer: Georges Bizet arranger: Ernest Guiraud is based on: Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) part of: Carmen Suite no. 2	Georges Bizet	3:46
14	Carmen Suite: Prelude orchestra: Sydney Symphony Orchestra conductor: Matthias Bamert recording of: Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato composer: Georges Bizet part of: Carmen Suite no. 1	Georges Bizet	1:12
15	Carmen Suite: Aragonaise orchestra: Sydney Symphony Orchestra conductor: Matthias Bamert recording of: Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) composer: Georges Bizet is based on: Carmen : Acte III. Entr’acte (intermission between Acts III & IV) part of: Carmen Suite no. 1	Georges Bizet	2:12
16	Carmen Suite: Seguedille orchestra: Sydney Symphony Orchestra conductor: Matthias Bamert recording of: Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») composer: Georges Bizet arranger: Ernest Guiraud is based on: Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) part of: Carmen Suite no. 1	Georges Bizet	1:49
17	Carmen Suite: Les Toreadors orchestra: Sydney Symphony Orchestra conductor: Matthias Bamert recording of: Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») composer: Georges Bizet is based on: Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) is based on: Carmen : Prélude part of: Carmen Suite no. 1	Georges Bizet	2:34
18	Schon Rosmarin violin: Leonard Dommett orchestra: Melbourne Symphony Orchestra conductor: Leonard Dommett arranger: Henry Maria Krips recording of: Schön Rosmarin (for violin and piano) composer: Fritz Kreisler part of: Alt-Wiener Tanzweisen (for violin and piano) recording of: Schön Rosmarin (catch-all for arrangements) composer: Fritz Kreisler arrangement of: Schön Rosmarin (for violin and piano)	Fritz Kreisler	2:12
19	O nata lux de lumine choir vocals: Choir of Trinity College, University of Melbourne chorus master: Michael Leighton-Jones recording of: O nata lux (à 5, Cantiones sacrae (1575)) composer: Thomas Tallis part of: Cantiones quae ab argumento sacrae vocantur (1575)	Thomas Tallis	1:46
20	Pastoral Symphony from Messiah orchestra: Sinfonia Australis conductor: Guy Noble recording of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	3:19
21	Concerto no. 6 in D: Adagio orchestra: Tasmanian Symphony Chamber Players conductor: Geoffrey Lancaster	Charles Avison	1:55
22	Concerto no. 6 in D major: Adagio orchestra: Tasmanian Symphony Chamber Players conductor: Geoffrey Lancaster	Francesco Geminiani	1:04
23	Chanson de Matin, op. 15 no. 2 orchestra: West Australian Symphony Orchestra conductor: David Measham recording of: Chanson de matin, op. 15 no. 2 (for orchestra) orchestrator and composer: Edward Elgar publisher: Public Domain premiered at: Queen’s Hall in London, England, United Kingdom (on 1901-09-14) arrangement of: Chanson de matin, op. 15 no. 2 (for violin and piano)	Sir Edward Elgar	3:51
24	Eight Russian folk Songs, op. 58: I. Hymn Song orchestra: Tasmanian Symphony Orchestra (from 1987-06 until 1988-07) conductor: Shalom Ronly-Riklis (from 1987-06 until 1988-07) recorded at: ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07) recording of: Eight Russian Folksongs, op. 58: I. Religious Chant (from 1987-06 until 1988-07) composer: Анатолий Константинович Лядов part of: Eight Russian Folksongs, op. 58	Anatoly Lyadov	2:05
25	Eight Russian folk Songs, op. 58: II. Christmas Song orchestra: Tasmanian Symphony Orchestra (from 1987-06 until 1988-07) conductor: Shalom Ronly-Riklis (from 1987-06 until 1988-07) recorded at: ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07) recording of: Eight Russian Folksongs, op. 58: II. Christmas Carol "Kolyada" (from 1987-06 until 1988-07) composer: Анатолий Константинович Лядов part of: Eight Russian Folksongs, op. 58	Anatoly Lyadov	1:27
26	Eight Russian folk Songs, op. 58: III. Lament orchestra: Tasmanian Symphony Orchestra (from 1987-06 until 1988-07) conductor: Shalom Ronly-Riklis (from 1987-06 until 1988-07) recorded at: ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07) recording of: Eight Russian Folksongs, op. 58: III. Plaintive Song (from 1987-06 until 1988-07) composer: Анатолий Константинович Лядов part of: Eight Russian Folksongs, op. 58	Anatoly Lyadov	2:54
27	Eight Russian folk Songs, op. 58: IV. Comic Song orchestra: Tasmanian Symphony Orchestra (from 1987-06 until 1988-07) conductor: Shalom Ronly-Riklis (from 1987-06 until 1988-07) recorded at: ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07) recording of: Eight Russian Folksongs, op. 58: IV. Humorous Song "I Danced with the Gnat" (from 1987-06 until 1988-07) composer: Анатолий Константинович Лядов part of: Eight Russian Folksongs, op. 58	Anatoly Lyadov	0:54
28	Eight Russian folk Songs, op. 58: V. Legend of the Birds orchestra: Tasmanian Symphony Orchestra (from 1987-06 until 1988-07) conductor: Shalom Ronly-Riklis (from 1987-06 until 1988-07) recorded at: ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07) recording of: Eight Russian Folksongs, op. 58: V. Legend of the Birds (from 1987-06 until 1988-07) composer: Анатолий Константинович Лядов part of: Eight Russian Folksongs, op. 58	Anatoly Lyadov	1:24
29	Eight Russian folk Songs, op. 58: VI. Cradle Song orchestra: Tasmanian Symphony Orchestra (from 1987-06 until 1988-07) conductor: Shalom Ronly-Riklis (from 1987-06 until 1988-07) recorded at: ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07) recording of: Eight Russian Folksongs, op. 58: VI. Cradle Song (from 1987-06 until 1988-07) composer: Анатолий Константинович Лядов part of: Eight Russian Folksongs, op. 58	Anatoly Lyadov	2:19
30	Eight Russian folk Songs, op. 58: VII. Round Dance orchestra: Tasmanian Symphony Orchestra (from 1987-06 until 1988-07) conductor: Shalom Ronly-Riklis (from 1987-06 until 1988-07) recorded at: ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07) recording of: Eight Russian Folksongs, op. 58: VII. Round Dance (from 1987-06 until 1988-07) composer: Анатолий Константинович Лядов part of: Eight Russian Folksongs, op. 58	Anatoly Lyadov	0:43
31	Eight Russian folk Songs, op. 58: VIII. Village Dance orchestra: Tasmanian Symphony Orchestra (from 1987-06 until 1988-07) conductor: Shalom Ronly-Riklis (from 1987-06 until 1988-07) recorded at: ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07) recording of: Eight Russian Folksongs, op. 58: VIII. Village Dance Song (from 1987-06 until 1988-07) composer: Анатолий Константинович Лядов part of: Eight Russian Folksongs, op. 58	Anatoly Lyadov	1:37
32	Che fara senza Euridice from Orfeo ed Euridice mezzo-soprano vocals: Lauris Margaret Elms orchestra: West Australian Symphony Orchestra conductor: Geoffrey Arnold recording of: Orfeo ed Euridice, Wq. 30: Atto II. Aria "Che puro ciel" (Orfeo) (Italian version) composer: Christoph Willibald Gluck part of: Orfeo ed Euridice, Wq. 30: Atto II (Italian version)	Christoph Willibald Gluck	3:56
33	Prelude no. 7 in A, op. 28 piano: John Champ recording of: Prélude no. 7 in A major, op. 28: Andantino composer: Fryderyk Chopin (in 1836) part of: 24 Préludes pour le piano, op. 28	Fryderyk Chopin	0:59

Rapture

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