Best of the 80’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD

2▶CD

3▼CD
#	Title	Artist	Length
1	I Don’t Like Mondays phonographic copyright (℗) by: Mercury Records Ltd. (in 1979) recording of: I Don’t Like Mondays lyricist and composer: Johnnie Fingers and Bob Geldof publisher: Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. and Zomba Music Publishing Ltd.	The Boomtown Rats	3:46
2	Fade to Grey engineer: John Hudson producer: Midge Ure and Visage performer: Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange and Midge Ure arranger: Visage phonographic copyright (℗) by: PolyGram Records, Inc. (in 1980) and Universal Records (in 1980) recorded at: Genetic Studios in West Berkshire, England, United Kingdom mixed at: Mayfair Sound in London, England, United Kingdom recording of: Fade to Grey writer: Billy Currie, Chris Payne and Midge Ure publisher: Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. and Performance Music Ltd	Visage	3:50
3	Everything’s Coming Up Roses producer: Dave Dix mixer: Dave Dix and Bill Price recording of: Everything’s Coming Up Roses lyricist and composer: Colin Vearncombe publisher: BMG Rights Management (UK) Ltd. and Copyright Control Shares	Black	4:07
4	Teardrops producer: Chris Blackwell, Lee Hamblin and The Gypsy Wave Power Co. phonographic copyright (℗) by: The Island Def Jam Music Group (in 1988) recording of: Teardrops writer: Cecil Womack and Linda Womack publisher: Zomba Music Publishing Ltd. and Copyright Control (in 1988)	Womack & Womack	3:52
5	Joanna recording of: Joanna (Kool & the Gang) writer: Clifford Adams, Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown, Claydes Smith, James “J.T.” Taylor and Curtis “Fitz” Williams publisher: Delightful Music Ltd, EMI Longitude Music, EMI Music Publishing Ltd. and Warner–Tamerlane Publishing Corp. sub-publisher: イーエムアイ音楽出版ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)	Kool & the Gang	4:23
6	I Love a Rainy Night recording of: I Love a Rainy Night writer: David Malloy, Eddie Rabbitt and Even Stevens	Eddie Rabbitt	3:09
7	I Feel for You bass, drum machine and guitar: Reggie Griffin (in 1984) chromatic harmonica: Stevie Wonder (in 1984) drums (drum set): Steve Ferrone (in 1984) keyboard and synthesizer: Robbie Buchanan (in 1984), David Frank (in 1984), Reggie Griffin (in 1984) and Philippe Saisse (in 1984) background vocals and lead vocals: Chaka Khan (in 1984) phonographic copyright (℗) by: Warner Bros. Records (in 1984) part of: Billboard: The 500 Best Pop Songs (number: 395) cover recording of: I Feel for You (in 1984) lyricist and composer: Prince publisher: Controversy Music	Chaka Khan	5:45
8	I’m Gonna Be (500 Miles) engineer: Barry Hammond producer: Pete Wingfield accordion: Dave Whetstone acoustic guitar: Jerry Donahue and Charlie Reid bass guitar: Phil Cranham drums (drum set): Paul Robinson electric guitar: Jerry Donahue fiddle: Steve Shaw keyboard: Pete Wingfield mandolin and tin whistle: Stuart Nisbet steel guitar: Gerry Hogan vocals: Charlie Reid and Craig Reid phonographic copyright (℗) by: Chrysalis Records Ltd. (in 1988) and Chrysalis Records, Inc. (in 1988) recorded at and mixed at: Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom part of: Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 21) recording of: I’m Gonna Be (500 Miles) writer: Charlie Reid and Craig Reid publisher: Warner Bros. Music Ltd. and Warner/Chappell Music Ltd.	The Proclaimers	3:38
9	Gimme All Your Lovin’ engineer: Terry Manning producer: Bill Ham drums (drum set) and percussion: Frank Beard electric bass guitar: Dusty Hill electric guitar and lead vocals: Billy Gibbons vocals: Dusty Hill phonographic copyright (℗) by: Warner Bros. Records Inc. (in 1983) and WEA International Inc. (in 1983, in 1984) recorded at: Ardent Studios in Memphis, Tennessee, United States recording of: Gimme All Your Lovin’ writer: Frank Beard, Billy Gibbons and Dusty Hill publisher: BMG Rights Management Scandinavia AB, Hamstein Music Company, Music of Stage Three and Songs of Mosaic	ZZ Top	4:02
10	Give Me the Night (edit) producer: Quincy Jones bass: Abraham Laboriel bass synthesizer [synthesizer bass]: Richard Tee drums (drum set): John “JR” Robinson electric piano: Herbie Hancock flute and saxophone: Kim Hutchcroft and Larry Williams guitar: George Benson and Lee Ritenour percussion: Paulinho da Costa synthesizer: Michael Boddicker trumpet: Jerry Hey background vocals: Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen lead vocals: George Benson horn arranger and strings arranger: Jerry Hey arranger: Quincy Jones and Rod Temperton vocals arranger: Rod Temperton recording of: Give Me the Night lyricist and composer: Rod Temperton publisher: Rodsongs, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部	George Benson	3:44
11	A Love Bizarre, Part I producer: Prince and Sheila E. arranger: Prince and Sheila E. phonographic copyright (℗) by: Warner Bros. Records Inc. (in 1985) and WEA International Inc. (in 1985) recording of: A Love Bizarre lyricist: Prince composer: Prince and Sheila Escovedo arranger: Prince and Sheila E. publisher: Sister Fate Music (in 1985)	Sheila E	3:47
12	I Promised Myself recording of: I Promised Myself lyricist and composer: Nick Kamen	Nick Kamen	3:56
13	Don’t Get Me Wrong engineer: Bruce Lampcov producer: Bob Clearmountain and Jimmy Iovine mixer: Bob Clearmountain bass: Chucho Merchán drums (drum set) and percussion: Steve Jordan guitar: Chrissie Hynde and Robbie McIntosh piano and synthesizer: Wix vocals: Chrissie Hynde phonographic copyright (℗) by: WEA Records Ltd. and Warner Music UK Ltd. (in 2007) recording of: Don’t Get Me Wrong lyricist and composer: Chrissie Hynde publisher: Clive Banks Music, Copyright Control and Hynde House of Hits Music	Pretenders	3:47
14	Major Tom (Coming Home) recording engineer: Lars Hidde (from 1982 until 1983), Manfred Lohse (from 1982 until 1983), Geoff Peacey (from 1982 until 1983), Frank Reinke (from 1982 until 1983), Peter Schilling (from 1982 until 1983) and Peter Schmidt (from 1982 until 1983) assistant producer: Frank Hieber (in 1982) producer: Armin Sabol (from 1982 until 1983) and Peter Schilling (from 1982 until 1983) mixer: Holger J. Magnussen (in 1982) drums (drum set): Curt Cress (in 1982) electric bass guitar: Günther Gebauer (in 1982) electric guitar: Armin Sabol (in 1982) keyboard [keyboard solo]: Gonzo Bishop (in 1982) lead vocals: Peter Schilling (in 1983) arranger: Peter Schilling (in 1982) recorded at: Peer Studio in Hamburg, Germany (from 1982 until 1983) a cappella versions: Space Oddity / Major Tom (Coming Home) by Tufts Beelzebubs part of: VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 68) recording of: Major Tom (Coming Home) (from 1982 until 1983) lyricist and composer: Peter Schilling translator: David Lodge dedicated to: Peer Musikverlag translated version of: Major Tom (Völlig losgelöst)	Peter Schilling	5:01
15	True producer: Steve Jolley, Spandau Ballet and Tony Swain performer: Spandau Ballet phonographic copyright (℗) by: Chrysalis (in 1983) and Chrysalis Records Ltd. (in 1983) music videos: True by Spandau Ballet recording of: True lyricist and composer: Gary Kemp publisher: Native Tongue Music Publishing, Reformation Publishing Co. Ltd. and Reformation Publishing Inc.	Spandau Ballet	5:32
16	Golden Brown co-producer: Steve Churchyard producer: Steve Churchyard and The Stranglers mixer: Tony Visconti performer: The Stranglers phonographic copyright (℗) by: EMI Records Ltd. (in 1981) recording of: Golden Brown writer: Jet Black, Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield publisher: Complete Music, Complete Music Ltd., EMI Music, EMI Music Publishing, EMI Music Publishing Ltd., EMI Songs Ltd. and Plumbshaft-Ltd.	The Stranglers	3:29

Credits

Release

ASIN:	DE: B06WP3HFM6 [info]

DE: B06WP3HFM6