Soul Power: The Very Best of Rhythm & Blues

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistLength
1(Sittin' on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson
bass guitar:
Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. and Atlantic Recording Corporation (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music, Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros., Warner Bros. Music Ltd., Warner Chappell Music, Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
Otis Redding2:43
2Flip Flop and Fly
recorded in:
New York, New York, United States (on 1955-01-28)
producer:
Ahmet Ertegun and Jerry Wexler
tenor saxophone:
Big Al Sears (on 1955-01-28)
vocals:
Big Joe Turner (on 1955-01-28)
arranger:
Jesse Stone
cover recording of:
Flip, Flop & Fly (on 1955-01-28)
writer:
Charles Calhoun and Lou Willie Turner
publisher:
Unichappell Music, Inc.
Joe Turner2:48
3Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (on 1964-05-21)
strings [nine strings]:
[unknown] (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (on 1964-05-21)
tenor vocals:
Charlie Thomas (on 1964-05-21)
conductor:
Gary Sherman (on 1964-05-21)
arranger:
Gary Sherman and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1988) and WEA International Inc. (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 6), Billboard: The 500 Best Pop Songs (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick and Kenny Young
publisher:
Alley Music Corp., Intersong, TM Music Ltd. and Trio Music Company
The Drifters2:42
4I Got a Woman
recorded in:
Atlanta, Georgia, United States (on 1954-11-18)
producer:
Ahmet Ertegun and Jerry Wexler
baritone saxophone:
David “Fathead” Newman (on 1954-11-18)
bass:
Jimmy Bell (on 1954-11-18)
drums (drum set):
Glenn Brooks (on 1954-11-18)
guitar:
Wesley Jackson (on 1954-11-18)
piano:
Ray Charles (on 1954-11-18)
solo tenor saxophone:
Donald Wilkerson (on 1954-11-18)
trumpet:
Joe Bridgewater (on 1954-11-18) and Charles "Clanky" Whitley (on 1954-11-18)
vocals:
Ray Charles (on 1954-11-18)
arranger:
Ray Charles
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
I Got a Woman (on 1954-11-18)
writer:
Ray Charles and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell
sub-publisher:
ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Ray Charles2:52
5Saved
recording of:
Saved
writer:
Jerry Leiber and Mike Stoller
publisher:
Hill and Range Songs, Inc. and Sony/ATV Songs LLC
LaVern Baker2:38
6Jump Back
recording of:
Jump Back
writer:
Rufus Thomas
publisher:
Almo Music Corp.
Rufus Thomas2:21
7(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (on 1967-02-16)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (in 1967) and Atlantic Recording Corporation (in 1968)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 90)
cover recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc.
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部
Aretha Franklin2:42
8Supernatural Thing
Ben E. King4:08
9What'd I Say? Parts 1 & 2
producer:
Ahmet Ertegun and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1959-02-18)
bass:
Edgar Willis (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (on 1959-02-18)
tenor saxophone [tenor sax]:
David “Fathead” Newman (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (on 1959-02-18)
arranger:
Ray Charles
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 80)
recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp.
Ray Charles6:29
10In the Midnight Hour
Wilson Pickett2:27
11Hold on I'm Comin'
recorded in:
Memphis, Tennessee, United States (on 1966-03-08)
producer:
Jim Stewart
vocals:
Sam & Dave (on 1966-03-08)
recording of:
Hold On, I’m Comin’ (on 1966-03-08)
writer:
Isaac Hayes and David Porter
publisher:
Cotillion Music Inc., East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. and Warner Bros. Music
sub-publisher:
ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Sam & Dave2:30
12Got to Get You Off My Mind
recorded in:
New York, New York, United States (on 1965-01-22)
producer:
Bert Berns and Jerry Wexler
baritone saxophone:
Seldon Powell (on 1965-01-22)
bass:
David Adams (on 1965-01-22)
bass trombone:
Tony Studd (on 1965-01-22)
drums (drum set) [drums]:
Panama Francis (on 1965-01-22)
guitar:
Bill Suyker (on 1965-01-22), Bob Bushnell (on 1965-01-22) and Eric Gale (on 1965-01-22)
piano:
Ernie Hayes (on 1965-01-22)
tenor saxophone:
Charlie Brown (on 1965-01-22) and Sam Taylor (on 1965-01-22)
trumpet:
Bill Berry (on 1965-01-22) and Ernie Royal (on 1965-01-22)
background vocals:
Estelle Brown (on 1965-01-22), Cissy Houston (on 1965-01-22), Sylvia Shemwell (on 1965-01-22), The Sweet Inspirations (on 1965-01-22) and Dee Dee Warwick (on 1965-01-22)
vocals:
Solomon Burke (on 1965-01-22)
conductor:
Gene Page (on 1965-01-22)
arranger:
Gene Page
recording of:
Got to Get You Off My Mind (Solomon Burke) (on 1965-01-22)
writer:
Dolores Burke, Solomon Burke, J.B. Moore and Josephine Burke Moore
publisher:
Cotillion Music Inc.
Solomon Burke1:58
13Think
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Aretha Franklin2:16
14I've Been Loving You Too Long
recorded in:
Memphis, Tennessee, United States (on 1965-07-09)
producer:
Steve Cropper and Jim Stewart
baritone saxophone:
Floyd Newman (on 1965-07-09)
bass guitar [bass]:
Duck Dunn (on 1965-07-09)
drums (drum set) [drums]:
Al Jackson (on 1965-07-09)
guitar:
Steve Cropper (on 1965-07-09)
keyboard:
Isaac Hayes (on 1965-07-09) and Booker T. Jones (on 1965-07-09)
tenor saxophone:
Andrew Love (on 1965-07-09)
trumpet:
Wayne Jackson (on 1965-07-09) and Gene “Bowlegs” Miller (on 1965-07-09)
vocals:
Otis Redding (on 1965-07-09)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (in 1965) and Otis Redding (in 1965)
publisher:
East, Time and Wildwood Music Ltd.
Otis Redding3:13
15When a Man Loves a Woman
producer:
Marlin Greene and Quin Ivy
double bass:
Albert Lowe Jr. (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd., WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright
publisher:
Mijac Music, Warner Chappell, Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell North America, Warner/Chappell, Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
Percy Sledge2:51
16Soul Finger
The Bar‐Kays2:18