Annotation

CD 74 appears to have been badly processed -- the left channel looks as if it had been normalized to point of severe clipping, while the right channel looks 'normal'. The audio fingerprint attached is that of the right channel only, and as all CD's are in mono (or at least supposed to be in mono), this probably works.


FIXME: Has this been available only as part of the 500-CD set? (Ignore re-sellers! It's out of print, apparently.)

Tracklist

1CD: Fletcher Henderson 1931–32
2CD: Fletcher Henderson 1932–33
3CD: Fletcher Henderson 1934–36
4CD: Fletcher Henderson 1936–37
5CD: Fletcher Henderson 1937–38
6CD: Don Redman 1931–32
7CD: Don Redman 1932–33
8CD: Don Redman 1933–37
9CD: Duke Ellington 1933
10CD: Duke Ellington 1934–35
11CD: Duke Ellington 1936–37
12CD: Duke Ellington 1938–39
13CD: Duke Ellington 1940
14CD: Duke Ellington 1940–41
15CD: Duke Ellington 1942–44
16CD: Duke Ellington 1945
17CD: Duke Ellington 1945–46
18CD: Duke Ellington 1941: The Hollywood Transcriptions
19CD: Mills Blue Rhythm Band 1931
20CD: Mills Blue Rhythm Band 1931–32
21CD: Mills Blue Rhythm Band 1932–34
22CD: Mills Blue Rhythm Band 1934–35
23CD: Mills Blue Rhythm Band 1935–36
24CD: Jimmie Lunceford 1934
25CD: Jimmie Lunceford 1934–35
26CD: Jimmie Lunceford 1935–37
27CD: Jimmie Lunceford 1937–39
28CD: Jimmie Lunceford 1939
29CD: Jimmie Lunceford 1939–40
30CD: Earl Hines 1932–33
31CD: Earl Hines 1934
32CD: Earl Hines 1935–38
33CD: Earl Hines 1939–40
34CD: Earl Hines 1940–41
35CD: Earl Hines 1941–42
36CD: Chick Webb 1931–34
37CD: Chick Webb 1935–37
38CD: Chick Webb 1937–38
39CD: Chick Webb 1938–39
40CD: Claude Hopkins 1932–34
41CD: Claude Hopkins 1934–35
42CD: Count Basie 1937
43CD: Count Basie 1938–39
44CD: Count Basie 1939
45CD: Count Basie 1939–40
46CD: Count Basie 1940
47CD: Count Basie 1941
48CD: Count Basie 1941 II
49CD: Count Basie 1942
50CD: Count Basie 1944–45: The V‐Discs
51CD: Count Basie 1947
52CD: Count Basie 1947–49
53CD: Louis Armstrong 1932–33
#TitleArtistLength
1Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, United States (on 1932-01-25)
alto saxophone:
Lester Boone (on 1932-01-25) and George James (on 1932-01-25)
double bass:
John Lindsay (on 1932-01-25)
drums (drum set):
Tubby Hall (on 1932-01-25)
guitar:
Mike McKendrick (on 1932-01-25)
piano:
Charlie Alexander (on 1932-01-25)
tenor saxophone:
Albert Washington (on 1932-01-25)
trombone:
Preston Jackson (on 1932-01-25)
trumpet:
Louis Armstrong (on 1932-01-25) and Zilner Randolph (on 1932-01-25)
vocals:
Louis Armstrong (on 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (on 1932-01-25)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Louis Armstrong & His Orchestra3:00
2Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, United States (on 1932-01-25)
alto saxophone:
Lester Boone (on 1932-01-25) and George James (on 1932-01-25)
double bass:
John Lindsay (on 1932-01-25)
drums (drum set):
Tubby Hall (on 1932-01-25)
guitar:
Mike McKendrick (on 1932-01-25)
piano:
Charlie Alexander (on 1932-01-25)
tenor saxophone:
Albert Washington (on 1932-01-25)
trombone:
Preston Jackson (on 1932-01-25)
trumpet:
Louis Armstrong (on 1932-01-25) and Zilner Randolph (on 1932-01-25)
vocals:
Louis Armstrong (on 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (on 1932-01-25)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Louis Armstrong & His Orchestra3:21
3Kickin’ the Gong Around
recorded in:
Chicago, Illinois, United States (on 1932-01-25)
alto saxophone:
Lester Boone (on 1932-01-25) and George James (on 1932-01-25)
double bass:
John Lindsay (on 1932-01-25)
drums (drum set):
Tubby Hall (on 1932-01-25)
guitar:
Mike McKendrick (on 1932-01-25)
piano:
Charlie Alexander (on 1932-01-25)
tenor saxophone:
Albert Washington (on 1932-01-25)
trombone:
Preston Jackson (on 1932-01-25)
trumpet:
Louis Armstrong (on 1932-01-25) and Zilner Randolph (on 1932-01-25)
vocals:
Louis Armstrong (on 1932-01-25)
recording of:
Kickin’ the Gong Around (on 1932-01-25)
lyricist:
Ted Koehler
composer:
Harold Arlen
Louis Armstrong & His Orchestra3:12
4Home
recorded in:
Chicago, Illinois, United States (on 1932-01-27)
alto saxophone:
Lester Boone (on 1932-01-27) and George James (on 1932-01-27)
double bass:
John Lindsay (on 1932-01-27)
drums (drum set):
Tubby Hall (on 1932-01-27)
guitar:
Mike McKendrick (on 1932-01-27)
piano:
Charlie Alexander (on 1932-01-27)
tenor saxophone:
Albert Washington (on 1932-01-27)
trombone:
Preston Jackson (on 1932-01-27)
trumpet:
Louis Armstrong (on 1932-01-27) and Zilner Randolph (on 1932-01-27)
vocals:
Louis Armstrong (on 1932-01-27)
recording of:
Home (When Shadows Fall) (on 1932-01-27)
writer:
Geoffrey Clarkson and Harry Clarkson
Louis Armstrong & His Orchestra3:05
5All of Me
recorded in:
Chicago, Illinois, United States (on 1932-01-27)
alto saxophone:
Lester Boone (on 1932-01-27) and George James (on 1932-01-27)
double bass:
John Lindsay (on 1932-01-27)
drums (drum set):
Tubby Hall (on 1932-01-27)
guitar:
Mike McKendrick (on 1932-01-27)
piano:
Charlie Alexander (on 1932-01-27)
tenor saxophone:
Albert Washington (on 1932-01-27)
trombone:
Preston Jackson (on 1932-01-27)
trumpet:
Louis Armstrong (on 1932-01-27) and Zilner Randolph (on 1932-01-27)
vocals:
Louis Armstrong (on 1932-01-27)
recording of:
All of Me (on 1932-01-27)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co., Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC
sub-publisher:
Peermusic and 日音 Synch事業部
Louis Armstrong & His Orchestra2:59
6Love, You Funny Thing
recorded in:
Chicago, Illinois, United States (on 1932-03-02)
alto saxophone:
Lester Boone (on 1932-03-02) and George James (on 1932-03-02)
double bass:
John Lindsay (on 1932-03-02)
drums (drum set):
Tubby Hall (on 1932-03-02)
guitar:
Mike McKendrick (on 1932-03-02)
piano:
Charlie Alexander (on 1932-03-02)
tenor saxophone:
Albert Washington (on 1932-03-02)
trombone:
Preston Jackson (on 1932-03-02)
trumpet:
Louis Armstrong (on 1932-03-02) and Zilner Randolph (on 1932-03-02)
vocals:
Louis Armstrong (on 1932-03-02)
recording of:
Love, You Funny Thing (on 1932-03-02)
writer:
Fred Ahlert and Roy Turk
Louis Armstrong & His Orchestra3:42
7The New Tiger Rag
recorded in:
Chicago, Illinois, United States (on 1932-03-11)
alto saxophone:
Lester Boone (on 1932-03-11)
clarinet:
George James (on 1932-03-11)
double bass:
John Lindsay (on 1932-03-11)
drums (drum set):
Tubby Hall (on 1932-03-11)
guitar:
Mike McKendrick (on 1932-03-11)
piano:
Charlie Alexander (on 1932-03-11)
tenor saxophone:
Albert Washington (on 1932-03-11)
trombone:
Preston Jackson (on 1932-03-11)
trumpet:
Louis Armstrong (on 1932-03-11) and Zilner Randolph (on 1932-03-11)
vocals:
Louis Armstrong (on 1932-03-11)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1932-03-11)
composer:
Eddie Edwards, Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
Louis Armstrong & His Orchestra3:23
8Keepin’ Out of Mischief Now
recorded in:
Chicago, Illinois, United States (on 1932-03-11)
alto saxophone:
Lester Boone (on 1932-03-11) and George James (on 1932-03-11)
double bass [bass]:
John Lindsay (on 1932-03-11)
drums (drum set):
Tubby Hall (on 1932-03-11)
guitar:
Mike McKendrick (on 1932-03-11)
piano:
Charlie Alexander (on 1932-03-11)
tenor saxophone:
Albert Washington (on 1932-03-11)
trombone:
Preston Jackson (on 1932-03-11)
trumpet:
Louis Armstrong (on 1932-03-11) and Zilner Randolph (on 1932-03-11)
vocals:
Louis Armstrong (on 1932-03-11)
cover recording of:
Keepin’ Out of Mischief Now (on 1932-03-11)
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. and Razaf Music
Louis Armstrong & His Orchestra3:32
9Lawd, You Made the Night Too LongLouis Armstrong & His Orchestra3:25
10That’s My Home
recorded in:
Camden, New Jersey, United States (on 1932-12-08, on 1932-12-28)
alto saxophone:
Pete Clark (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08, on 1932-12-28), Louis Bacon (on 1932-12-08), Billy Hicks (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08, on 1932-12-28)
orchestra:
Louis Armstrong and His Orchestra (on 1932-12-28)
recording of:
That’s My Home (on 1932-12-08)
composer:
Ben Ellison, Leon René and Otis René
Louis Armstrong & His Orchestra3:10
11That’s My Home
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Billy Hicks (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
recording of:
That’s My Home (on 1932-12-08)
composer:
Ben Ellison, Leon René and Otis René
Louis Armstrong & His Orchestra3:10
12Hobo, You Can’t Ride This Train
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
alto saxophone and clarinet and clarinet:
Pete Clark (on 1932-12-08)
banjo and piano and guitar:
John Trueheart (on 1932-12-08)
bell:
Mezz Mezzrow (on 1932-12-08)
double bass [bass], double bass and tuba and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
piano:
Don Kirkpatrick (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Bill Hicks (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
recording of:
Hobo, You Can’t Ride This Train (on 1932-12-08)
writer:
Louis Armstrong
Louis Armstrong & His Orchestra3:01
13I Hate to Leave You Now
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Billy Hicks (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
Louis Armstrong & His Orchestra3:10
14I Hate to Leave You Now
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Billy Hicks (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
Louis Armstrong & His Orchestra3:07
15You’ll Wish You’d Never Been Born
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Billy Hicks (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
recording of:
You’ll Wish You’d Never Been Born (on 1932-12-08)
composer:
Louis Armstrong
Louis Armstrong & His Orchestra3:15
16Medley of Armstrong Hits, Part 2: When You're Smiling / St. James Infirmary / Dinah
recorded in:
Camden, New Jersey, United States (on 1932-12-21)
alto saxophone:
Arthur Davey (on 1932-12-21) and Louis Jordan (on 1932-12-21)
banjo, guitar and trombone:
[unknown] (on 1932-12-21)
drums (drum set):
Benny Hill (on 1932-12-21)
piano:
Wesley Robinson (on 1932-12-21)
tenor saxophone:
Ellsworth Blake (on 1932-12-21)
trumpet:
Louis Armstrong (on 1932-12-21) and Charlie Gaines (on 1932-12-21)
tuba [brass bass]:
Ed Hayes (on 1932-12-21)
vocals:
Louis Armstrong (on 1932-12-21)
medley including a recording of:
Dinah (on 1932-12-21)
lyricist:
Sam M. Lewis and Joe Young
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. and Morley Music Corp.
part of:
The Girl’s Suite
medley including a recording of:
St. James Infirmary (Joe Primrose’s arrangement) (on 1932-12-21)
lyricist and composer:
[traditional]
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
medley including a recording of:
When You’re Smiling (the Whole World Smiles With You) (on 1932-12-21)
lyricist:
Mark Fisher and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
Louis Armstrong & His Orchestra4:32
17Medley of Armstrong Hits, Part 1: You Rascal You / When It’s Sleepy Time Down South / Nobody’s Sweetheart
Louis Armstrong & His Orchestra4:21
18I’ve Got the World on a String
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (on 1933-01-26)
drums (drum set):
Yank Porter (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
I’ve Got the World on a String (on 1933-01-26)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc., MCA Music Publishing, Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
Louis Armstrong & His Orchestra3:13
19I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc.
Louis Armstrong & His Orchestra3:02
20Hustlin‘ and Bustlin‘ for Baby
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (on 1933-01-26)
drums (drum set):
Yank Porter (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
Hustlin’ and Bustlin’ for Baby (on 1933-01-26)
writer:
Harry M. Woods
Louis Armstrong & His Orchestra3:08
21Sittin‘ in the Dark
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (on 1933-01-26)
drums (drum set):
Yank Porter (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
Sittin’ in the Dark (on 1933-01-26)
writer:
Harold Adamson and Jesse Greer
Louis Armstrong & His Orchestra3:01
22High Society
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (on 1933-01-26)
drums (drum set):
Yank Porter (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (on 1933-01-26)
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally) (on 1933-01-26)
lyricist:
Walter Melrose
composer:
Porter Steele (in 1901-04)
is based on:
High Society (march composed by Porter Steele in 1901)
Louis Armstrong & His Orchestra3:24
23He’s a Son of the South
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (on 1933-01-26)
drums (drum set):
Yank Porter (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
He’s a Son of the South (on 1933-01-26)
lyricist:
Joe Davis
composer:
Reginald Foresythe
Louis Armstrong & His Orchestra2:37
54CD: Louis Armstrong 1933–34
55CD: Louis Armstrong 1935–36
56CD: Louis Armstrong 1936–38
57CD: Louis Armstrong 1938–39
58CD: Louis Armstrong 1940–42
59CD: Cab Calloway 1931–41
60CD: Teddy Hill 1935–37
61CD: Lionel Hampton 1951
62CD: Lionel Hampton 1954
63CD: Casa Loma Orchestra 1931–33
64CD: Casa Loma Orchestra 1933–37
65CD: Benny Goodman 1935
66CD: Benny Goodman 1935–36
67CD: Benny Goodman 1936
68CD: Benny Goodman 1936–37
69CD: Benny Goodman 1937
70CD: Benny Goodman 1938
71CD: Benny Goodman 1938 II
72CD: Benny Goodman 1938–39
73CD: Benny Goodman 1939–41
74CD: Benny Goodman 1941
75CD: Benny Goodman 1941–42
76CD: Charlie Barnet 1939–41
77CD: Charlie Barnet 1941–46
78CD: Bob Crosby
79CD: Artie Shaw 1939–40
80CD: Artie Shaw 1940
81CD: Artie Shaw 1940–41
82CD: Artie Shaw 1941–45
83CD: Woody Herman 1937–38
84CD: Woody Herman 1937–43
85CD: Woody Herman 1946
86CD: Woody Herman 1946–54
87CD: Tommy Dorsey 1935–36
88CD: Tommy Dorsey 1937
89CD: Tommy Dorsey 1937–38
90CD: Tommy Dorsey 1939–45
91CD: Tommy Dorsey 1946–50
92CD: Jimmy Dorsey
93CD: Jack Teagarden
94CD: Gene Krupa
95CD: Harry James
96CD: Georgie Auld
97CD: Stan Kenton
98CD: Pete Rugolo
99CD: Shorty Rogers
100CD: Glenn Miller