Classic Gold

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistLength
1Toccata e fuga in re minore, BWV565 - Adagio
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (on 1956-09-17)
balance engineer:
Hansjoachim Reiser
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959) and Polydor International GmbH (in 1963)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (on 1956-09-17)
composer:
Johann Sebastian Bach
part of:
Classic 100: Piano (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach?:??
2Concerto per pianoforte n.21, K467 "Elvira Madigan" - Andante
recording engineer and producer:
Hans Weber
executive producer:
Elsa Schiller
piano:
Géza Anda (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (in 1961-05)
conductor:
Géza Anda (in 1961-05)
balance engineer:
Günter Hermanns (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart?:??
3Il volo del calabrone da La favola dello Zar Saltan (arr. G. Feygin)
piano:
Irina Saizewa
orchestra:
Violin Ensemble of the Bolshoi Theatre, Moscow
conductor:
Julij Rejentowitsch
arranger:
G. Feigin
phonographic copyright (℗) by:
Polydor International GmbH (in 1973)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
composer:
Николай Андреевич Римский‐Корсаков
publisher:
Domaine public
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
composer:
Николай Андреевич Римский‐Корсаков (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Николай Андреевич Римский‐Корсаков?:??
4Barcarolle da Les contes d'Hoffmann
producer:
John Mordler and Michael Woolcock
orchestra:
Orchestre de la Suisse Romande
conductor:
Richard Bonynge
balance engineer:
James Lock
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1972)
recorded at:
Victoria Hall in Genève, Genève, Switzerland (in 1972-06)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach?:??
5Pavane
producer:
Hanno Rinke
choir vocals:
Tanglewood Festival Chorus (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (in 1986-11)
chorus master:
John Oliver
performer:
Tanglewood Festival Chorus
balance engineer:
Hans‐Peter Schweigmann (in 1986-11)
edit of:
Pavane, op. 50 by John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
partial recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1986-11)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré?:??
6Promenade da Quadri di un'esposizione (orch. M. Ravel)
producer:
Günther Breest
orchestra:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (in 1976-04)
balance engineer:
Klaus Scheibe
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1976-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1976-04)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский?:??
7Dies irae da Messa da requiem
choir vocals:
Ernst‐Senff‐Chor
vocals:
Ernst‐Senff‐Chor (in 1989)
orchestra:
Berliner Philharmoniker
conductor:
Carlo Maria Giulini (in 1989)
performer:
Berliner Philharmoniker, Ernst‐Senff‐Chor, Carlo Maria Giulini and Ernst Senff
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
composer:
Giuseppe Verdi (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi?:??
8Sul bel Danubio blu
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss?:??
9Danza slava, op. 46 n.1
producer:
Hans Weber and Rudolf Werner (in 1973-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-12)
conductor:
Rafael Kubelík (in 1973-12)
balance engineer:
Heinz Wildhagen (in 1973-12)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1973-12)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (in 1973-12)
composer:
Antonín Dvořák (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák?:??
10Minuetto in sol maggiore BWV App.114
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
Johann Sebastian Bach?:??
11Giochi proibiti (Romanza)
guitar:
Narciso Yepes
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits")
composer:
[anonymous] and [unknown]
previously attributed to:
Vicente Gómez, Fernando Sor and Narciso Yepes
arrangement of:
Romance de Amor
Anónimo?:??
12Valzer "Minuto" n.6, op.64 n.1
Fryderyk Chopin?:??
13Largo da Serse
engineer and balance engineer:
Andreas Neubronner
executive producer:
Dr. Steven Paul
producer:
Wolf Erichson
harpsichord:
Edward Brewer (in 1989-04) and Edward Brewer (in 1990)
oboe:
Randall Wolfgang (in 1989-04, in 1990)
orchestra:
Orpheus Chamber Orchestra (from 1989-04 to present, in 1989-04)
recorded at:
Performing Arts Center: Recital Hall in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (in 1989-04)
composer:
George Frideric Handel
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous]
part of:
Serse, HWV 40: Atto I
George Frideric Handel?:??
14Il mattino da Peter Gynt, Suite n.1
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (in 1987-06)
performer:
Göteborgs Symfoniker and Neeme Järvi
recorded at:
Göteborgs konserthus in Gothenburg, Västra Götaland, Sweden (in 1987-06)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1987-06)
composer:
Edvard Grieg (in 1875)
revised by:
Edvard Grieg (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg?:??
15Allegretto "Alla Turca" dalla Sonata per pianoforte K331
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (in 1783)
part of:
Classic 100: Piano (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart?:??
16Romanza per violino n.2 in fa maggiore, op.50
violin:
David Oistrakh
orchestra:
Royal Philharmonic Orchestra
conductor:
Eugene Goossens
partial recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile)
composer:
Ludwig van Beethoven (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven?:??
17Danza dei cavalieri da Romeo e Giulietta, op.64
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (in 1987)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1986-10)
composer:
Сергей Сергеевич Прокофьев
part of:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев?:??
18Boléro
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1974-04)
conductor:
Seiji Ozawa (in 1974-04)
balance engineer:
Joachim Niss and Gernot Westhäuser
phonographic copyright (℗) by:
Polydor International GmbH (in 1974)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1974-04)
recording of:
Boléro (in 1974-04)
composer:
Maurice Ravel (in 1928)
publisher:
Ed. Durand & Cie and Soc. Arima
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel?:??