Complete Lieder Recordings on Deutsche Grammophon

~ Release by Dietrich Fischer‐Dieskau (see all versions of this release, 1 available)

Annotation

A 107-CD collection of Dietrich Fischer-Dieskau's complete song recordings for Deutsche Grammophon, Philips, and Decca. Includes a 240-paage book with essays and complete track listings.

Due to licensing constraints, omits the DVD The Art of Dietrich Fischer-Dieskau and another which includes eight Schubert songs with accompaniment by Sviatoslav Richter. These were not Deutsche Grammophon recordings, but film recordings licensed for a limited time to DG.

Tracklist

1▶CD: C. P. E. Bach
2▶CD: Beethoven I
3▶CD: Beethoven II
4▶CD: Beethoven III
5▶CD: Beethoven IV
6▶CD: Brahms I
7▶CD: Brahms II
8▶CD: Brahms III
9▶CD: Brahms IV
10▶CD: Brahms V
11▶CD: Brahms VI
12▶CD: Brahms VII
13▶CD: Brahms VIII
14▶CD: Brahms IX
15▶CD: Brahms X / Dvořák
16▶CD: Brahms XI
17▶CD: Brahms XII
18▶CD: Liszt I
19▶CD: Liszt II
20▶CD: Liszt III
21▶CD: Liszt IV
22▶CD: Loewe I
23▶CD: Loewe II
24▶CD: Mahler I
25▶CD: Mahler II
26▶CD: Mahler III
27▶CD: Nietzsche
28▶CD: Reger / Pfitzner
29▶CD: Schoeck I
30▶CD: Schoeck II / Von Einem
31▶CD: Schubert I
32▶CD: Schubert II
33▶CD: Schubert III
34▶CD: Schubert IV
35▶CD: Schubert V
36▶CD: Schubert VI
37▶CD: Schubert VII
38▶CD: Schubert VIII
39▶CD: Schubert IX
40▶CD: Schubert X
41▶CD: Schubert XI
42▶CD: Schubert XII
43▶CD: Schubert XIII
44▶CD: Schubert XIV
45▶CD: Schubert XV
46▶CD: Schubert XVI
47▶CD: Schubert XVII
48▶CD: Schubert XVIII
49▶CD: Schubert XIX
50▶CD: Schubert XX
51▶CD: Schubert XXI
52▶CD: Schubert XXII
53▶CD: Schubert XXIII
54▶CD: Schubert XXIV
55▶CD: Schubert XXV
56▶CD: Schubert XXVI
57▶CD: Schubert XXVII
58▶CD: Schubert XXVIII
59▶CD: Schubert XXIX
60▶CD: Schubert XXX
61▶CD: Schubert XXXI
62▶CD: Schubert XXXII
63▶CD: Schumann I
64▶CD: Schumann II
65▶CD: Schumann III
66▶CD: Schumann IV
67▶CD: Schumann V
68▶CD: Schumann VI
69▶CD: Schumann VII
70▶CD: Schumann VIII
71▶CD: Schumann IX
72▶CD: Schumann X
73▶CD: Schumann XI
74▶CD: Schumann XII
75▶CD: Shostakovich I
76▶CD: Shostakovich II / Britten
77▶CD: Strauss I
78▶CD: Strauss II
79▶CD: Strauss III
80▶CD: Strauss IV
81▶CD: Tchaikovsky
82▶CD: Wolf I
83▶CD: Wolf II
84▶CD: Wolf III
85▶CD: Wolf IV
86▶CD: Wolf V
87▶CD: Wolf VI
88▶CD: Wolf VII
89▶CD: Wolf VIII
90▶CD: Wolf IX
91▶CD: Wolf X
92▶CD: Wolf XI
93▶CD: Wolf XII
94▶CD: Zemlinsky
95▶CD: Melodramas I
96▶CD: Melodramas II
97▶CD: Berg / Schoenberg / Webern
98▶CD: Christmas Songs
99▶CD: Debussy / Ravel / Ives
100▶CD: Debussy / Stephan / Lutosławski
101▶CD: Haydn / Beethoven / Weber
102▼CD: Henze / Fortner / Martin
#TitleArtistLength
15 neapolitanische Lieder: 1. Aggio sapute ca la morte vene
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1956-12)
orchestra:
Instrumentalsolisten der Berliner Philharmoniker (in 1956-12)
conductor:
Richard Kraus (in 1956-12)
balance engineer:
Heinz Wildhagen and Werner Wolf
recorded at:
RIAS Berlin in Schöneberg, Berlin, Germany (in 1956-12)
recording of:
Neapolitan Lieder: No. 1. Aggio saputo ca la morte vene (in 1956-12)
composer:
Hans Werner Henze (in 1956)
part of:
Fünf neapolitanische Lieder
Hans Werner Henze1:55
25 neapolitanische Lieder: 2. A l'acqua de li ffuntanelle
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1956-12)
orchestra:
Instrumentalsolisten der Berliner Philharmoniker (in 1956-12)
conductor:
Richard Kraus (in 1956-12)
balance engineer:
Heinz Wildhagen and Werner Wolf
recorded at:
RIAS Berlin in Schöneberg, Berlin, Germany (in 1956-12)
recording of:
Neapolitan Lieder: No. 2. A l'acqua de li ffuntanelle (in 1956-12)
composer:
Hans Werner Henze (in 1956)
part of:
Fünf neapolitanische Lieder
Hans Werner Henze3:29
35 neapolitanische Lieder: 3. Amaie 'na nenne pe' tridece
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1956-12)
orchestra:
Instrumentalsolisten der Berliner Philharmoniker (in 1956-12)
conductor:
Richard Kraus (in 1956-12)
balance engineer:
Heinz Wildhagen and Werner Wolf
recorded at:
RIAS Berlin in Schöneberg, Berlin, Germany (in 1956-12)
recording of:
Neapolitan Lieder: No. 3. Amaie 'na nenne pe'tridece mise (in 1956-12)
composer:
Hans Werner Henze (in 1956)
part of:
Fünf neapolitanische Lieder
Hans Werner Henze1:03
45 neapolitanische Lieder: 4. Amaie 'nu ninno cu' sudore e stiente
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1956-12)
orchestra:
Instrumentalsolisten der Berliner Philharmoniker (in 1956-12)
conductor:
Richard Kraus (in 1956-12)
balance engineer:
Heinz Wildhagen and Werner Wolf
recorded at:
RIAS Berlin in Schöneberg, Berlin, Germany (in 1956-12)
recording of:
Neapolitan Lieder: No. 4. Amaie 'nu ninno cu'sudore e stiente (in 1956-12)
composer:
Hans Werner Henze (in 1956)
part of:
Fünf neapolitanische Lieder
Hans Werner Henze6:04
55 neapolitanische Lieder: 5. Arbero piccerillo, te chantaie
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1956-12)
orchestra:
Instrumentalsolisten der Berliner Philharmoniker (in 1956-12)
conductor:
Richard Kraus (in 1956-12)
balance engineer:
Heinz Wildhagen and Werner Wolf
recorded at:
RIAS Berlin in Schöneberg, Berlin, Germany (in 1956-12)
recording of:
Neapolitan Lieder: No. 5. Arbero piccerillo, te chantaie (in 1956-12)
composer:
Hans Werner Henze (in 1956)
part of:
Fünf neapolitanische Lieder
Hans Werner Henze4:04
6The Creation: And God stepped out on space
baritone vocals:
Dietrich Fischer‐Dieskau (in 1957-03)
orchestra:
NDR-Sinfonieorchester (in 1957-03)
conductor:
Hans Schmidt‐Isserstedt (in 1957-03)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1957-03)
live partial recording of:
The Creation (in 1957-03)
lyricist:
James Weldon Johnson
composer:
Wolfgang Fortner (in 1954)
Wolfgang Fortner3:04
7The Creation: Then God reached out
baritone vocals:
Dietrich Fischer‐Dieskau (in 1957-03)
orchestra:
NDR-Sinfonieorchester (in 1957-03)
conductor:
Hans Schmidt‐Isserstedt (in 1957-03)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1957-03)
live partial recording of:
The Creation (in 1957-03)
lyricist:
James Weldon Johnson
composer:
Wolfgang Fortner (in 1954)
Wolfgang Fortner1:49
8The Creation: Then God himself stepped down
baritone vocals:
Dietrich Fischer‐Dieskau (in 1957-03)
orchestra:
NDR-Sinfonieorchester (in 1957-03)
conductor:
Hans Schmidt‐Isserstedt (in 1957-03)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1957-03)
live partial recording of:
The Creation (in 1957-03)
lyricist:
James Weldon Johnson
composer:
Wolfgang Fortner (in 1954)
Wolfgang Fortner2:06
9The Creation: And He spat out the seven seas
baritone vocals:
Dietrich Fischer‐Dieskau (in 1957-03)
orchestra:
NDR-Sinfonieorchester (in 1957-03)
conductor:
Hans Schmidt‐Isserstedt (in 1957-03)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1957-03)
live partial recording of:
The Creation (in 1957-03)
lyricist:
James Weldon Johnson
composer:
Wolfgang Fortner (in 1954)
Wolfgang Fortner0:53
10The Creation: Then the green grass sprouted
baritone vocals:
Dietrich Fischer‐Dieskau (in 1957-03)
orchestra:
NDR-Sinfonieorchester (in 1957-03)
conductor:
Hans Schmidt‐Isserstedt (in 1957-03)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1957-03)
live partial recording of:
The Creation (in 1957-03)
lyricist:
James Weldon Johnson
composer:
Wolfgang Fortner (in 1954)
Wolfgang Fortner2:00
11The Creation: Then God walked around
baritone vocals:
Dietrich Fischer‐Dieskau (in 1957-03)
orchestra:
NDR-Sinfonieorchester (in 1957-03)
conductor:
Hans Schmidt‐Isserstedt (in 1957-03)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1957-03)
live partial recording of:
The Creation (in 1957-03)
lyricist:
James Weldon Johnson
composer:
Wolfgang Fortner (in 1954)
Wolfgang Fortner2:39
12The Creation: Up from the bed of the river
baritone vocals:
Dietrich Fischer‐Dieskau (in 1957-03)
orchestra:
NDR-Sinfonieorchester (in 1957-03)
conductor:
Hans Schmidt‐Isserstedt (in 1957-03)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1957-03)
live partial recording of:
The Creation (in 1957-03)
lyricist:
James Weldon Johnson
composer:
Wolfgang Fortner (in 1954)
Wolfgang Fortner2:00
13The Creation: Amen isorythmique
baritone vocals:
Dietrich Fischer‐Dieskau (in 1957-03)
orchestra:
NDR-Sinfonieorchester (in 1957-03)
conductor:
Hans Schmidt‐Isserstedt (in 1957-03)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1957-03)
live partial recording of:
The Creation (in 1957-03)
lyricist:
James Weldon Johnson
composer:
Wolfgang Fortner (in 1954)
Wolfgang Fortner3:01
146 Monologe aus »Jedermann«: 1. Ist alls zu End das Freudenmahl
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1963-05)
orchestra:
Berliner Philharmoniker (in 1963-05)
conductor:
Frank Martin (in 1963-05)
balance engineer:
Harald Baudis
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1963-05)
recording of:
Sechs Monologe aus Jedermann: I. Ist alls zu End das Freudenmahl (in 1963-05)
lyricist:
Hugo von Hofmannsthal
composer:
Frank Martin
part of:
Sechs Monologe aus Jedermann
Frank Martin4:14
156 Monologe aus »Jedermann«: 2. Ach Gott, wie graust mir vor dem Tod
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1963-05)
orchestra:
Berliner Philharmoniker (in 1963-05)
conductor:
Frank Martin (in 1963-05)
balance engineer:
Harald Baudis
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1963-05)
recording of:
Sechs Monologe aus Jedermann: II. Ach Gott, wie graust mir vor dem Tod (in 1963-05)
lyricist:
Hugo von Hofmannsthal
composer:
Frank Martin (in 1943)
part of:
Sechs Monologe aus Jedermann
Frank Martin3:48
166 Monologe aus »Jedermann«: 3. Ist als wenn eins gerufen hätt
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1963-05)
orchestra:
Berliner Philharmoniker (in 1963-05)
conductor:
Frank Martin (in 1963-05)
balance engineer:
Harald Baudis
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1963-05)
recording of:
Sechs Monologe aus Jedermann: III. Ist als wenn eins gerufen hätt (in 1963-05)
lyricist:
Hugo von Hofmannsthal
composer:
Frank Martin
part of:
Sechs Monologe aus Jedermann
Frank Martin2:49
176 Monologe aus »Jedermann«: 4. So wollt ich ganz zernichtet sein
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1963-05)
orchestra:
Berliner Philharmoniker (in 1963-05)
conductor:
Frank Martin (in 1963-05)
balance engineer:
Harald Baudis
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1963-05)
recording of:
Sechs Monologe aus Jedermann: IV. So wollt ich ganz vernichtet sein (in 1963-05)
lyricist:
Hugo von Hofmannsthal
composer:
Frank Martin
part of:
Sechs Monologe aus Jedermann
Frank Martin2:20
186 Monologe aus »Jedermann«: 5. Ja! Ich glaub: Solches hat er vollbracht
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1963-05)
orchestra:
Berliner Philharmoniker (in 1963-05)
conductor:
Frank Martin (in 1963-05)
balance engineer:
Harald Baudis
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1963-05)
recording of:
Sechs Monologe aus Jedermann: V. Ja! Ich glaub: solches hat Er vollbracht (in 1963-05)
lyricist:
Hugo von Hofmannsthal
composer:
Frank Martin
part of:
Sechs Monologe aus Jedermann
Frank Martin3:01
196 Monologe aus »Jedermann«: 6. O ewiger Gott! O göttliches Gesicht!
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1963-05)
orchestra:
Berliner Philharmoniker (in 1963-05)
conductor:
Frank Martin (in 1963-05)
balance engineer:
Harald Baudis
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1963-05)
recording of:
Sechs Monologe aus Jedermann: VI. O ewiger Gott! (in 1963-05)
lyricist:
Hugo von Hofmannsthal
composer:
Frank Martin
part of:
Sechs Monologe aus Jedermann
Frank Martin4:48
203 Fragmente aus der Oper »Der Sturm«: Ouvertüre. Adagio molto tranquillo
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1963-05)
orchestra:
Berliner Philharmoniker (in 1963-05)
conductor:
Frank Martin (in 1963-05)
balance engineer:
Harald Baudis
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1963-05)
recording of:
Der Sturm: Overtüre (in 1963-05)
composer:
Frank Martin
part of:
Der Sturm
Frank Martin8:15
213 Fragmente aus der Oper »Der Sturm«: Mein Ariel! (Prospero)
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1963-05)
orchestra:
Berliner Philharmoniker (in 1963-05)
conductor:
Frank Martin (in 1963-05)
balance engineer:
Harald Baudis
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1963-05)
partial recording of:
Der Sturm: Akt III (in 1963-05)
composer:
Frank Martin
part of:
Der Sturm
recording of:
Suite from "Der Sturm": II. Prospero. "Mein Ariel, hast du, der Luft nur ist..." (in 1963-05)
composer:
Frank Martin
part of:
Suite from "Der Sturm"
Frank Martin8:18
223 Fragmente aus der Oper »Der Sturm«: Hin sind meine Zauberi'n (Prospero)
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (in 1963-05)
orchestra:
Berliner Philharmoniker (in 1963-05)
conductor:
Frank Martin (in 1963-05)
balance engineer:
Harald Baudis
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1963-05)
recording of:
3 Fragmente aus der Oper »Der Sturm«: Hin sind meine Zauberi'n (Prospero) (in 1963-05)
lyricist:
William Shakespeare
composer:
Frank Martin
translator:
August Wilhelm von Schlegel and Ludwig Tieck
part of:
Der Sturm
partial recording of:
Der Sturm: Akt III (in 1963-05)
composer:
Frank Martin
part of:
Der Sturm
Frank Martin5:01
103▶CD: Songs by Artist-Composers
104▶CD: Meyerbeer / Early Goethe Settings I
105▶CD: Early Goethe Settings II / A Life Retold
106▶CD: Interview I
107▶CD: Interview II