| # | Title | Artist | Length |
|---|
| 1 | The Grease Mega‐Mix (Grease) | John Travolta & Olivia Newton‐John | 4:50 |
| 2 | Theme From Shaft (Shaft) | Isaac Hayes | 3:16 |
| 3 | Shoop (Deadpool) | Salt‐n‐Pepa | 4:08 |
| 4 | Lust for Life (The Prodigy remix) (T2 Trainspotting) | Iggy Pop | 4:57 |
| 5 | When the Going Gets Tough, the Tough Get Going (The Jewel of the Nile)- phonographic copyright (℗) by:
- Sony Music Entertainment UK Limited (in 1986)
- recording of:
- When the Going Gets Tough, the Tough Get Going
- writer:
- Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange and Billy Ocean
- publisher:
- Aqua Music, Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd., Zomba Enterprises, Inc. and Zomba Music Publishers Ltd.
| Billy Ocean | 2:59 |
| 6 | Do You Really Want to Hurt Me (The Wedding Singer) | Culture Club | 4:22 |
| 7 | Yesterday (Yesterday) | Himesh Patel | 1:33 |
| 8 | California Dreamin’ (Forrest Gump)- engineer:
- Bones Howe
- producer:
- Lou Adler
- guitar:
- P.F. Sloan (in 1965)
- solo alto flute:
- Bud Shank (in 1965)
- phonographic copyright (℗) by:
- Geffen Records and Dunhill Records (in 1966)
- recorded at:
- Western Recorders in Los Angeles, California, United States (in 1965)
- part of:
- Billboard: The 500 Best Pop Songs (number: 52), Rolling Stone: 500 Greatest Songs of All Time (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
- recording of:
- California Dreamin’ (in 1965)
- writer:
- John Phillips and Michelle Phillips
- publisher:
- American Broadcasting Music, Inc., MCA Music Publishing, Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. and Universal/MCA Music Publishing GmbH
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Mamas & the Papas | 2:39 |
| 9 | Suicide Is Painless (M*A*S*H) | The Mash | 2:55 |
| 10 | Que Sera Sera (Whatever Will Be, Will Be) (The Man Who Knew Too Much) | Doris Day with Frank De Vol & His Orchestra | 2:05 |
| 11 | Fernando (Mamma Mia! Here We Go Again) | Cher & Andy García | 3:56 |
| 12 | Stardust (Sleepless in Seattle) | Nat King Cole | 3:14 |
| 13 | Stand by Me (Stand by Me)- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd., WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music, Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt, Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music, Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 2:55 |
| 14 | Love at First Sight (Totally Blonde) | Michael Bublé | 3:19 |
| 15 | From Russia With Love (From Russia with Love) | Matt Monro | 2:36 |
| 16 | Moon River (Breakfast at Tiffany’s)- recorded in:
- Hollywood, Los Angeles, California, United States
- recording engineer:
- Al Schmitt
- producer:
- Dick Peirce
- choir vocals:
- The Henry Mancini Chorus
- orchestra:
- The Henry Mancini Orchestra
- conductor:
- Henry Mancini
- arranger:
- Henry Mancini
- recording of:
- Moon River (on 1960-12-08)
- lyricist:
- Johnny Mercer
- composer:
- Henry Mancini
- publisher:
- Copyright Control, Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (in 1961) and Famous Music Corporation (in 1989)
- sub-publisher:
- BMG Ariola Belgium, BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部
- part of:
- The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
| Henry Mancini & His Orchestra and Chorus | 2:43 |
| 17 | Unchained Melody (Ghost)- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music, PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd., MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3:38 |
| 18 | Theme From Dances With Wolves | John Barry | 4:07 |
| 19 | Bicycle Chase & End Credits (E.T.: The Extra‐Terrestrial) | The City of Prague Philharmonic Orchestra conducted by Paul Bateman | 4:37 |
| 20 | Shore: A Lord of the Rings Suite (Lord of the Rings) | London Symphony Orchestra, Klauspeter Seibel | 6:44 |
