111 Years of Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleArtistLength
1Hungarian Dance No. 5 in G minor
producer:
Rainer Brock
orchestra:
Wiener Philharmoniker (from 1982-04 until 1982-06)
conductor:
Claudio Abbado (from 1982-04 until 1982-06)
balance engineer:
Klaus Hiemann
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1982-04 until 1982-06)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling) (from 1982-04 until 1982-06)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms2:23
2The Art of Fugue, BWV 1080: Contrapunctus 9. a 4 alla Duodecima
producer:
Christoph Classen
editor:
Christoph Wolff
piano:
Pierre‐Laurent Aimard (in 2007-09)
balance engineer:
Tobias Lehmann (in 2007-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 2007-09)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 2007-09)
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:22
3String Quartet No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace
executive producer:
Prof. Elsa Schiller
producer:
Dr. Manfred Richter
cello:
Martin Lovett (in 1963-06)
string quartet:
Amadeus Quartet (in 1963-06)
viola:
Peter Schidlof (in 1963-06)
violin [violin I]:
Norbert Brainin (in 1963-06)
violin [violin II]:
Siegmund Nissel (in 1963-06)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1963-06)
recording of:
String Quartet no. 14 in C‐sharp minor, op. 131: II. Allegro molto vivace (in 1963-06)
composer:
Ludwig van Beethoven (from 1825 until 1826)
part of:
String Quartet no. 14 in C‐sharp minor, op. 131
Ludwig van Beethoven3:12
4Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
recording engineer and producer:
Hans Weber
executive producer:
Elsa Schiller
piano:
Géza Anda (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (in 1961-05)
conductor:
Géza Anda (in 1961-05)
balance engineer:
Günter Hermanns (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:16
524 Préludes, Op. 28 No. 24 in D minor
executive producer:
Rainer Brock
producer:
Rainer Brock
piano:
Martha Argerich (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (in 1977)
recorded at:
Alter Herkulessaal in München, Bayern, Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:18
6Pavane pour une infante défunte
recording engineer:
Klaus Scheibe
miscellaneous support:
Werner Mayer (task: recording supervision)
producer:
Dr. Steven Paul
editor:
Joachim Niss and Klaus Scheibe
solo horn:
Myron Bloom (on 1981-04-30)
orchestra:
Orchestre de Paris (on 1981-04-30)
conductor:
Daniel Barenboim (on 1981-04-30)
phonographic copyright (℗) by:
Polydor International GmbH (in 1982)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (on 1981-04-30)
recording of:
Pavane pour une infante défunte (orchestrated version) (on 1981-04-30)
orchestrator:
Maurice Ravel (in 1910)
composer:
Maurice Ravel (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel7:47
7Le nozze di Figaro, K. 492: Act II. "Voi che sapete"
recording engineer:
Christopher Alder
associate producer:
Ewald Markl
executive producer:
Christopher Alder and Pål Christian Moe
cello [violincello]:
Franz Bartolomey (from 1994-01 until 1994-02) and Robert Scheiwein (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (from 1994-01 until 1994-02)
mezzo-soprano vocals [Cherubino, paggio del conte]:
Cecilia Bartoli (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:31
824 Préludes, Op. 28 No. 3 in G major
recording engineer:
Arend Prohmann and Mark Buecker (in 2007-07)
executive producer:
Christian Leins
producer:
Arend Prohmann
piano:
Rafał Blechacz (in 2007-07)
piano technician:
Jan Kittel
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 2007)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-07)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 2007-07)
composer:
Fryderyk Chopin
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:03
9Suite No. 2 in B minor, BWV 1067: VII. "Badinerie"
producer:
Dr. Manfred Richter and Hans Ritter
flute:
Jean Soldan (in 1967-05)
strings:
Lucerne Festival Strings
orchestra:
Festival Strings Lucerne (in 1967-05)
conductor:
Rudolf Baumgartner (in 1967-05)
balance engineer:
Günter Hermanns and Heinz Wildhagen
phonographic copyright (℗) by:
Polydor International GmbH (in 1968)
recorded at:
Verkehrshaus in Lucerne, Luzern, Switzerland (in 1967-05)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1967-05)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:31
10Requiem, Op. 48: IV. Pie Jesu
recording engineer:
Hans Weber (in 1986-03)
executive producer:
Günther Breest
producer:
Joseph Szurly
organ:
Timothy Farrell (in 1986-03)
baritone vocals:
Andreas Schmidt
choir vocals:
Philharmonia Chorus (in 1986-03)
soprano vocals:
Kathleen Battle (in 1986-03)
orchestra:
Philharmonia Orchestra (in 1986-03)
conductor:
Carlo Maria Giulini (in 1986-03)
chorus master:
Horst Neumann
balance engineer:
Klaus Scheibe
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:06
11Préludes, Book I: VII. "Ce qu'a vu le vent d'Ouest"
recording engineer:
Cord Garben
producer:
Karl Faust and Cord Garben
piano:
Arturo Benedetti Michelangeli (in 1978-06)
balance engineer:
Klaus Hiemann
phonographic copyright (℗) by:
Polydor International GmbH (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux (in 1978-06)
composer:
Claude Debussy (from 1909-12 until 1910-02)
premiered at:
[concert]
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:45
12Carmen: Act I. "L'amour est un oiseau rebelle" (Havanaise)
recording engineer:
Rainer Brock
executive producer:
Rainer Brock
choir vocals:
Ambrosian Singers (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (in 1977-08)
vocals:
Ambrosian Singers and Teresa Berganza
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (in 1977-08)
chorus master:
Patrick Criswell (in 1977-08) and John McCarthy (in 1977-08)
phonographic copyright (℗) by:
Polydor International GmbH (in 1978)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1977-08)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:27
13Overture Candide
recording engineer:
Hans Weber
executive producer:
Hanno Rinke
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
recording of:
Candide: Overture (on 1982-07-24)
composer:
Leonard Bernstein
part of:
Candide
Leonard Bernstein4:21
14Requiem in D minor, K. 626: III. Sequentia - Lacrimosa
recording engineer:
Günter Hermanns
executive producer:
Dr. Ellen Hickmann and Dr. Hans Hirsch
producer:
Wolfgang Lohse
organ:
Hans Haselböck (in 1971-04)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-04)
orchestra:
Wiener Philharmoniker (in 1971-04)
conductor:
Karl Böhm (in 1971-04)
chorus master:
Norbert Balatsch (in 1971-04)
phonographic copyright (℗) by:
Polydor International GmbH (in 1971)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1971-04)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1971-04)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart4:16
15Sechs Lieder, Op. 17: II. Ständchen
recording engineer and producer:
Sid McLauchlan
executive producer:
Ute Fesquet
piano:
Justus Zeyen (in 2009-03)
soprano vocals:
Measha Brueggergosman (in 2009-03)
recorded at:
Teldex Studio in Berlin, Germany (in 2009-03)
recording of:
Ständchen, op. 17 no. 2 (in 2009-03)
lyricist:
Adolf Friedrich von Schack
composer:
Richard Strauss
part of:
6 Lieder (op. 17; TrV 149)
Richard Strauss2:36
16Le sacre du printemps, Part II: "Le sacrifice" VI. "Danse sacrale" - "L'élue"
recording engineer:
Karl-August Naegler
executive producer:
Alison Ames
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (in 1991-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Игорь Фёдорович Стравинский4:49
17El amor brujo: Canción del amor dolido
recording engineer and producer:
Karl Faust
mezzo-soprano vocals:
Grace Bumbry (in 1965-06)
orchestra:
Radio-Sinfonie-Orchester Berlin (in 1965-06)
conductor:
Lorin Maazel (in 1965-06)
balance engineer:
Günter Hermanns (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: III. Canción del amor dolido (in 1965-06)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:36
18L'Africaine, Act IV: "O Paradiso"
recorded in:
New York, New York, United States (on 1907-02-20)
tenor vocals:
Enrico Caruso (on 1907-02-20)
vocals:
Enrico Caruso
orchestra:
Orchestral Accompaniment
phonographic copyright (℗) by:
BMG Classics (in 1907)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso” (on 1907-02-20)
composer:
Giacomo Meyerbeer
librettist:
Eugène Scribe
translated version of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
live recording of:
L’Africaine
composer:
Giacomo Meyerbeer
librettist:
Eugène Scribe
Giacomo Meyerbeer3:43
19Concerto for Violin, Strings and Harpsichord in G minor, R. 325: II. Largo
recording engineer:
Hans Bernhard Bätzing and Ingmar Haas (in 2006-01)
executive producer:
Marita Prohmann
producer and editor:
Hans Bernhard Bätzing
violin:
Giuliano Carmignola (in 2006-01)
orchestra:
Venice Baroque Orchestra (in 2006-01)
conductor:
Andrea Marcon (in 2006-01)
balance engineer:
Ulrich Vette (in 2006-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 2006)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal in Toblach, Bolzano, Trentino-Alto Adige, Italy (in 2006-01)
recording of:
Concerto for Violin, Strings and Continuo in G minor, RV 325: II. Largo a piacimento (in 2006-01)
composer:
Antonio Vivaldi
part of:
Concerto for Violin, Strings and Continuo in G minor, RV 325
Antonio Vivaldi2:02
20Tosca, Act III. "E lucevan le stelle"
recording engineer:
Michel Glotz
executive producer:
Günther Breest
tenor vocals:
José Carreras (in 1979-09)
orchestra:
Berliner Philharmoniker (in 1979-09)
conductor:
Herbert von Karajan (in 1979-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1979-09)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1979-09)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:24
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