The Art of Fritz Wunderlich

~ Release by Fritz Wunderlich (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
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4▼CD
#TitleArtistLength
1Serse: Act 1. "Holdes Laubgezweig, schattige Ruh'"
producer:
Elsa Schiller
tenor vocals:
Fritz Wunderlich (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1962-10)
conductor:
Rafael Kubelík (in 1962-10)
balance engineer:
Harald Baudis (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel3:25
2Serse: Act 1. "Der Gedanke an die Flammen der Liebe"
producer:
Elsa Schiller
tenor vocals:
Fritz Wunderlich (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1962-10)
conductor:
Rafael Kubelík (in 1962-10)
balance engineer:
Harald Baudis (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel2:58
3Serse: Act 2. "Bleibt ihr treu dem, der euch so verachtet?"
producer:
Elsa Schiller
tenor vocals:
Fritz Wunderlich (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1962-10)
conductor:
Rafael Kubelík (in 1962-10)
balance engineer:
Harald Baudis (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel2:47
4Serse: Act 3." Finstre Furien, ihr Geister der Hölle"
producer:
Elsa Schiller
tenor vocals:
Fritz Wunderlich (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1962-10)
conductor:
Rafael Kubelík (in 1962-10)
balance engineer:
Harald Baudis (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel3:57
5Iphigénie en Tauride: Act 2. "Nur einen Wunsch, nur ein Verlangen"
tenor vocals and tenor vocals [Pylades]:
Fritz Wunderlich
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Rafael Kubelík
partial recording of:
Iphigenie auf Tauris
translated version of:
Iphigénie en Tauride, Wq. 46
Christoph Willibald Gluck3:38
6Iphigénie en Tauride: Act 3. "O unverhofftes Glück" - "Das höre ich von dir"
baritone vocals [Orestes]:
Hermann Prey
tenor vocals [Pylades]:
Fritz Wunderlich
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Rafael Kubelík
phonographic copyright (℗) by:
Polydor International GmbH (in 1971)
partial recording of:
Iphigenie auf Tauris
translated version of:
Iphigénie en Tauride, Wq. 46
Christoph Willibald Gluck4:05
7L'Orfeo: Act 1. "Ma se il nostro gioir"
baritone vocals [Dritter Hirte]:
Clemens Kaiser-Breme
tenor vocals [Zweiter Hirte]:
Fritz Wunderlich
orchestra:
Orchester der "Sommerlichen Musiktage Hitzacker 1955" (in 1955)
conductor:
August Wenzinger
recording of:
L'Orfeo: Atto primo. Alcun non sia che disperato in preda (Due pastori)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Ma se il nostro gioir dal ciel deriva (Pastore)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio
part of:
L’Orfeo: Atto primo
Claudio Monteverdi2:36
8L'Orfeo: Act 5. "Perché a lo sdegno"
tenor vocals [Apollo]:
Fritz Wunderlich
tenor vocals [Orfeo]:
Helmut Krebs
orchestra:
Orchester der "Sommerlichen Musiktage Hitzacker 1955" (in 1955)
conductor:
August Wenzinger
recording of:
L'Orfeo: Atto quinto. Perché a lo sdegno e al dolor in preda (Apollo)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Si non vedrò più mai (Orfeo, Apollo)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quinto
Claudio Monteverdi4:56
9Giulio Cesare: Act 1. "Erwacht in meinem Herzen"
producer:
Elsa Schiller
tenor vocals [Sesto]:
Fritz Wunderlich (in 1966-03)
orchestra:
Münchner Philharmoniker (in 1966-03)
conductor:
Ferdinand Leitner (in 1966-03)
balance engineer:
Harald Baudis (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17: Akt I (in 1966-03)
composer:
George Frideric Handel
librettist:
Nicola Francesco Haym
part of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation)
George Frideric Handel4:21
10Giulio Cesare: Act 1. "Nur weinen lernte ich"
producer:
Elsa Schiller
mezzo-soprano vocals [Cornelia]:
Christa Ludwig
tenor vocals [Sesto]:
Fritz Wunderlich (in 1966-03)
orchestra:
Münchner Philharmoniker (in 1966-03)
conductor:
Ferdinand Leitner (in 1966-03)
balance engineer:
Harald Baudis (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation) (in 1966-03)
composer:
George Frideric Handel (in 1723)
librettist:
Nicola Francesco Haym
translated version of:
Giulio Cesare in Egitto, HWV 17
George Frideric Handel5:57
11Giulio Cesare: Act 2. "Keine Schlange läßt sich töten"
producer:
Elsa Schiller
tenor vocals [Sesto]:
Fritz Wunderlich (in 1966-03)
orchestra:
Münchner Philharmoniker (in 1966-03)
conductor:
Ferdinand Leitner (in 1966-03)
balance engineer:
Harald Baudis (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation) (in 1966-03)
composer:
George Frideric Handel (in 1723)
librettist:
Nicola Francesco Haym
translated version of:
Giulio Cesare in Egitto, HWV 17
George Frideric Handel5:30
12Les Dragons de Villars: Act 1. "O schweige still, o lasse dich erbitten"
tenor vocals [Sylvain]:
Fritz Wunderlich
orchestra:
Münchner Rundfunkorchester
conductor:
Hans Moltkau
recording of:
Das Glöckchen des Eremiten: „O schweige still, o lasse dich erbitten“ (Romanze des Sylvain)
composer:
Aimé Maillart
Aimé Maillart2:55
13Das Nachtlager in Granada: Act 2. "Doch nun zu dir" - "Trenne nicht das Band der Liebe"
baritone vocals [Jäger]:
Hermann Prey
soprano vocals [Gabriele]:
Erika Köth
tenor vocals and tenor vocals [Gomez]:
Fritz Wunderlich
orchestra:
Münchner Rundfunkorchester
conductor:
Kurt Eichhorn
partial recording of:
Das Nachtlager in Granada
composer:
Conradin Kreutzer
librettist:
Karl Johann Braun von Brauntha
Conradin Kreutzer5:46
14Der Waffenschmied: Act 1. "Man wird ja nur einmal geboren"
tenor vocals and tenor vocals [Georg]:
Fritz Wunderlich
vocals:
Fritz Wunderlich
orchestra:
Münchner Rundfunkorchester
conductor:
Hans Moltkau
recording of:
Der Waffenschmied: Akt I. „Man wird ja einmal nur geboren” (Georg)
composer and librettist:
Albert Lortzing
part of:
Der Waffenschmied: Akt I
Albert Lortzing3:32
15Zar und Zimmermann: Act 2. Lied mit Chor: "Lebe wohl, mein flandrisch Mädchen"
recording engineer:
Heinz Wildhagen
producer:
Hans Ritter
choir vocals:
Chor des Bayerischen Rundfunks (in 1966-09)
soprano vocals [Marie]:
Ingeborg Hallstein (in 1966-09)
tenor vocals [Marquis]:
Fritz Wunderlich (in 1966-09)
orchestra:
Bamberger Symphoniker (in 1966-09)
conductor:
Hans Gierster (in 1966-09)
chorus master:
Wolfgang Schubert (in 1966-09)
balance engineer:
Heinz Wildhagen (in 1966-09)
recorded at:
Kulturraum in Bamberg, Bayern, Germany (in 1966-09)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor) (in 1966-09)
composer and librettist:
Albert Lortzing (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing5:03
16Les pêcheurs de perles: Act 1. "Nadir, du stehst wirklich vor mir" - "Und in des Tempels Grund"
baritone vocals [Zurga]:
Hermann Prey
tenor vocals [Nadir]:
Fritz Wunderlich
orchestra:
Münchner Rundfunkorchester
conductor:
Horst Stein
partial recording of:
Die Perlenfischer
composer:
Georges Bizet
translated version of:
Les Pêcheurs de perles
Georges Bizet8:48
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Credits

Release group

includes:Wiener Lieder