Bill Evans Trio at Shelly's Manne-Hole, Hollywood, California

~ Release by Bill Evans Trio (see all versions of this release, 11 available)

Annotation

There are some doubts about the timing/titling of the two last tracks.

Tracklist

1▼CD
#TitleLength
1Isn't It Romantic?
producer:
Orrin Keepnews
bass:
Chuck Israels (on 1963-05-14, from 1963-05-14 until 1963-05-19)
drums (drum set):
Larry Bunker (on 1963-05-14, from 1963-05-14 until 1963-05-19)
piano:
Bill Evans (on 1963-05-14, from 1963-05-14 until 1963-05-19)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (from 1963-05-13 until 1963-05-19, on 1963-05-14, from 1963-05-14 until 1963-05-19)
live instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (on 1963-05-14)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Music Corporation and Sony/ATV Harmony
live instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (from 1963-05-14 until 1963-05-19)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Music Corporation and Sony/ATV Harmony
live instrumental cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (from 1963-05-14 until 1963-05-19)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Music Corporation and Sony/ATV Harmony
4:45
2The Boy Next Door
producer:
Orrin Keepnews
bass:
Chuck Israels (on 1963-05-14, from 1963-05-14 until 1963-05-19)
drums (drum set):
Larry Bunker (on 1963-05-14, from 1963-05-14 until 1963-05-19)
piano:
Bill Evans (on 1963-05-14, from 1963-05-14 until 1963-05-19)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (from 1963-05-13 until 1963-05-19, on 1963-05-14, from 1963-05-14 until 1963-05-19)
live instrumental recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (on 1963-05-14)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music
part of:
Meet Me in St. Louis (1944 film)
live instrumental recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (from 1963-05-14 until 1963-05-19)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music
part of:
Meet Me in St. Louis (1944 film)
live instrumental cover recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (from 1963-05-14 until 1963-05-19)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music
part of:
Meet Me in St. Louis (1944 film)
5:28
3Wonder Why
producer:
Orrin Keepnews
bass:
Chuck Israels (on 1963-05-19)
drums (drum set):
Larry Bunker (on 1963-05-19)
piano:
Bill Evans (on 1963-05-19)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (on 1963-05-19)
live instrumental recording of:
Wonder Why (Rich, Young and Pretty) (on 1963-05-19)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
5:21
4Swedish Pastry
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (on 1963-05-14)
live recording of:
Swedish Pastry (on 1963-05-14)
composer:
Barney Kessel
publisher:
Jewel Music Publishing Co., Inc.
5:58
5Our Love Is Here to Stay
producer:
Orrin Keepnews
bass:
Chuck Israels (on 1963-05-14)
drums (drum set):
Larry Bunker (on 1963-05-14)
piano:
Bill Evans (on 1963-05-14)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (on 1963-05-14)
live instrumental recording of:
Love Is Here to Stay (on 1963-05-14)
lyricist:
Ira Gershwin
composer:
George Gershwin
publisher:
Chappell & Co Ltd., Chappell & Co., Inc., Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music, Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
4:53
6'Round Midnight
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (on 1963-05-14)
live instrumental recording of:
’Round Midnight (on 1963-05-14)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
is based on:
I Need You So
9:09
7Stella by Starlight
producer:
Orrin Keepnews
bass:
Chuck Israels (on 1963-05-14)
drums (drum set):
Larry Bunker (on 1963-05-14)
piano:
Bill Evans (on 1963-05-14)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (on 1963-05-14)
live instrumental recording of:
Stella by Starlight (on 1963-05-14)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young
composer:
Victor Young (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
5:06
8All the Things You Are
producer:
Orrin Keepnews
bass:
Chuck Israels (on 1963-05-14)
drums (drum set):
Larry Bunker (on 1963-05-14)
piano:
Bill Evans (on 1963-05-14)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (on 1963-05-14)
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1963-05-14)
lyricist:
Oscar Hammerstein II (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc.
part of:
Broadway Rhythm (film)
8:52
9Blues in F
producer:
Orrin Keepnews
bass:
Chuck Israels (on 1963-05-14)
drums (drum set):
Larry Bunker (on 1963-05-14)
piano:
Bill Evans (on 1963-05-14)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (on 1963-05-14)
live recording of:
Blues in F/Five (on 1963-05-14)
composer:
Bill Evans and Chuck Israels
5:46