| Adagio from Sonata for Violin and Keyboard in F minor, BWV 1018 | Hamish Milne | 4:08 | |
| Air from Orchestral Suite no. 3 in D major, BWV 1068 | Hamish Milne | 4:55 | |
| Andante from Sonata for Solo Violin in A minor, BWV 1003 | Hamish Milne | 4:39 | |
| Carnival in Rio | Hamish Milne | ?:?? | |
| Cello Sonata in A major, op. 104: Allegro amabile e grazioso | Jiří Bárta, Hamish Milne | 11:02 | |
| Cello Sonata in A major, op. 104: Romanze: Un poco adagio e con espressione | Jiří Bárta, Hamish Milne | 5:56 | |
| Cello Sonata in A major, op. 104: Rondo: Allegro vivace un poco | Jiří Bárta, Hamish Milne | 6:09 | |
| Cello Sonata no. 1 in D major, op. 18: I. Allegro moderato | Jiří Bárta, Hamish Milne | 11:56 | |
| Cello Sonata no. 1 in D major, op. 18: II. Moderato assai | Jiří Bárta, Hamish Milne | 6:58 | |
| Cello Sonata no. 1 in D major, op. 18: III. Moderato | Jiří Bárta, Hamish Milne | 9:55 | |
| Cello Sonata no. 2 in E major, op. 121: Allegro espressivo e appassionato | Jiří Bárta, Hamish Milne | 11:11 | |
| Cello Sonata no. 2 in E major, op. 121: Allegro vivace, ma non troppo | Jiří Bárta, Hamish Milne | 6:54 | |
| Cello Sonata no. 2 in E major, op. 121: Ballade (in böhmische Weise): Andantino | Jiří Bárta, Hamish Milne | 9:19 | |
| Cello Sonata no. 2 in E major, op. 121: Scherzo (ballabile): Allegretto quasi allegro | Jiří Bárta, Hamish Milne | 5:43 | |
| Cello Sonata no. 2 in G major, op. 39: I. Allegro | Jiří Bárta, Hamish Milne | 12:44 | |
| Cello Sonata no. 2 in G major, op. 39: II. Allegretto | Jiří Bárta, Hamish Milne | 7:51 | |
| Cello Sonata no. 2 in G major, op. 39: III. Andante | Jiří Bárta, Hamish Milne | 9:19 | |
| Cello Sonata no. 2 in G major, op. 39: IV. Moderato | Jiří Bárta, Hamish Milne | 12:08 | |
| Concerto for Piano and Orchestra in D minor: I. Maestoso e moderato - Tranquillo - Cadenza - Allegro | BBC Scottish Symphony Orchestra, Martyn Brabbins, Hamish Milne | 15:00 | |
| Concerto for Piano and Orchestra in D minor: II. Andante | BBC Scottish Symphony Orchestra, Martyn Brabbins, Hamish Milne | 5:52 | |
| Concerto for Piano and Orchestra in D minor: III. Finale: Vivace | BBC Scottish Symphony Orchestra, Martyn Brabbins, Hamish Milne | 12:19 | |
| Dithyramb in E-flat minor, op. 10 no. 2 | Hamish Milne | 8:40 | |
| Dithyramb, op. 10 no. 2 | Hamish Milne | 8:40 | |
| Drei Arabesken, op. 7: Ein Idyll: Allegretto tranquillo e dolce | Hamish Milne | 2:16 | |
| Drei Arabesken, op. 7: Tragoedie-Fragment in A minor: Andantino con moto | Hamish Milne | 3:52 | |
| Drei Arabesken, op. 7: Tragoedie-Fragment in G minor: Allegro inquieto ma al rigore di tempo | Hamish Milne | 3:54 | |
| Drei Dithyramben, op. 10: Andantino innocente | Hamish Milne | 2:30 | |
| Drei Dithyramben, op. 10: Maestoso severamente | Hamish Milne | 6:13 | |
| Drei Dithyramben, op. 10: Mit höchstem Pathos | Hamish Milne | 8:42 | |
| Drei Hymnen an die Arbeit, op. 49: Am Amboss: Allegro, molto pesante e poco rubato | Hamish Milne | 3:27 | |
| Drei Hymnen an die Arbeit, op. 49: Nach der Arbeit: Allegro vivace | Hamish Milne | 3:27 | |
| Drei Hymnen an die Arbeit, op. 49: Vor der Arbeit: Allegretto molto tranquillo | Hamish Milne | 3:50 | |
| Drei Novellen, op. 17: Allegro, molto sostenuto | Hamish Milne | 6:38 | |
| Drei Novellen, op. 17: Daphnis und Chloe: Andante | Hamish Milne | 3:43 | |
| Drei Novellen, op. 17: Tempo giusto | Hamish Milne | 4:48 | |
| Duets for Children: VIII. Song at Dusk | Gretel Dowdeswell, Hamish Milne | 1:29 | |
| Elegy and Waltz, op. 89: Elegy: Andante caldo ed espressivo | Hamish Milne | 4:04 | |
| Elegy and Waltz, op. 89: Waltz: Tempo di Valse moderato e grazioso | Hamish Milne | 4:53 | |
| Elegy, op. 59 no. 2 | Hamish Milne | 8:56 | |
| Elegy, op. 59 no. 2 | Hamish Milne | 8:56 | |
| Etude in C minor | Hamish Milne | 2:22 | |
| Étude in C minor | Hamish Milne | 2:32 | |
| Fairy Tale in C-sharp minor, op. 35 no. 4 | Hamish Milne | 3:50 | |
| Fairy Tale in D minor | Hamish Milne | 1:56 | |
| Fairy Tale in E minor (March of the Paladin), op. 14 no. 2 | Hamish Milne | 3:58 | |
| Fairy Tale in E-flat major, op. 26 no. 2 | Hamish Milne | 1:30 | |
| Fairy Tale in F minor (Ophelia's Song), op. 14 no. 1 | Hamish Milne | 3:32 | |
| Fairy Tale in G major, op. 9 no. 3 | Hamish Milne | 1:55 | |
| Fairy tales in A-flat major, op. 26 no. 2 | Hamish Milne | 1:30 | |
| Fairy tales in C-sharp minor, op. 35 no. 4 | Hamish Milne | 3:50 | |
| Fairy tales in D minor | Hamish Milne | 1:56 | |
| Fairy tales in E minor, op. 14 no. 2 (March of the Paladin) | Hamish Milne | 3:58 | |
| Fairy tales in F minor, op. 14 no. 1 (Ophelia's Song) | Hamish Milne | 3:32 | |
| Fairy tales in G major, op. 9 no. 3 | Hamish Milne | 1:55 | |
| Fantasia contrappuntistica, BV 256: I. Chorale Prelude "Allein Gott in der Höh sei Ehr" | Hamish Milne | 8:45 | |
| Fantasia contrappuntistica, BV 256: II. Fugue I | Hamish Milne | 3:55 | |
| Fantasia contrappuntistica, BV 256: III. Fugue II | Hamish Milne | 2:13 | |
| Fantasia contrappuntistica, BV 256: IV. Fugue III (on B-A-C-H) | Hamish Milne | 6:13 | |
| Fantasia contrappuntistica, BV 256: IX. Cadenza | Hamish Milne | 1:29 | |
| Fantasia contrappuntistica, BV 256: V. Intermezzo | Hamish Milne | 1:11 | |
| Fantasia contrappuntistica, BV 256: VI. Variation I | Hamish Milne | 1:25 | |
| Fantasia contrappuntistica, BV 256: VII. Variation II | Hamish Milne | 0:53 | |
| Fantasia contrappuntistica, BV 256: VIII. Variation III | Hamish Milne | 0:59 | |
| Fantasia contrappuntistica, BV 256: X. Fugue IV | Hamish Milne | 1:44 | |
| Fantasia contrappuntistica, BV 256: XI. Chorale | Hamish Milne | 1:01 | |
| Fantasia contrappuntistica, BV 256: XII. Stretta | Hamish Milne | 2:11 | |
| Fantasia contrappuntistica: Fugue I | Hamish Milne | 3:51 | |
| Fantasy & Fugue on "Ad nos, ad salutarem undam", S. 259 (arr. Busoni for piano): I. Fantasy | Hamish Milne | 9:34 | |
| Fantasy & Fugue on "Ad nos, ad salutarem undam", S. 259 (arr. Busoni for piano): II. Adagio | Hamish Milne | 10:45 | |
| Fantasy & Fugue on "Ad nos, ad salutarem undam", S. 259 (arr. Busoni for piano): III. Fugue | Hamish Milne | 9:16 | |
| Forgotten melodies, op. 39 no. 1: Meditazione: Introduzione, quasi Cadenza - Meno mosso - Meditamente | Hamish Milne | 6:12 | |
| Forgotten melodies, op. 39 no. 3: Primavera: Vivace | Hamish Milne | 3:49 | |
| Forgotten Melodies, Second Cycle, op. 39: Canzona Matinata | Hamish Milne | 4:22 | |
| Forgotten Melodies, Second Cycle, op. 39: Meditazione | Hamish Milne | 5:43 | |
| Forgotten Melodies, Second Cycle, op. 39: Primavera | Hamish Milne | 3:45 | |
| Forgotten Melodies, Second Cycle, op. 39: Romanza | Hamish Milne | 5:02 | |
| Forgotten Melodies, Second Cycle, op. 39: Sonata Tragica | Hamish Milne | 10:08 | |
| Four Skazki, op. 34: No. 1 in B minor "The Magic Violin". Tempo cangiando, abbandonamente | Hamish Milne | 5:47 | |
| Four Skazki, op. 34: No. 2 in E minor. Allegro cantabile e leggiero | Hamish Milne | 2:11 | |
| Four Skazki, op. 34: No. 3 in A minor. Allegretto tenebroso | Hamish Milne | 3:35 | |
| Four Skazki, op. 34: No. 4 in D minor. Molto sostenuto e semplice | Hamish Milne | 5:50 | |
| Fugue in C minor, BWV 575 | Hamish Milne | 8:21 | |
| Harlequin (Scherzo) | Hamish Milne | 2:01 | |
| I Loved Thee, op. 32 no. 4 | Hamish Milne | 2:32 | |
| Idyll, op. 126 no. 1 | Hamish Milne | ?:?? | |
| Meditation from Forgotten Melodies Second Cycle, op. 39 no. 1 | Hamish Milne | 6:12 | |
| Melodish-contrapunktische Studien, op. 137: No. 4. Andante con moto espressivo | Jiří Bárta, Hamish Milne | 3:22 | |
| Melodish-contrapunktische Studien, op. 137: No. 8. Allegro maestoso | Jiří Bárta, Hamish Milne | 1:45 | |
| Melodish-contrapunktische Studien, op. 137: No. 9. Andante espressivo | Jiří Bárta, Hamish Milne | 3:05 | |
| Moment Musical in C minor, op. 4 no. 3 "Gnomenklage" | Hamish Milne | 2:42 | |
| Obsession passée, op. 6: Epilogue: Poco agitato — Drammatico | Hamish Milne | 1:11 | |
| Obsession passée, op. 6: Étude: Pas très vite | Hamish Milne | 1:03 | |
| Obsession passée, op. 6: Impression (Botticelli): Très nerveux | Hamish Milne | 0:48 | |
| Obsession passée, op. 6: Longing: Languido | Hamish Milne | 2:24 | |
| Passacaglia in C minor, BWV 582 | Hamish Milne | 12:59 | |
| Piano Concerto in B-flat major, op. 18: I. Mässig bewegt | BBC Scottish Symphony Orchestra, Michał Dworzyński, Hamish Milne | 16:50 | |
| Piano Concerto in B-flat major, op. 18: II. Mässig langsam | BBC Scottish Symphony Orchestra, Michał Dworzyński, Hamish Milne | 11:56 | |
| Piano Concerto in B-flat major, op. 18: III. Langsam – Belebter – Lebhaft – Ein wenig ruhiger – Tempo I | BBC Scottish Symphony Orchestra, Michał Dworzyński, Hamish Milne | 12:01 | |
| Piano Concerto in G minor, op. 20: I. Allegro moderato | BBC Scottish Symphony Orchestra, Michał Dworzyński, Hamish Milne | 13:49 | |
| Piano Concerto in G minor, op. 20: II. Andante | BBC Scottish Symphony Orchestra, Michał Dworzyński, Hamish Milne | 7:09 | |