| liner notes for |
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| Love Songs | | Various Artists | |
| The Best Classical Album of the Millennium…Ever! | | Various Artists | |
| wrote |
|---|
| Hamlet | | William Shakespeare, Alexander Vlahos, Miles Richardson, Barnaby Edwards, Samuel Barnett, Deirdre Mullins, Terry Molloy, James Joyce, Youssef Kerkour, Geoffrey Breton, Daniel Brocklebank, Jolyon Westhorpe, Alex Jordan & Tracey Childs | |
| Hamlet | | William Shakespeare, Alexander Vlahos, Miles Richardson, Barnaby Edwards, Samuel Barnett, Deirdre Mullins, Terry Molloy, James Joyce, Youssef Kerkour, Geoffrey Breton, Daniel Brocklebank, Jolyon Westhorpe, Alex Jordan & Tracey Childs | |
| Hamlet Act 1 | | William Shakespeare, Alexander Vlahos, Miles Richardson, Barnaby Edwards, Samuel Barnett, Deirdre Mullins, Terry Molloy, James Joyce, Youssef Kerkour, Geoffrey Breton, Daniel Brocklebank, Jolyon Westhorpe, Alex Jordan & Tracey Childs | |
| Hamlet Act 3 (excerpt) | | William Shakespeare, Alexander Vlahos, Miles Richardson, Samuel Barnett, Deirdre Mullins, Terry Molloy, James Joyce, Youssef Kerkour, Geoffrey Breton, Daniel Brocklebank, Jolyon Westhorpe, Alex Jordan & Tracey Childs | |
| King Lear | | William Shakespeare, Louise Jameson, David Warner, Barnaby Edwards, Ray Fearon, Trevor Cooper, Nicholas Pegg, Tony Millan, Gwilym Lee, Lisa Bowerman, Raymond Coulthard, Mike Grady, Finty Williams & Paul Shelley | |
| King Lear | | William Shakespeare, Louise Jameson, David Warner, Barnaby Edwards, Ray Fearon, Trevor Cooper, Nicholas Pegg, Tony Millan, Gwilym Lee, Lisa Bowerman, Raymond Coulthard, Mike Grady, Finty Williams & Paul Shelley | |
| libretto |
|---|
| BlindPoint, op. 183 | | | |
| Blow, Blow Thou Winter's Wind | | | |
| Julius Caesar | | | |
| Romeo Sama | | | |
| Three Sonnets of Shakespeare | | | |
| Timon of Athens | | | |
| lyrics |
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| 1601 – 1602 | Come Away Death | | | |
| 'Tis St. Valentine's Day | | | |
| 2 Chants d'Ariel | | | |
| 2 Chants d'Ariel: No. 1. Venez jusqu'à ces sables d'or | | | |
| 2 Chants d'Ariel: No. 2. Où butine l'abeille | | | |
| 2 Songs from "Twelfth Night", op. 60 | | | |
| 3 Fragmente aus der Oper »Der Sturm«: Hin sind meine Zauberi'n (Prospero) | | | |
| 3 Shakespeare Songs | | | |
| 3 Shakespeare Songs: Madrigal "Take, O Take Those Lips Away" | | | |
| 3 Shakespeare Songs: Sonnet 147 "My love is as a fever" | | | |
| 3 Songs from Shakespeare | | | |
| 3 Songs from Shakespeare: No. 1. Take, O take | | | |
| 3 Songs from Shakespeare: No. 2. When Icicles Hang by the Wall | | | |
| 3 Songs from Shakespeare: No. 3. Orpheus With His Lute | | | |
| 4 Gesänge, op. 17: Nr. 2. Lied von Shakespeare | | | |
| 4 Lieder, op. 31 | | | |
| 4 Lieder, op. 31: No. 4. When the Birds Do Sing | | | |
| 4 Love Sonnets | | | |
| 4 Love Sonnets | | | |
| 4 Love Sonnets: No. 1. Spójrz co tu ciche serce wypisało | | | |
| 4 Love Sonnets: No. 1. Spójrz co tu ciche serce wypisało | | | |
| 4 Love Sonnets: No. 2. Drwię, mając ciebie, z całej ludzkiej pychy | | | |
| 4 Love Sonnets: No. 2. Drwię, mając ciebie, z całej ludzkiej pychy | | | |
| 4 Love Sonnets: No. 3. Słodka miłości | | | |
| 4 Love Sonnets: No. 3. Słodka miłości | | | |
| 4 Love Sonnets: No. 4. Jakże podobna zimie jest rozłąka | | | |
| 4 Love Sonnets: No. 4. Jakże podobna zimie jest rozłąka | | | |
| 4 Part‐Songs: No. 2. Madrigal | | | |
| 5 Shakespeare Songs | | | |
| 5 Shakespeare Songs: No. 1, Orpheus with His Lute | | | |
| A Circle in the Sand | | | |
| A Dirge | | | |
| A Fairy Song | | | |
| A költészethez: II. Szonnett | | | |
| A Lover & His Lass | | | |
| A Lover’s Journey: II. St. Valentine's Day | | | |
| A Lover’s Journey: III. Will you, nill You | | | |
| A Lover’s Journey: IV. Shall I Compare Thee to a Summer's Day? | | | |
| A Madrigal | | | |
| A Piper | | | |
| A Sea Dirge, S. 342 | | | |
| A Song of Thanksgiving | | | |
| A song of willow | | | |
| Alas Sweet Lady | | | |
| All the World's a Stage | | | |
| All the World's a Stage | | | |
| Alleluia | | | |
| Amorisms | | | |
| Amorisms: I. Love Is a Spirit | | | |
| Amorisms: II. How Quick and Fresh | | | |
| Amorisms: III. The Course of True Love | | | |
| Amorisms: IV. Sweet Lovers | | | |
| Amorisms: V. When Love Speaks | | | |
| An Silvia, D. 891 | | | |
| An Sylvia, D. 891 | | | |
| And Will A' Not Come Again? | | | |
| And will he not come again? | | | |
| Apparition | | | |
| Ariel Sings | | | |
| Ariel's Hail | | | |
| Arise | | | |
| As an Unperfect Actor (Sonnet No. 23) | | | |
| Ascension | | | |
| Banished | | | |
| Bard’s Eye View: I. O mistress mine | | | |
| Bard’s Eye View: II. Shall I compare thee to a summer's day | | | |
| Bard’s Eye View: III. Sigh no more, ladies | | | |
| Be King Hereafter | | | |
| Bid Me Discourse | | | |
| Birthday Madrigals: No. 1. It was a lover and his lass | | | |
| Blow Blow | | | |
| Blow Blow Thou Winter Wind | | | |
| Blow, blow thou winter wind | | | |
| Blow, Blow thou Winter Wind | | | |
| Blow, Blow Thou Winter Wind | | | |
| Blow, Blow Thou Winter Wind | | | |
| Blow, Blow Thou Winter Wind (As You Like It) | | | |
| Blow, Blow Thou Winter Wind, op. 6 no. 3 | | | |
| Blow, Blow, Thou Winter Wind | | | |
| Blow, Blow, Thou Winter Wind | | | |
| Bog kupidon dremal v tishi lesnoy, op. 52 no. 5 | | | |
| By the Simplicity of Venus' Doves | | | |
| Caliban's Dream | | | |
| Caliban's Dream | | | |
| Carpe Diem | | | |
| Cave of Roses | | | |
| Charade for the Bard | | | |
| Clock | | | |
| Come Away Death | | | |
| Come Away Death | | | |
| Come Away Death | | | |
| Come Away Death | | | |
| Come Away Death | | | |
| Come Away Death, op. 6 no. 1 | | | |
| Come away, come away, death | | | |
| Come away, death | | | |
| Come Away, Death | | | |
| Come Away, Death | | | |
| Come Live With Me and Be My Love | | | |
| Come Sweet Audrey | | | |
| See all 738 relationships |
| previous attribution |
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| Lieder WoO posth. 22 no. 1: Wie erkenn'ich dein Treulieb | | | |
| wrote |
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| 1596 – 1599 | Henry IV, Part 2 | | | |
| A Lover and His Lass | | | |
| A Midsummer Night’s Dream | | | |
| A Midsummer Night’s Dream: Act I | | | |
| A Midsummer Night’s Dream: Act II | | | |
| A Midsummer Night’s Dream: Act III | | | |
| A Midsummer Night’s Dream: Act IV | | | |
| A Midsummer Night’s Dream: Act V | | | |
| All’s Well That Ends Well | | | |
| As You Like It | | | |
| Cymbeline | | | |
| Ein Sonnett | | | |
| England | | | |
| Hamlet | | | |
| Hamlet | | | |
| Hamlet | | | |
| Hamlet | | | |
| Henry IV, Part 1 | | | |
| In Black Ink: Look in thy glass and tell the face thou viewest | | | |
| In Black Ink: Since brass, nor stone, nor earth. nor boundless sea | | | |
| In Black Ink: Those lips that Love's own hand did make | | | |
| It Was a Lover and His Lass | | | |
| King Lear | | | |
| Macbeth | | | |
| Macbeth | | | |
| Measure for Measure | | | |
| Much Ado About Nothing | | | |
| Night by Night | | | |
| Orpheus with his lute made trees | | | |
| Othello | | | |
| Pericles, Prince of Tyre | | | |
| Richard III | | | |
| Richard III | | | |
| Romeo and Juliet | | | |
| Romeo und Julia | | | |
| Sonnet #XXIX | | | |
| Sonnet 97: How like a winter hath my absence been | | | |
| Sonnet 116 | | | |
| Sonnet 130: My Mistress’ Eyes Are Nothing Like the Sun | | | |
| Sonnet 138: When My Love Swears That She Is Made of Truth | | | |
| Sonnet nº 1: From fairest creatures we desire increase | | | |
| Sonnet nº 2: When forty winters shall besiege thy brow | | | |
| Sonnet nº 3: Look in thy glass and tell the face thou viewest | | | |
| Sonnet nº 4: Unthrifty loveliness, why dost thou spend | | | |
| Sonnet nº 5: Those hours that with gentle work did frame | | | |
| Sonnet nº 6: Then let not winter's ragged hand deface | | | |
| Sonnet nº 7: Lo, in the orient when the gracious light | | | |
| Sonnet nº 8: Music to hear, why hear'st thou music sadly? | | | |
| Sonnet nº 9: Is it for fear to wet a widow's eye | | | |
| Sonnet nº 10: For shame deny that thou bear'st love to any | | | |
| Sonnet nº 11: As fast as thou shalt wane, so fast thou grow'st | | | |
| Sonnet nº 12: When do I count the clock that tells the time | | | |
| Sonnet nº 13: O that you were yourself, but, love, you are | | | |
| Sonnet nº 14: Not from the stars do I my judgment pluck | | | |
| Sonnet nº 15: When I consider every thing that grows | | | |
| Sonnet nº 16: But wherefore do not you a mightier way | | | |
| Sonnet nº 17: Who will believe my verse in time to come | | | |
| Sonnet nº 18: Shall I compare thee to a summer’s day? | | | |
| Sonnet nº 19: Devouring Time, blunt thou the lion's paws | | | |
| Sonnet nº 20: A woman's face, with Nature's own hand painted | | | |
| Sonnet nº 21: So is it not with me as with that Muse | | | |
| Sonnet nº 22: My glass shall not persuade me I am old | | | |
| Sonnet nº 23: As an unperfect actor on the stage | | | |
| Sonnet nº 24: Mine eye hath play'd the painter and hath stell'd | | | |
| Sonnet nº 25: Let those who are in favour with their stars | | | |
| Sonnet nº 26: Lord of my love, to whom in vassalage | | | |
| Sonnet nº 27: Weary with toil, I haste me to my bed | | | |
| Sonnet nº 28: How can I then return in happy plight | | | |
| Sonnet nº 29: When in disgrace with fortune and men's eyes | | | |
| Sonnet nº 30: When to the sessions of sweet silent thought | | | |
| Sonnet nº 31: Thy bosom is endeared with all hearts | | | |
| Sonnet nº 32: If thou survive my well-contented day | | | |
| Sonnet nº 33: Full many a glorious morning have I seen | | | |
| Sonnet nº 34: Why didst thou promise such a beauteous day | | | |
| Sonnet nº 35: No more be griev'd at that which thou hast done | | | |
| Sonnet nº 36: Let me confess that we two must be twain | | | |
| Sonnet nº 37: As a decrepit father takes delight | | | |
| Sonnet nº 38: How can my Muse want subject to invent | | | |
| Sonnet nº 39: O how thy worth with manners may I sing | | | |
| Sonnet nº 40: Take all my loves, my love, yea, take them all | | | |
| Sonnet nº 41: Those pretty wrongs that liberty commits | | | |
| Sonnet nº 42: That thou has her, it is not all my grief | | | |
| Sonnet nº 43: When most I wink, then do mine eyes best see | | | |
| Sonnet nº 44: If the dull substance of my flesh were thought | | | |
| Sonnet nº 45: The other two, slight air and purging fire | | | |
| Sonnet nº 46: Mine eye and heart are at a mortal war | | | |
| Sonnet nº 47: Betwixt mine eye and heart a league is took | | | |
| Sonnet nº 48: How careful was I, when I took my way | | | |
| Sonnet nº 49: Against that time, if ever that time come | | | |
| Sonnet nº 50: How heavy do I journey on the way | | | |
| Sonnet nº 51: Thus can my love excuse the slow offence | | | |
| Sonnet nº 52: So am I as the rich whose blessed key | | | |
| Sonnet nº 53: What is your substance, whereof are you made | | | |
| Sonnet nº 54: O how much more doth beauty beauteous seem | | | |
| Sonnet nº 55: Not marble nor the gilded monuments | | | |
| Sonnet nº 56: Sweet love, renew thy force; be it not said | | | |
| Sonnet nº 57: Being your slave, what should I do but tend | | | |
| Sonnet nº 58: That God forbid that made me first your slave | | | |
| Sonnet nº 59: If there be nothing new, but that which is | | | |
| Sonnet nº 60: Like as the waves make towards the pebbled shore | | | |
| See all 137 relationships |
