| conducted |
|---|
| Choral Hymns from the Rig Veda Op.26 (Third Group) H99 - I. Hymn to the Dawn | | Gustav Holst | 3:07 |
| Choral Hymns from the Rig Veda Op.26 (Third Group) H99 - II. Hymn to the Waters | | Gustav Holst | 1:56 |
| Choral Hymns from the Rig Veda Op.26 (Third Group) H99 - III.Hymn to the Vena | | Gustav Holst | 5:10 |
| Choral Hymns from the Rig Veda Op.26 (Third Group) H99 - IV. Hymn to the Travellers | | Gustav Holst | 2:28 |
| instruments |
|---|
| 1959-09 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Encintured with a twine of leaves” | harp | Peter Pears, Osian Ellis, London Symphony Orchestra, Benjamin Britten | 2:12 |
| 1959-09 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “When most I wink, then do mine eyes best see” | harp | Peter Pears, William Waterhouse, Osian Ellis, Barry Tuckwell, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | 4:01 |
| 1959 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: I. On a poet’s lips I slept | harp | Peter Pears, Barry Tuckwell, Willie Anthony Waters, Osian Ellis, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | 3:21 |
| 1959 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: II. Below the thunders of the upper deep | harp | Peter Pears, Barry Tuckwell, Willie Anthony Waters, Osian Ellis, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | 3:19 |
| 1959 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: III. Encitured with a twine of leaves | harp | Peter Pears, Barry Tuckwell, Willie Anthony Waters, Osian Ellis, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | 2:15 |
| 1959 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: IV. Midnight’s bell goes ting, ting, ting | harp | Peter Pears, Barry Tuckwell, Willie Anthony Waters, Osian Ellis, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | 2:28 |
| 1959 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: V. But that night when on my bed I lay | harp | Peter Pears, Barry Tuckwell, Willie Anthony Waters, Osian Ellis, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | 3:03 |
| 1959 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VI. She sleeps on soft, last breaths | harp | Peter Pears, Barry Tuckwell, Willie Anthony Waters, Osian Ellis, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | 4:30 |
| 1959 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VII. What is more gentle than a wind in summer? | harp | Peter Pears, Barry Tuckwell, Willie Anthony Waters, Osian Ellis, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | 3:27 |
| 1959 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VIII. When most I wink, then do mine eyes best see | harp | Peter Pears, Barry Tuckwell, Willie Anthony Waters, Osian Ellis, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | 4:01 |
| 1961-05-15 – 1961-05-22 | Scottish Fantasy in E-flat major, op. 46: I. Introduction (Grave, Adagio cantabile) | harp | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | 7:48 |
| 1961-05-15 – 1961-05-22 | Scottish Fantasy in E-flat major, op. 46: II. Allegro | harp | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | 4:38 |
| 1961-05-15 – 1961-05-22 | Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto | harp | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | 6:34 |
| 1961-05-15 – 1961-05-22 | Scottish Fantasy in E-flat major, op. 46: IV. Finale (Allegro guerriero) | harp | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | 6:50 |
| 1961-10 | Introduction & Allegro | harp | Melos Ensemble, Osian Ellis | 10:32 |
| 1961-10 | Prélude, marine et chansons for flute, violin, viola, cello and harp: I. Prélude | harp | Melos Ensemble | 4:24 |
| 1961-10 | Prélude, marine et chansons for flute, violin, viola, cello and harp: II. Marine | harp | Melos Ensemble | 2:59 |
| 1961-10 | Prélude, marine et chansons for flute, violin, viola, cello and harp: III. Chanson | harp | Melos Ensemble | 4:39 |
| 1961-10 | Sérénade pour flûte, violon, alto, violoncelle et harpe, op. 30 : I. Allegro | harp | Melos Ensemble, Osian Ellis | 4:00 |
| 1961-10 | Sérénade pour flûte, violon, alto, violoncelle et harpe, op. 30 : II. Andante | harp | Melos Ensemble, Osian Ellis | 7:57 |
| 1961-10 | Sérénade pour flûte, violon, alto, violoncelle et harpe, op. 30 : III. Presto | harp | Melos Ensemble, Osian Ellis | 4:11 |
| 1961-10 | Sonata for Flute, Viola & Harp, L. 137: I. Pastorale | harp | Melos Ensemble, Osian Ellis | 6:01 |
| 1961-10 | Sonata for Flute, Viola & Harp, L. 137: II. Interlude | harp | Melos Ensemble, Osian Ellis | 5:06 |
| 1961-10 | Sonata for Flute, Viola & Harp, L. 137: III. Finale | harp | Melos Ensemble, Osian Ellis | 4:25 |
| 1962-07-21 | The Carnival of the Animals: The Swan | harp | Jacqueline du Pré, Osian Ellis | 2:54 |
| 1964-01 | Concerto in C, K. 299, for flute, harp and orchestra: I. Allegro | harp | Hubert Barwahser, Osian Ellis, London Symphony Orchestra, Sir Colin Davis | 9:35 |
| 1964-01 | Concerto in C, K. 299, for flute, harp and orchestra: II. Andantino | harp | Hubert Barwahser, Osian Ellis, London Symphony Orchestra, Sir Colin Davis | 9:09 |
| 1964-01 | Concerto in C, K. 299, for flute, harp and orchestra: III. Rondeau. Allegro | harp | Hubert Barwahser, Osian Ellis, London Symphony Orchestra, Sir Colin Davis | 9:28 |
| 1967-11-27 | Nocturne, op. 60: I On a Poet's Lips I Slept | harp | Peter Pears, Richard Adeney, James Blades, Osian Ellis, Martin Gatt, Peter Graeme, Ifor James, Thea King, English Chamber Orchestra, Benjamin Britten | 3:23 |
| 1967-11-27 | Nocturne, op. 60: II Below the Thunders of the Upper Deep | harp | Peter Pears, Richard Adeney, James Blades, Osian Ellis, Martin Gatt, Peter Graeme, Ifor James, Thea King, English Chamber Orchestra, Benjamin Britten | 3:29 |
| 1967-11-27 | Nocturne, op. 60: III Encinctur'd With a Twine of Leaves | harp | Peter Pears, Richard Adeney, James Blades, Osian Ellis, Martin Gatt, Peter Graeme, Ifor James, Thea King, English Chamber Orchestra, Benjamin Britten | 2:24 |
| 1967-11-27 | Nocturne, op. 60: IV Midnight's Bell Goes Ting, Ting, Ting | harp | Peter Pears, Richard Adeney, James Blades, Osian Ellis, Martin Gatt, Peter Graeme, Ifor James, Thea King, English Chamber Orchestra, Benjamin Britten | 2:21 |
| 1967-11-27 | Nocturne, op. 60: V But That Night When on My Bed I Lay | harp | Peter Pears, Richard Adeney, James Blades, Osian Ellis, Martin Gatt, Peter Graeme, Ifor James, Thea King, English Chamber Orchestra, Benjamin Britten | 3:14 |
| 1967-11-27 | Nocturne, op. 60: VI She Sleeps on Soft, Last Breaths | harp | Peter Pears, Richard Adeney, James Blades, Osian Ellis, Martin Gatt, Peter Graeme, Ifor James, Thea King, English Chamber Orchestra, Benjamin Britten | 4:00 |
| 1967-11-27 | Nocturne, op. 60: VII What Is More Gentle Than a Wind in Summer? | harp | Peter Pears, Richard Adeney, James Blades, Osian Ellis, Martin Gatt, Peter Graeme, Ifor James, Thea King, English Chamber Orchestra, Benjamin Britten | 3:32 |
| 1967-11-27 | Nocturne, op. 60: VIII When Most I Wink, Then Do Mine Eyes Best See | harp | Peter Pears, Richard Adeney, James Blades, Osian Ellis, Martin Gatt, Peter Graeme, Ifor James, Thea King, English Chamber Orchestra, Benjamin Britten | 4:11 |
| 1968 | Harp Concerto, op 74: 1. Allegro moderato | harp | Osian Ellis, London Symphony Orchestra, Richard Bonynge | 9:58 |
| 1968 | Harp Concerto, op 74: 2. Tema con varizioni: Andante | harp | Osian Ellis, London Symphony Orchestra, Richard Bonynge | 11:13 |
| 1968 | Harp Concerto, op 74: 3. Allegro giocoso | harp | Osian Ellis, London Symphony Orchestra, Richard Bonynge | 4:41 |
| 1969-10-14 – 1969-10-17 | Music for Strings, Percussion and Celesta, BB 114: I. Andante tranquillo | harp | Osian Ellis, James Holland, Leslie Pearson, Eric Pritchard, Roger Smalley, Academy of St Martin in the Fields, Neville Marriner | 8:06 |
| 1969-10-14 – 1969-10-17 | Music for Strings, Percussion and Celesta, BB 114: II. Allegro | harp | Osian Ellis, James Holland, Leslie Pearson, Eric Pritchard, Roger Smalley, Academy of St Martin in the Fields, Neville Marriner | 7:16 |
| 1969-10-14 – 1969-10-17 | Music for Strings, Percussion and Celesta, BB 114: III. Adagio | harp | Osian Ellis, James Holland, Leslie Pearson, Eric Pritchard, Roger Smalley, Academy of St Martin in the Fields, Neville Marriner | 8:34 |
| 1969-10-14 – 1969-10-17 | Music for Strings, Percussion and Celesta, BB 114: IV. Finale: Allegro molto | harp | Osian Ellis, James Holland, Leslie Pearson, Eric Pritchard, Roger Smalley, Academy of St Martin in the Fields, Neville Marriner | 7:17 |
| 1970-08 | Lucia Di Lammermoor: "Oh giusto cielo" - "Il dolce suono" (Lucia, Coro) / "Ardon gli incensi" (Lucia, Raimondo) | harp | Beverly Sills, Justino Díaz | 12:45 |
| 1970-08 | Lucia di Lammermoor: 1. Akt. „Noch ist er ferne“ – „Schweigende, dunkle Mitternacht“ | harp and solo | Patricia Kern, Beverly Sills, Osian Ellis, London Symphony Orchestra, Thomas Schippers | 14:16 |
| 1970-08 | Lucia di Lammermoor: Atto I. Nº 3. Scena e cavatina "Ancor non giunse!" (Lucia, Alisa) | harp and solo | Patricia Kern, Beverly Sills, Osian Ellis, London Symphony Orchestra, Thomas Schippers | 4:58 |
| 1970-08 | Lucia di Lammermoor: Atto III. Nº 14. Scena ed aria "O giusto cielo!" – "Il dolce suono" (Lucia, Coro) | harp | John McCarthy, Ambrosian Singers, Beverly Sills, William Bennett, Osian Ellis, Bruno Hoffmann, London Symphony Orchestra, Thomas Schippers | 7:04 |
| 1970-08 | Lucia di Lammermoor: I Čin, Prizori 1, 2 , 3, 4 | harp and solo | Beverly Sills, Piero Cappuccilli, Justino Díaz | 28:19 |
| 1972-06 | Concerto in C major for Flute, Harp and Orchestra, K. 299 (cadenzas: Osian Ellis): I. Allegro | harp | Osian Ellis, Claude Monteux, Academy of St Martin in the Fields, Sir Neville Marriner | 9:37 |
| 1972-06 | Concerto in C major for Flute, Harp and Orchestra, K. 299 (cadenzas: Osian Ellis): II. Andantino | harp | Osian Ellis, Claude Monteux, Academy of St Martin in the Fields, Sir Neville Marriner | 8:26 |
| 1972-06 | Concerto in C major for Flute, Harp and Orchestra, K. 299 (cadenzas: Osian Ellis): III. Rondo | harp | Osian Ellis, Claude Monteux, Academy of St Martin in the Fields, Sir Neville Marriner | 8:32 |
| 1972-07-06 – 1972-07-10 | A Ceremony of Carols, Op. 28: V. As dew in Aprille | harp | Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks | 0:58 |
| 1972-07-06 – 1972-07-10 | A Ceremony of Carols: Interlude (Andante Pastorale) | harp | Choir of King’s College, Cambridge, Sir David Willcocks | 3:34 |
| 1972-07-06 – 1972-07-10 | Ceremony of Carols: I. Procession | harp | Choir of King’s College, Cambridge, Sir David Willcocks | 1:19 |
| 1972-07-06 – 1972-07-10 | Ceremony of Carols: II. Wolcum Yole! | harp | Choir of King’s College, Cambridge, Sir David Willcocks | 1:23 |
| 1972-07-06 – 1972-07-10 | Ceremony of Carols: III. There is no Rose | harp | Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks | 2:22 |
| 1972-07-06 – 1972-07-10 | Ceremony of Carols: IV. That Yonge Child | harp | Choir of King’s College, Cambridge, Sir David Willcocks | 1:52 |
| 1972-07-06 – 1972-07-10 | Ceremony of Carols: V. Balulalow | harp | Choir of King’s College, Cambridge, Sir David Willcocks | 1:38 |
| 1972-07-06 – 1972-07-10 | Ceremony of Carols: VII. This Little Babe | harp | Choir of King’s College, Cambridge, Sir David Willcocks | 1:25 |
| 1972-07-06 – 1972-07-10 | Ceremony of Carols: VIIII. In Freezing Winter Night | harp | Choir of King’s College, Cambridge, Sir David Willcocks | 4:11 |
| 1972-07-06 – 1972-07-10 | Ceremony of Carols: X. Spring Carol | harp | Choir of King’s College, Cambridge, Sir David Willcocks | 1:12 |
| 1972-07-06 – 1972-07-10 | Ceremony of Carols: XI. Deo Gracias | harp | Choir of King’s College, Cambridge, Sir David Willcocks | 1:12 |
| 1972-07-06 – 1972-07-10 | Ceremony of Carols: XII. Recession | harp | Choir of King’s College, Cambridge, Sir David Willcocks | 1:20 |
| 1976-02 | A Birthday Hansel, op. 89 | harp | Peter Pears, Osian Ellis | 16:22 |
| 1976-02 | Canticle V: The Death of Saint Narcissus | harp | Peter Pears, Osian Ellis | 7:20 |
| 1976-02 | Suite for harp, op. 83: I. Overture | harp | Osian Ellis | 2:34 |
| 1976-02 | Suite for harp, op. 83: II. Toccata | harp | Osian Ellis | 1:19 |
| 1976-02 | Suite for harp, op. 83: III. Nocturne | harp | Osian Ellis | 2:49 |
| 1976-02 | Suite for harp, op. 83: IV. Fugue | harp | Osian Ellis | 1:02 |
| 1976-02 | Suite for harp, op. 83: V. Hymn | harp | Osian Ellis | 4:32 |
| 1977-10-11 | Fantasy for Solo Harp, op. 117: I. Lament | harp | Osian Ellis | 2:30 |
| 1977-10-11 | Fantasy for Solo Harp, op. 117: II. March | harp | Osian Ellis | 1:29 |
| 1977-10-11 | Fantasy for Solo Harp, op. 117: III. Nocturne | harp | Osian Ellis | 2:23 |
| 1977-10-11 | Fantasy for Solo Harp, op. 117: IV. Scherzo | harp | Osian Ellis | 1:40 |
| 1977-10-11 | Fantasy for Solo Harp, op. 117: V. Finale | harp | Osian Ellis | 1:25 |
| 1978-05-21 – 1978-05-22 | Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: I. Adagio | harp | Osian Ellis, Simon Preston, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | 2:57 |
| 1978-05-21 – 1978-05-22 | Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: II. Allegro con moto | harp | Osian Ellis, Simon Preston, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | 10:46 |
| 1978-05-21 – 1978-05-22 | Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: III. Adagio | harp | Osian Ellis, Simon Preston, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | 4:10 |
| 1978-05-21 – 1978-05-22 | Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: IV. Allegretto alla marcia | harp | Osian Ellis, Simon Preston, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | 4:09 |
| 1984-12-04 – 1984-12-05 | Choral Hymns from the Rig Veda: 3rd Group | harp | Royal Philharmonic Orchestra, Royal College of Music Chamber Choir, Sir David Willcocks | 12:39 |
| 1984-12-04 – 1984-12-05 | Two Eastern Pictures | harp | Royal College of Music Chamber Choir, Sir David Willcocks | 5:15 |
| 1985-08 | Jeanie With the Light Brown Hair | harp | Marilyn Horne, Osian Ellis, English Chamber Orchestra, Carl Davis | 4:23 |
| 1989 | Gloriana, op. 53a (Symphonic Suite): Courtly Dance no. 1: March | harp | Osian Ellis, Kieron Moore, London Symphony Orchestra, Steuart Bedford | 0:52 |
| 1989 | Gloriana, op. 53a (Symphonic Suite): Courtly Dance no. 2: Coranto | harp | Osian Ellis, Kieron Moore, London Symphony Orchestra, Steuart Bedford | 1:22 |
| 1989 | Gloriana, op. 53a (Symphonic Suite): Courtly Dance no. 3: Pavane | harp | Osian Ellis, Kieron Moore, London Symphony Orchestra, Steuart Bedford | 2:45 |
| 1989 | Gloriana, op. 53a (Symphonic Suite): Courtly Dance no. 4: Morris Dance | harp | Osian Ellis, Kieron Moore, London Symphony Orchestra, Steuart Bedford | 1:05 |
| 1989 | Gloriana, op. 53a (Symphonic Suite): Courtly Dance no. 5: Galliard | harp | Osian Ellis, Kieron Moore, London Symphony Orchestra, Steuart Bedford | 2:00 |
| 1989 | Gloriana, op. 53a (Symphonic Suite): Courtly Dance no. 6: Lavolta | harp | Osian Ellis, Kieron Moore, London Symphony Orchestra, Steuart Bedford | 1:25 |
| 1989 | Gloriana, op. 53a (Symphonic Suite): Courtly Dance no. 7: March | harp | Osian Ellis, Kieron Moore, London Symphony Orchestra, Steuart Bedford | 0:57 |
| 1989 | Gloriana, op. 53a (Symphonic Suite): Gloriana Moritura | harp | Osian Ellis, Kieron Moore, London Symphony Orchestra, Steuart Bedford | 6:51 |
| 1989 | Gloriana, op. 53a (Symphonic Suite): The Lute Song | harp | Osian Ellis, Kieron Moore, London Symphony Orchestra, Steuart Bedford | 5:13 |
| 1989 | Gloriana, op. 53a (Symphonic Suite): The Tournament | harp | Osian Ellis, Kieron Moore, London Symphony Orchestra, Steuart Bedford | 4:36 |
| 1996-03-19 – 1996-03-24 | Canticle V, op. 89 "The Death of St Narcissus" | harp | Philip Langridge, Osian Ellis | 7:29 |
| 1998-06-18 – 1998-06-25 | Danny Boy | harp | Terry Edwards, London Voices, Liam O’Flynn, Osian Ellis, Nigel Kennedy, English Chamber Orchestra, Paul Barritt | 4:14 |
| 1998-06-18 – 1998-06-25 | Thais: Meditation | harp | Nigel Kennedy, English Chamber Orchestra | 6:37 |
| 1998-06-18 – 1998-06-25 | Urge for Going | harp | Nigel Kennedy, English Chamber Orchestra | 4:10 |
| "Lyra Angelica", Concerto for Harp and String Orchestra: 1st Movement: Adagio | harp | Osian Ellis, London Philharmonic Orchestra, William Alwyn | 8:25 |
| "Lyra Angelica", Concerto for Harp and String Orchestra: 2nd Movement: Adagio ma non troppo | harp | Osian Ellis, London Philharmonic Orchestra, William Alwyn | 7:22 |
| "Lyra Angelica", Concerto for Harp and String Orchestra: 3rd Movement: Moderato | harp | Osian Ellis, London Philharmonic Orchestra, William Alwyn | 9:15 |
| "Lyra Angelica", Concerto for Harp and String Orchestra: 4th Movement: Allegro jubiloso - Andante con moto | harp | Osian Ellis, London Philharmonic Orchestra, William Alwyn | 6:27 |
| See all 173 relationships |
| performed |
|---|
| Song of the Gypsy | | Osian Ellis | 1:36 |
| Song of the Miller | | Osian Ellis | 1:05 |
| The Birds Are Free From Sorrow | | Osian Ellis | 1:31 |
| instruments |
|---|
| 1970-08 | Lucia di Lammermoor | harp | Gaetano Donizetti; Beverly Sills, Carlo Bergonzi, Piero Cappuccilli, Justino Díaz, London Symphony Orchestra, Thomas Schippers | |
| In dulci jubilo: Music for Advent & Christmas | harp | London Oriana Choir, Leon Lovett, Osian Ellis | |
| dedicated works |
|---|
| Between | | | |
| lyrics |
|---|
| Eight Folk Song Arrangements, for High Voice and Harp: 6. Dafydd y Garreg Wen | additional | | |