| Stabat Mater: V. Coro e Recitativo - Eja mater, fons amoris (coro a cappella, basso) | | - Coro del Maggio Musicale Fiorentino, Gwynne Howell, Riccardo Muti
- Heinz Mende, Philharmonia Chorus, Ruggero Raimondi, Carlo Maria Giulini
- Daniel Borowski, RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed
- Kim Borg, RIAS Kammerchor, Chor der St. Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 15 more)
| |
| Stabat Mater: VI. Quartetto - Sancta mater, istud agas (soprano, alto, tenore, basso) | | - Agnes Baltsa, Robert Gambill, Gwynne Howell, Catherine Malfitano, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti
- Dalmacio Gonzalez, Ruggero Raimondi, Katia Ricciarelli, Lucia Valentini Terrani, Philharmonia Orchestra, Carlo Maria Giulini
- Daniel Borowski, Bruce Fowler, Petra Lang, RIAS Kammerchor, Krassimira Stoyanova, Akademie für Alte Musik Berlin, Marcus Creed
- Maria Stader, Marianna Radev, Ernst Haefliger, Kim Borg, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 18 more)
| |
| Stabat Mater: VII. Cavatina - Fac ut portem Christi mortem (alto) | | - Agnes Baltsa, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti
- Lucia Valentini Terrani, Philharmonia Orchestra, Carlo Maria Giulini
- Petra Lang, RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed
- Marianna Radev, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 15 more)
| |
| Stabat Mater: VIII. Aria - Inflammatus et accensus (soprano, coro) | | - Heinz Mende, Philharmonia Chorus, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini
- Coro del Maggio Musicale Fiorentino, Catherine Malfitano, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti
- Montserrat Caballé, Orchestra della RCA Italiana, Carlo Felice Cillario
- RIAS Kammerchor, Krassimira Stoyanova, Akademie für Alte Musik Berlin, Marcus Creed
- (show 20 more)
| |
| Stabat Mater: X. Finale - In sempiterna saecula (coro, soprano, alto, tenore, basso) | | - Agnes Baltsa, Coro del Maggio Musicale Fiorentino, Robert Gambill, Gwynne Howell, Catherine Malfitano, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti
- Heinz Mende, Dalmacio Gonzalez, Philharmonia Chorus, Ruggero Raimondi, Katia Ricciarelli, Lucia Valentini Terrani, Philharmonia Orchestra, Carlo Maria Giulini
- Daniel Borowski, Bruce Fowler, Petra Lang, RIAS Kammerchor, Krassimira Stoyanova, Akademie für Alte Musik Berlin, Marcus Creed
- Maria Stader, Marianna Radev, Ernst Haefliger, Kim Borg, RIAS Kammerchor, Chor der St. Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 18 more)
| |
| Suite from “Love for Three Oranges”, op. 33A: III. Marche | | | |
| Symphony no. 5 in B-flat major, op. 55: I. Moderato maestoso | | | |
| Symphony no. 5 in B-flat major, op. 55: II. Scherzo: Moderato | | | |
| Symphony no. 5 in B-flat major, op. 55: III. Andante | | | |
| Symphony no. 5 in B-flat major, op. 55: IV. Allegro maestoso | | | |
| Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | | | |
| Symphony no. 7 in A major, op. 92: II. Allegretto | | | |
| Symphony no. 7 in A major, op. 92: III. Presto | | | |
| Symphony no. 7 in A major, op. 92: IV. Allegro con brio | | | |
| Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo | | | |
| Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto | | | |
| Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace | | | |
| Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale. Allegro vivace | | | |
| Tableaux d’une exposition: Cum Mortuis in lingua mortua | | | |
| Tableaux d’une exposition: I. Gnomus | | | |
| Tableaux d’une exposition: II. Il vecchio castello | | | |
| Tableaux d’une exposition: III. Tuileries | | | |
| Tableaux d’une exposition: IV. Bydlo | | | |
| Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) | | | |
| Tableaux d’une exposition: Promenade | | | |
| Tableaux d’une exposition: Promenade | | | |
| Tableaux d’une exposition: Promenade | | | |
| Tableaux d’une exposition: Promenade | | | |
| Tableaux d’une exposition: V. Ballet des poussins dans leurs coques | | | |
| Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle | | | |
| Tableaux d’une exposition: VII. Limoges – le marché | | | |
| Tableaux d’une exposition: VIII. Catacombae (Sepulchrum romanum) | | | |
| Tableaux d’une exposition: X. La grande porte de Kiev | | | |
| The Bowman and the Baron | | - Liza McLean, Mike Smith, Douglas Blackwell, Alec Linstead, Adam Norcott, Mike McCormack, New Philharmonic Orchestra, Alfred Scholz, Ljubljana Symphony Orchestra, Marko Munih, Cincinnati Symphony Orchestra, Thomas Schippers
| |
| The Tender Land | | | |
| Vanessa, op. 32: Act II. Intermezzo | | | |
| Vier letzte Lieder, AV 150: I. „Frühling“ | | | |
| Vier letzte Lieder, AV 150: II. „September“ | | | |
| Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ | | | |
| Vier letzte Lieder, AV 150: IV. „Im Abendrot“ | | | |
| Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato | | | |
| Violin Concerto no. 1 in G minor, op. 26: II. Adagio | | | |
| Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | | | |
| William Tell Overture: Finale, March of the Swiss Soldiers (allegro vivace) | | | |
| Wozzek: Act III. Interlude | | | |