| ’S Wonderful | | | |
| 3 Klavierstücke, D. 946: Nr. 1 in es-Moll. Allegro assai | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 13 in A minor, S. 244 no. 13 | | | |
| 32 Variations for Piano in C minor on an Original Theme, WoO 80 | | | |
| Années de pèlerinage, Deuxième année; Italie, S. 161: Il penseroso, S. 161 no. 2 | | | |
| Au lac de Wallenstadt, S. 160 no. 2 | | | |
| Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto | | | |
| Bagatelle sans tonalité, S. 216a | | | |
| Ballade no. 1 in G minor, op. 23 | | | |
| Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum | | | |
| Children’s Corner, L. 113: II. Jimbo’s Lullaby | | | |
| Children’s Corner, L. 113: III. Serenade for the Doll | | | |
| Children’s Corner, L. 113: IV. The Snow is Dancing | | | |
| Children’s Corner, L. 113: V. The Little Shepherd | | | |
| Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | - [unknown]
- Peter Toperczer, Ida Černecká, London Festival Orchestra, Slovak Philharmonic Orchestra, Anton Nanut, Bystrík Režucha, Laurence Siegel
- Sviatoslav Richter, Wiener Symphoniker, Herbert von Karajan
- Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit
- (多显示 248 个)
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| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | | | |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso | | | |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio | | | |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: III. Allegretto vivace – Allegro animato | | | |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato | | | |
| Concerto for Piano and Orchestra no. 2 in A major, S. 125 | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante – Più adagio | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace | | | |
| Do It Again | | | |
| En rêve - Nocturne, S. 207 | | | |
| Étude in A‐flat major, op. 25 no. 1 “Aeolian Harp”: Allegro sostenuto | | | |
| Étude in C major, op. 10 no. 1: Allegro | | | |
| Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco | | | |
| Étude in C minor, op. 25 no. 12 “Ocean”: Allegro molto con fuoco | | | |
| Étude in C‐sharp minor, op. 25 no. 7: Lento | | | |
| Étude in F minor, op. 10 no. 9: Allegro molto agitato | | | |
| Études d’exécution transcendante d’après Paganini, S. 140: No. 1 in G minor | | | |
| Études d’exécution transcendante d’après Paganini, S. 140: No. 2 in E-flat major | | | |
| Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella” | | | |
| Études d’exécution transcendante d’après Paganini, S. 140: No. 4 in E major | | | |
| Études d’exécution transcendante d’après Paganini, S. 140: No. 5 in E major “La Chasse” | | | |
| Études d’exécution transcendante d’après Paganini, S. 140: No. 6 in A minor | | | |
| Études d’exécution transcendante, S. 139, R. 2b: X. Étude in F minor. Allegro agitato molto | | | |
| Fantasy in C major, D. 760 “Wanderer” | | | |
| Fantasy in C major, D. 760 “Wanderer”: I. Allegro con fuoco ma non troppo | | | |
| Fantasy in C major, D. 760 “Wanderer”: II. Adagio | | | |
| Fantasy in C major, D. 760 “Wanderer”: III. Presto | | | |
| Fantasy in C major, D. 760 “Wanderer”: IV. Allegro | | | |
| Grandes études de Paganini, S. 141: No. 3. La campanella in G‐sharp minor | | | |
| Grandes études de Paganini, S. 141: No. 6. Variations in A minor | | | |
| I Got Rhythm | | | |
| I’ll Build a Stairway to Paradise | | | |
| Impromptu in B-flat major, D. 935 no. 3. Theme (Andante) with variations | | | |
| Klavierstücke, op. 119: Nr. 2. Intermezzo in e-Moll. Andantino un poco agitato | | | |
| Klavierstücke, op. 119: Nr. 3. Intermezzo in C-Dur. Grazioso e giocoso | | | |
| Les Jeux d’eaux à la Villa d’Este, S. 163 no. 4 | | | |
| Liza | | | |
| Miroirs: II. Oiseaux tristes | | | |
| Nobody but You | | | |
| Nobody but You | | | |
| Nocturne no. 7 in C‐sharp minor, op. 27 no. 1: Larghetto | | | |
| Nocturne no. 13 in C minor, op. 48 no. 1: Lento | | | |
| Oh, Lady Be Good | | | |
| Oh, Lady Be Good! | | | |
| Petite Pièce, L. 120, CD 127 | | | |
| Piano Concerto no. 2 in D minor, op. 23: I. Larghetto calmato - Poco passione | | | |
| Piano Concerto no. 2 in D minor, op. 23: II. Presto giocoso | | | |
| Piano Concerto no. 2 in D minor, op. 23: III. Largo - Molto allegro | | | |
| Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto | | | |
| Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando | | | |
| Piano Concerto no. 2 in G minor, op. 22: III. Presto | | | |
| Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | | | |
| Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | | | |
| Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | | | |
| Piano Sonata no. 58 in C major, Hob. XVI:48 | | | |
| Première Rapsodie pour clarinette en si bémol, L. 116, CD 124a | | | |
| Rondo a capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace | | | |
| Schlaflos! Frage und Antwort, S. 203 | | | |
| Somebody Loves Me | | | |
| Sonata for Piano in B minor, S. 178 | | | |
| Sonata for Piano no. 2 in B‐flat minor, op. 35: I. Grave – Doppio movimento | | | |
| Sonata for Piano no. 2 in B‐flat minor, op. 35: II. Scherzo | | | |
| Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento | | | |
| Sonata for Piano no. 2 in B‐flat minor, op. 35: IV. Finale. Presto | | | |
| Sonata for Piano no. 7 in D major, op. 10 no. 3: I. Presto | | | |
| Sonata for Piano no. 13 in A major, op. posth. 120, D. 664: I. Allegro moderato | | | |
| Sonata for Piano no. 13 in A major, op. posth. 120, D. 664: II. Andante | | | |
| Sonata for Piano no. 13 in A major, op. posth. 120, D. 664: III. Allegro | | | |
| Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: I. Andante | | | |
| Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace | | | |
| Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione | | | |
| Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace | | | |
| Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | | | |
| Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | | | |
| Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | | | |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | | | |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | | | |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo | | | |