| “Crudeli, ahimè, che fate?” from Sofonisba | The Mozartists, Ian Page | 5:15 | |
| “Fac me vere tecum flere” from Stabat mater | Ida Ränzlöv, The Mozartists, Ian Page | 5:22 | |
| “Non v’è chi mi aiuta” from La canterina | The Mozartists, Ian Page | 2:49 | |
| “O del mio dolce ardor” from Paride ed Elena | Ida Ränzlöv, The Mozartists, Ian Page | 3:10 | |
| “Ombre che tacite qui sede” from Fetonte | The Mozartists, Ian Page | 4:17 | |
| “Sofonisba, che aspetti?” from Sofonisba | The Mozartists, Ian Page | 4:28 | |
| “Tu mi disprezzi ingrato” from Semiramide | Ida Ränzlöv, The Mozartists, Ian Page | 2:51 | |
| “Tutto qui mi sorprende… Le belle immagini" from Paride ed Elena | Ida Ränzlöv, The Mozartists, Ian Page | 1:10 | |
| “Tutto qui mi sorprende… Le belle immagini" from Paride ed Elena | Ida Ränzlöv, The Mozartists, Ian Page | 4:02 | |
| Adagio & Fugue in C Minor, K. 546 | The Mozartists, Ian Page | 6:48 | |
| Adriano in Siria, Act II; "Cara la dolce amma" | Eleanor Dennis, The Mozartists, Ian Page | 8:50 | |
| Adriano in Siria, Act II: "Ah, come mi balza il cor!" | Anna Devin, The Mozartists, Ian Page | 2:09 | |
| Adriano in Siria, Act II: "Deh lascia, o ciel pietoso" | Anna Devin, The Mozartists, Ian Page | 6:23 | |
| Ah, lo previdi, K. 272: Aria "Ah, t’invola agl’occhi miei" | Sophie Bevan, The Mozartists, Ian Page | 3:13 | |
| Ah, lo previdi, K. 272: Cavatina "Deh, non varcar quell’onda" | Sophie Bevan, The Mozartists, Ian Page | 4:51 | |
| Ah, lo previdi, K. 272: Recitativo "Ah, lo previdi!" | Sophie Bevan, The Mozartists, Ian Page | 1:04 | |
| Ah, lo previdi, K. 272: Recitativo "Misera! In van m’adiro" | Sophie Bevan, The Mozartists, Ian Page | 2:56 | |
| Ah! Perfido, op. 65: Allegro Assai "Ah crudel! Tu vuoi ch’io mora" | Sophie Bevan, The Mozartists, Ian Page | 4:10 | |
| Ah! Perfido, op. 65: Aria "Per pietà, non dirmi addio" | Sophie Bevan, The Mozartists, Ian Page | 5:04 | |
| Ah! Perfido, op. 65: Recitativo "Ah! Perfido" | Sophie Bevan, The Mozartists, Ian Page | 3:07 | |
| Alceste, Act I Scene 1: Es ist gekommen | Emily Pogorelc, The Mozartists, Ian Page | 1:02 | |
| Alceste, Act I Scene 1: Zwischen Angst und zwischen Hoffen | Emily Pogorelc, The Mozartists, Ian Page | 7:16 | |
| Alcina: Aria "Un momento di contento" | Allan Clayton, Orchestra of Classical Opera, Ian Page | 4:09 | |
| Alcina: Recitativo "M'inganna, me n'avveggo" | Allan Clayton, Orchestra of Classical Opera, Ian Page | 0:17 | |
| Alexander's Feast: Air "Happy pair" | Allan Clayton, Orchestra of Classical Opera, Ian Page | 2:11 | |
| Alexander's Feast: Chorus "Happy pair" | Choir of Classical Opera, Orchestra of Classical Opera, Ian Page | 2:19 | |
| Annibale in Torino, R. 1.26, Act II: Misera, ch’ei perì! | Emily Pogorelc, The Mozartists, Ian Page | 6:12 | |
| Annibale in Torino, R. 1.26, Act II: Smarrita, tremante | Emily Pogorelc, The Mozartists, Ian Page | 3:40 | |
| Apollo et Hyacinthus: Duet “Natus cadit” | Classical Opera Company, Ian Page | 5:41 | |
| Ariodante: Aria "Tu vivi, e punito" | Allan Clayton, Orchestra of Classical Opera, Ian Page | 3:38 | |
| Ariodante: Sinfonia to Act Two | Orchestra of Classical Opera, Ian Page | 1:07 | |
| Artaxerxes, Act 1: Recitative: “Alas, thou know’st that for my love to thee” (Arbaces, Mandane) | Caitlin Hulcup, Elizabeth Watts, The Mozartists, Ian Page | 1:13 | |
| Artaxerxes, Act I, Scene 2: "Amid a thousand racking Woes" | Helen Sherman, The Mozartists, Ian Page | 4:47 | |
| Artaxerxes, Act I, Scene 13: “O too lovely, too unkind” | Helen Sherman, The Mozartists, Ian Page | 4:36 | |
| Artaxerxes, Act One: Accompanied recitative: “Dear and beloved shade” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | 0:49 | |
| Artaxerxes, Act One: No. 1, Duettino: “Fair Aurora, prithee stay” (Mandane, Arbaces) | Elizabeth Watts, Caitlin Hulcup, The Mozartists, Ian Page | 2:17 | |
| Artaxerxes, Act One: No. 2, Air: “Adieu, thou lovely youth” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | 3:22 | |
| Artaxerxes, Act One: No. 3, Air: “Amid a thousand racking woes” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | 4:39 | |
| Artaxerxes, Act One: No. 4, Air: “Behold, on Lethe’s dismal strand” (Artabanes) | Andrew Staples, The Mozartists, Ian Page | 3:37 | |
| Artaxerxes, Act One: No. 5, Air: “Fair Semira, lovely maid” (Artaxerxes) | Christopher Ainslie, The Mozartists, Ian Page | 3:26 | |
| Artaxerxes, Act One: No. 6, Air: “When real joy we miss” (Rimenes) | Daniel Norman, The Mozartists, Ian Page | 2:00 | |
| Artaxerxes, Act One: No. 7, Air: “How hard is the fate” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | 4:01 | |
| Artaxerxes, Act One: No. 8, Air: “Thy father! Away, I renounce the soft claim” (Artabanes) | Andrew Staples, The Mozartists, Ian Page | 1:24 | |
| Artaxerxes, Act One: No. 9, Air: “Acquit thee of this foul offence” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | 1:27 | |
| Artaxerxes, Act One: No. 10, Air: “O too lovely, too unkind” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | 4:25 | |
| Artaxerxes, Act One: No. 11, Air: “Fly, soft ideas, fly” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | 5:03 | |
| Artaxerxes, Act One: Overture (Poco più che andante – Larghetto – Gavotta) | The Mozartists, Ian Page | 5:12 | |
| Artaxerxes, Act One: Recitative: “Appearance, I must own, is strong against me” (Arbaces, Artaxerxes, Rimenes, Mandane) | Caitlin Hulcup, Christopher Ainslie, Daniel Norman, Elizabeth Watts, The Mozartists, Ian Page | 0:48 | |
| Artaxerxes, Act One: Recitative: “Be firm, my heart” (Artabanes, Artaxerxes) | Andrew Staples, Christopher Ainslie, The Mozartists, Ian Page | 1:27 | |
| Artaxerxes, Act One: Recitative: “I fear some dread disaster” (Semira, Rimenes) | Rebecca Bottone, Daniel Norman, The Mozartists, Ian Page | 1:29 | |
| Artaxerxes, Act One: Recitative: “O cruel parting! How can I survive?” (Arbaces, Mandane) | Caitlin Hulcup, Andrew Staples, The Mozartists, Ian Page | 0:57 | |
| Artaxerxes, Act One: Recitative: “Stay, Artaxerxes, stay” (Semira, Artaxerxes) | Rebecca Bottone, Christopher Ainslie, The Mozartists, Ian Page | 0:30 | |
| Artaxerxes, Act One: Recitative: “Still silence reigns around” (Mandane, Arbaces) | Elizabeth Watts, Caitlin Hulcup, The Mozartists, Ian Page | 0:29 | |
| Artaxerxes, Act One: Recitative: “Whither do I fly?” (Tutti) | Christopher Ainslie, Elizabeth Watts, The Mozartists, Ian Page | 3:24 | |
| Artaxerxes, Act One: Recitative: “Ye cruel Gods, what crime have I committed” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | 0:15 | |
| Artaxerxes, Act One: Recitative: “Ye Gods, protectors of the Persian Empire” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | 0:36 | |
| Artaxerxes, Act Three: Accompanied recitative: “Ye adverse Gods!” (Artabanes) | Andrew Staples, The Mozartists, Ian Page | 0:41 | |
| Artaxerxes, Act Three: No. 20, Air: “Why is death for ever late” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | 2:58 | |
| Artaxerxes, Act Three: No. 21, Air: “Water parted from the sea” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | 2:20 | |
| Artaxerxes, Act Three: No. 22, Air: “Though oft a cloud with envious shade” (Artaxerxes) | Christopher Ainslie, The Mozartists, Ian Page | 3:38 | |
| Artaxerxes, Act Three: No. 23, Air: “O let the danger of a son” (Rimenes) | Daniel Norman, The Mozartists, Ian Page | 2:15 | |
| Artaxerxes, Act Three: No. 24, Air: “O, much lov’d son, if death” (Artabanes) | Andrew Staples, The Mozartists, Ian Page | 5:16 | |
| Artaxerxes, Act Three: No. 25, Air: “Let not rage, thy bosom firing” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | 4:25 | |
| Artaxerxes, Act Three: No. 26, Air: “’Tis not true that in our grief” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | 4:08 | |
| Artaxerxes, Act Three: No. 27, Duetto: “For thee I live, my dearest” (Arbaces, Mandane) | Caitlin Hulcup, Elizabeth Watts, The Mozartists, Ian Page | 3:38 | |
| Artaxerxes, Act Three: No. 28, Air: “The soldier, tir’d of war’s alarms” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | 3:33 | |
| Artaxerxes, Act Three: No. 29, Finale: “Live to us, to Empire live” (Semira, Mandane, Arbaces, Artabanes) | Rebecca Bottone, Elizabeth Watts, Caitlin Hulcup, Christopher Ainslie, Andrew Staples, The Mozartists, Ian Page | 3:28 | |
| Artaxerxes, Act Three: Recitative: “Arbaces! Gracious Heav’n” (Artaxerxes, Arbaces) | Christopher Ainslie, Caitlin Hulcup, The Mozartists, Ian Page | 1:14 | |
| Artaxerxes, Act Three: Recitative: “Behold, my King, Arbaces at thy feet” (Arbaces, Artaxerxes, Mandane, Artabanes) | Caitlin Hulcup, Christopher Ainslie, Elizabeth Watts, Andrew Staples, The Mozartists, Ian Page | 2:26 | |
| Artaxerxes, Act Three: Recitative: “My son, Arbaces... where art thou retir’d?” (Artabanes, Rimenes) | Andrew Staples, Daniel Norman, The Mozartists, Ian Page | 1:52 | |
| Artaxerxes, Act Three: Recitative: “Nor here my searching eyes” (Arbaces, Mandane) | Caitlin Hulcup, Elizabeth Watts, The Mozartists, Ian Page | 1:21 | |
| Artaxerxes, Act Three: Recitative: “Perhaps the King releas’d Arbaces” (Mandane, Semira) | Elizabeth Watts, Rebecca Bottone, The Mozartists, Ian Page | 1:34 | |
| Artaxerxes, Act Three: Recitative: “That face, secure in conscious innocence” (Artaxerxes) | Christopher Ainslie, The Mozartists, Ian Page | 0:26 | |
| Artaxerxes, Act Three: Recitative: “To you, my people, much belov’d” (Artaxerxes, Artabanes, Semira, Mandane) | Christopher Ainslie, Andrew Staples, Rebecca Bottone, Elizabeth Watts, The Mozartists, Ian Page | 2:21 | |
| Artaxerxes, Act Three: Recitative: “What have I done? Alas, I vainly thought” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | 0:24 | |
| Artaxerxes, Act Two: Accompanied recitative: “At last my soul has room” (Artabanes) | Andrew Staples, The Mozartists, Ian Page | 0:38 | |
| Artaxerxes, Act Two: No. 12, Air: “In infancy, our hopes and fears” (Artaxerxes) | Christopher Ainslie, The Mozartists, Ian Page | 2:12 | |
| Artaxerxes, Act Two: No. 13, Air: “Disdainful you fly me” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | 2:46 | |
| Artaxerxes, Act Two: No. 14, Air: “To sigh and complain” (Rimenes) | Daniel Norman, The Mozartists, Ian Page | 1:52 | |
| Artaxerxes, Act Two: No. 15, Air: “If o’er the cruel tyrant love” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | 3:01 | |
| Artaxerxes, Act Two: No. 16, Air: “If the river’s swelling waves” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | 2:34 | |
| Artaxerxes, Act Two: No. 17, Air: “By that belov’d embrace” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | 3:31 | |
| Artaxerxes, Act Two: No. 18, Air: “Monster, away” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | 2:36 | |
| Artaxerxes, Act Two: No. 19, Air: “Thou, like the glorious sun” (Artabanes) | Andrew Staples, The Mozartists, Ian Page | 5:03 | |
| Artaxerxes, Act Two: Recitative: “Ah me, at poor Arbaces’ parting” (Mandane, Artabanes) | Elizabeth Watts, Andrew Staples, The Mozartists, Ian Page | 0:46 | |
| Artaxerxes, Act Two: Recitative: “Guards, speed ye to the tower” (Artaxerxes, Artabanes) | Christopher Ainslie, Andrew Staples, The Mozartists, Ian Page | 0:38 | |
| Artaxerxes, Act Two: Recitative: “How many links to dire misfortune’s chain” (Semira, Mandane) | Rebecca Bottone, Elizabeth Watts, The Mozartists, Ian Page | 1:13 | |
| Artaxerxes, Act Two: Recitative: “See, lov’d Semira” (Artaxerxes, Semira, Artabanes) | Christopher Ainslie, Rebecca Bottone, Andrew Staples, The Mozartists, Ian Page | 1:02 | |
| Artaxerxes, Act Two: Recitative: “So far my great resolve succeeds” (Artabanes, Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | 1:28 | |
| Artaxerxes, Act Two: Recitative: “Which fatal evil shall I first oppose?” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | 0:31 | |
| Artaxerxes, Act Two: Recitative: “Why, my dear friend, so pensive” (Rimenes, Artabanes, Semira) | Daniel Norman, Andrew Staples, Rebecca Bottone, The Mozartists, Ian Page | 2:05 | |
| Artaxerxes, Act Two: Recitative: “Ye solid pillars of the Persian Empire” (Tutti) | Christopher Ainslie, Elizabeth Watts, Caitlin Hulcup, Andrew Staples, Rebecca Bottone, Daniel Norman, The Mozartists, Ian Page | 5:01 | |
| Artaxerxes: Accompanied recitative: At last my soul has room | Ian Page, Classical Opera Company | 0:38 | |
| Artaxerxes: Accompanied recitative: Dear and beloved shade | Ian Page, Classical Opera Company | 0:49 | |
| Artaxerxes: Accompanied recitative: Ye adverse Gods! | Ian Page, Classical Opera Company | 0:41 | |
| Artaxerxes: Air "Thou, like the glorious sun" | Allan Clayton, Orchestra of Classical Opera, Ian Page | 4:50 | |
| Artaxerxes: No. 1. Duettino: Fair Aurora, prithee stay | Ian Page, Classical Opera Company | 2:17 | |
| Artaxerxes: No. 2. Air: Adieu, thou lovely youth | Ian Page, Classical Opera Company | 3:22 | |
| Artaxerxes: No. 3. Air: Amid a thousand racking woes | Ian Page, Classical Opera Company | 4:39 | |
| Artaxerxes: No. 4. Air: Behold, on Lethe’s dismal strand | Ian Page, Classical Opera Company | 3:37 | |
