| …the scene of the crime… | | | |
| Catch: I. | | | |
| Catch: II. | | | |
| Catch: III. | | | |
| Cenas Amerindias, op. 13: I. Brasiliana | | | |
| Cenas Amerindias, op. 13: II. Eldorado | | | |
| Children's Songs: VI | | | |
| Clapping Music | | | |
| Concerto for Marimba and Chamber Orchestra: I. Con moto | | | |
| Concerto for Marimba and Chamber Orchestra: II. Con brio | | | |
| Dialogo 4 - Ricordo | | | |
| Dream Variations: I. The Dream | | | |
| Dream Variations: II. Mirror | | | |
| Dream Variations: III. Déjà vu | | | |
| Englische Suite Nr. 2 a-Moll, BWV 807: I. Prélude | | | |
| Freaky Dancer | | | |
| Heptade: I. Allegro | | | |
| Heptade: II. Vivo | | | |
| Heptade: III. Cantante | | | |
| Heptade: IV. Vehemente | | | |
| Heptade: V. Maestoso | | | |
| Heptade: VI. Sempre stringendo | | | |
| Heptade: VII. Vivo e ritmico | | | |
| Ì (A Meditation on Iona) | | | |
| into the open … | | | |
| Mallet Quartet: I. Fast | | | |
| Mallet Quartet: II. Slow | | | |
| Mallet Quartet: III. Fast | | | |
| Miroirs: IV. Alborada del gracioso | | | |
| Music for Pieces of Wood | | | |
| Nagoya Marimbas | | | |
| Night Furniture: Chair with Hands for Feet | | | |
| Night Furniture: Pillow Pretending | | | |
| Night Furniture: Shadowed Credenza | | | |
| Percussion Concerto | | | |
| Percussion Concerto | | | |
| Percussion Concerto : I. Triangle | | | |
| Percussion Concerto : II. D.S.C.H. | | | |
| Percussion Concerto : III. Down | | | |
| Percussion Concerto : IV. Syncopate | | | |
| Percussion Concerto "Incantations": I. Pesante | | | |
| Percussion Concerto "Incantations": II. Espressivo | | | |
| Percussion Concerto "Incantations": III. Animato | | | |
| Proverb | | | |
| Pulse | | | |
| Rapture (Concerto for Percussion and Orchestra): I. Drums and Woods | | | |
| Rapture (Concerto for Percussion and Orchestra): II. Mallets | | | |
| Rapture (Concerto for Percussion and Orchestra): III. Metals | | | |
| Rough Music: I. Toberac | | | |
| Rough Music: II. Shivaree | | | |
| Rough Music: III. Charivari | | | |
| Sieidi | | | |
| Since Brass, nor Stone..., op. 80 | | | |
| Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: I. Assai lento | | - Martha Argerich, Michael De Roo, Willy Goudswaard, Stephen Kovacevich
- Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
- Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti
- Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître
- (show 24 more)
| |
| Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: II. Lento, ma non troppo | | - Martha Argerich, Michael De Roo, Willy Goudswaard, Stephen Kovacevich
- Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
- Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti
- Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître
- (show 22 more)
| |
| Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: III. Allegro non troppo | | - Martha Argerich, Michael De Roo, Willy Goudswaard, Stephen Kovacevich
- Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
- Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti
- Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître
- (show 23 more)
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| Tromp Miniature | | | |
| Two Controversies and a Conversation: I. Controversy 1 | | | |
| Two Controversies and a Conversation: II. Controversy 2 | | | |
| Two Controversies and a Conversation: III. Conversation | | | |
| Veni, Veni, Emmanuel | | | |
