| A Somerset Rhapsody, op. 21 no. 2 | | | |
| A Song Before Sunrise, RT VI/24 | | | |
| Befreit, op. 39 no. 4 | | | |
| Brook Green Suite: I. Prelude | | | |
| Brook Green Suite: II. Air | | | |
| Brook Green Suite: III. Dance | | | |
| Cäcilie, op. 27 no. 2 | | | |
| Cantos: Declaration | | | |
| Cantos: Nocturne I | | | |
| Cantos: Nocturne II | | | |
| Cantos: Parade | | | |
| Cantos: Sonata | | | |
| Caractacus, op. 35: Scene III, The Forest Near the Severn: Introduction | | | |
| Cello Concerto in E minor, op. 85: I. Adagio – Moderato | | | |
| Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | | | |
| Cello Concerto in E minor, op. 85: III. Adagio | | | |
| Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | | | |
| Cello Concerto: I. Moderato | | | |
| Cello Concerto: II. Adagio | | | |
| Cello Concerto: III. Allegretto deciso, alla marcia | | | |
| Changes, op. 17: Interlude 1 | | | |
| Changes, op. 17: Interlude 2 | | | |
| Changes, op. 17: Part I Sancte Thomas ora pro nobis | | | |
| Changes, op. 17: Part II No. 1 Prayer: The night is come | | | |
| Changes, op. 17: Part II No. 2 Prayer: God be in my head, and in my understanding | | | |
| Changes, op. 17: Part II No. 3 Prayer: Matthew, Mark, Luke and John | | | |
| Changes, op. 17: Part II No. 4 Nurse’s Song: When voices of children are heard on the green | | | |
| Changes, op. 17: Part III No. 1 Bellman’s Song: Along the dark and silent night | | | |
| Changes, op. 17: Part III No. 2 Epitaph: O mortal folk, you may behold and see | | | |
| Changes, op. 17: Part III No. 3 Round: Hey nonny no! | | | |
| Changes, op. 17: Part III No. 4 Wake all the dead | | | |
| Changes, op. 17: Part III No. 5 Like to the lightning from the sky | | | |
| Changes, op. 17: Part IV No. 1 The Door of Death | | | |
| Changes, op. 17: Part IV No. 2 A New Year Carol | | | |
| Chanson de matin, op. 15 no. 2 | | | |
| Chanson de nuit, op. 15 no. 1 | | | |
| Checkmate, op. 57: Ceremony of the Red Bishops | | | |
| Checkmate, op. 57: Dance of the Four Knights | | | |
| Checkmate, op. 57: Dance of the Red Pawns | | | |
| Checkmate, op. 57: Entry of the Black Queen | | | |
| Checkmate, op. 57: Finale. Checkmate | | | |
| Checkmate, op. 57: Prologue. The Players | | | |
| Checkmate, op. 57: The Red Knight's Mazurka | | | |
| Clarinet Concerto | | | |
| Concerto for Cello | | | |
| Concerto for Piano and Orchestra in C minor | | - Benno Moiseiwitsch, BBC Symphony Orchestra, Sir Malcolm Sargent
- Sir Clifford Curzon, London Philharmonic Orchestra, Sir John Pritchard
- Jean-Rodolphe Kars, London Symphony Orchestra, Alexander Gibson
- Mark Bebbington, Royal Philharmonic Orchestra, Jan Latham-Koenig
- Philip Fowke, Royal Philharmonic Orchestra, Norman Del Mar
| |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | | | |
| Concerto for Two Pianos and Orchestra, op. 30: I. Molto moderato - Allegro | | | |
| Concerto for Two Pianos and Orchestra, op. 30: II. Theme and Variations | | | |
| Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | | | |
| Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante | | | |
| Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | | | |
| Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto | | | |
| Concerto for Violin and Orchestra: I. Lento - Allegro | | | |
| Concerto for Violin and Orchestra: II. Andante cantabile | | | |
| Concerto for Violin and Orchestra: III. Risoluto | | | |
| Concerto for Violin and Small Orchestra, op. 11: I. Con moto | | | |
| Concerto for Violin and Small Orchestra, op. 11: II. Andante | | | |
| Concerto for Violin and Small Orchestra, op. 11: III. Allegro vivo | | | |
| Concerto popolare | | | |
| Die heiligen drei Könige aus Morgenland, op. 56 no. 6 | | | |
| Dream Children, op. 43: I. Andante | | | |
| Dream Children, op. 43: II. Allegretto piacevole | | | |
| Eine Alpensinfonie, op. 64: I. Nacht | | | |
| Eine Alpensinfonie, op. 64: II. Sonnenaufgang | | | |
| Eine Alpensinfonie, op. 64: III. Der Anstieg | | | |
| Eine Alpensinfonie, op. 64: IV. Der Eintritt in der Wald | | | |
| Eine Alpensinfonie, op. 64: IX. Auf der Alm | | | |
| Eine Alpensinfonie, op. 64: V. Wanderung neben dem Bache | | | |
| Eine Alpensinfonie, op. 64: VI. Am Wasserfall | | | |
| Eine Alpensinfonie, op. 64: VII. Erscheinung | | | |
| Eine Alpensinfonie, op. 64: VIII. Auf blumigen Wiesen | | | |
| Eine Alpensinfonie, op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen | | | |
| Eine Alpensinfonie, op. 64: XI. Auf dem Gletscher | | | |
| Eine Alpensinfonie, op. 64: XII. Gefahrvolle Augenblicke | | | |
| Eine Alpensinfonie, op. 64: XIII. Auf dem Gipfel | | | |
| Eine Alpensinfonie, op. 64: XIV. Vision | | | |
| Eine Alpensinfonie, op. 64: XIX. Gewitter und Sturm, Abstieg | | | |
| Eine Alpensinfonie, op. 64: XV. Nebel steigen auf | | | |
| Eine Alpensinfonie, op. 64: XVI. Die Sonne verdüstert sich allmählich | | | |
| Eine Alpensinfonie, op. 64: XVII. Elegie | | | |
| Eine Alpensinfonie, op. 64: XVIII. Stille vor dem Sturm | | | |
| Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | | | |
| Eine Alpensinfonie, op. 64: XXI. Ausklang | | | |
| Eine Alpensinfonie, op. 64: XXII. Nacht | | | |
| Elegy, op. 58 | | | |
| Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) | | | |
| Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London | | | |
| Fantasia for Cello and Orchestra | | | |
| Fantasia on a Theme by Thomas Tallis | | | |
| Fennimore und Gerda: Intermezzo | | | |
| Fifine At The Fair | | | |
| Five Variants of "Dives and Lazarus" | | | |
| Flos campi | | - Corydon Singers, 今井信子, English Chamber Orchestra, Matthew Best
- Bournemouth Sinfonietta, Bournemouth Sinfonietta Choir, Norman Del Mar, Frederick Riddle
- Christ Church Cathedral Choir, Oxford, Roger Best, English String Orchestra, Stephen Darlington
- Royal Liverpool Philharmonic Choir, Christopher Balmer, Royal Liverpool Philharmonic Orchestra, Vernon Handley
- (show 2 more)
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| From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl) | | | |